Recently David Morris wrote an article for the online magazine Bluegrass Today suggesting rather strongly that Hazel Dickens should be in the IBMA Hall of Fame. Since Hazel, and her singing partner Alice Gerrard, are both featured in a chapter of Murphy's book, Pretty Good For A Girl, that topic is right down Murphy's alley. So, as soon as she remembered her user name and password (which involved getting a new user name and password!), she posted a comment. You can read the article and all the comments here.
John, one of my North Carolina students, made the long trek to Winchester for some Marathon lessons and jamming this week. John, who has attended both our Beginning and Intermediate Camps, was so convinced of the power of the Tip Jar Jam that he took the bull by the horns and rounded up a teacher to lead a jam for him and some of his picking friends in North Carolina. Jamming has done wonders for John's playing. As I told him, he is more confident and he knows the jam ropes: how to listen for the chord changes, how to vamp quietly, how to alternate breaks, how to come in on time for his breaks, and how to use the capo (at least in A; C was a challenge!). These are the things you just can't learn in a lesson setting.
Trying to maximize his picking time, John had set up lessons on Tuesday and Wednesday so he could stay for both jams. Tuesday was the smaller jam with Janet, Kenney, and Doug. We had a good time alternating between the songs John played and the more advanced songs that Doug played (Theme Time, Cheyenne, Lonesome Road Blues). Janet made her jam debut with Arkansas Traveler, picking it in open D on the guitar. It was so good, she even amazed herself! Naturally, I got out the fiddle and played along. ...continue reading
[Betty Fisher, a Tip Jar Jam regular, was kind enough to blog about her recent jamming experience. Betty has been having some problems with bats in her house, hence the blog title. She is also a very, very good sport!]
My friend and neighbor Stephanie is a beginning guitar student of Murphy’s. She and I have been threatening--or rather promising--to get together and jam as Murphy has suggested. Finally on Sunday we were able to do that.
We sat out on Stephanie’s beautiful new stone patio in the shade with a nice breeze blowing. Steph warned me that she had not practiced for a couple of weeks. She had also let Murphy know that things would be on hold for a short while, then she would get back in gear with her lessons. ...continue reading
I have a bunch of new custom lesson I've added to my list and here they are:
- Big Country (Bela Fleck) (A) Watch clip. - This is a great tune of Bela's. Definitely advanced, but on the scale of all of Bela's tunes, not that hard.
- Cattle In The Cane (A) Watch clip. - This is a fiddle tune, and it really gave me a time working out an arrangement. There is NO way to play it scruggs style. It ended up being a mixture of melodic and single string.
- Daisy A Day (B) Watch clip. - Easy strumming arrangement to sing along with.
- Greensleeves (B) Watch clip. (Single note melody version.) - This tune is also on the Casey's Christmas Collection DVD, but that version is much harder than this. Here I just teach the meldoy, one note at a time. Also the guy who ordered it stiffed me, so I'd appreciate it if some of y'all ordered it...
- Gum Tree Canoe (High Break) (I) Watch clip. - I already have the low break to this on the list. The high break is much harder, but really fun in a kind of ridiculous way. I'll include both breaks when you order this song.
- In The Gravelyard (I) Watch clip. - A Blue Highway hit. This is Jason Burleson's kickoff break.
- Rockwood Deer Chase (Don Stover) (A) Watch clip. - A really, really cool tune in D tuning. Jim Mills also recorded it.
- You Are My Sunshine (I) Watch clip. - Nice, familiar tune that lays out well on the banjo. This is an intermediate arrangement.
You can order any or all of these on my website: caseyhenry.net
When I heard about the forthcoming CD project from Patuxent Music featuring Washington D.C./Baltimore/Northern Virginia-area banjo players I got super excited. The list of participants includes both legendary players and up-and-comers, bluegrass and old-time. Here, to whet your appetite, is a partial list: Tom Adams, Eddie Adcock, Paul Brown, Donnie Bryant, Bill Emerson, Cathy Fink, Joe Herrmann, Pete Kuykendall, Reed Martin, Doug McKelway, David McLaughlin, Mike Munford, Bill Runkel, Mark Schatz, Dick Smith, Roni Stoneman, Steven Wade, and Chris Warner.
I first heard of the project when my mom and I were both asked to participate. Co-produced by ace picker Mark Delaney (who plays with Danny Paisley and the Southern Grass) and Randy Barrett (president of the DC Bluegrass Union) the as-yet untitled project [now titled The Patuxent Banjo Project] will be released in the Spring 2014. ...continue reading
I wish I could tell you the story behind this title, but, alas, it's too risque, it's too long, and it's not about the music anyhow. But it was really funny when Ben told it!
Our jams have been smaller this summer, with so many folks taking vacations but I think everyone has enjoyed the novelty of having fewer pickers. (More breaks!!!!) Tuesday night's jam, with Kenney, Janet, and Betty, turned into an all-instrumental jam with the exception of Roll In My Sweet Baby's Arms which I sang so I could practice my gender flipping ("Daddy was a beauty operator....") and Betty could practice her break. Neither Janet nor I were in good voice and we didn't really want to sing, so we didn't! So we just picked. When we ran out of instrumentals, we turned some of the singing songs into instrumentals: I Saw The Light, Worried Gal, Two Dollar Bill.
And then because Janet and Kenney were carrying the rhythm so well, I got out my fiddle! ...continue reading
(Casey's students, Ben and Kasey, who are also regular Tip Jar Jammers, recently attended the Augusta Heritage Bluegrass Week in Elkins, W.Va. I asked Ben to write a little about their experience. So, heeeeeeeere's Ben!)
Told ya I'd write a blog on our Augusta experience and I didn't want to let you down so here goes.
First off I need to touch on what got us to attending Augusta. Last year after Casey's return from Augusta she had mentioned that it might be a good fit for my Kasey. Especially since there are more young people there versus our local jams. That got things started. So over the course of the winter I did some research and read up on it to try to get some understanding about this event. Since Kasey definitely wouldn't do this by herself that meant I needed to be going. So I thought it would be best for me to take the bass course and her to do the banjo stuff. This would allow her to start to separate herself from me a little. What you have to understand is that it's a little nerve racking especially since we both have been under the wings of our banjo and bass bosses. (Murphy and Casey) When things go wrong they're always there to bail us out and mostly in a kind way! Unless you're me and you play Fireball Mail when you're not supposed to! ...continue reading
Our regular Tuesday Tip Jar Jam was canceled this week so I could go up to Elkins, West Virginia, and give a talk about my book, Pretty Good For A Girl. I also played in a concert that night with another band of "Merry Chicas" that included Casey, Laurie Lewis, Kathy Kallick, Tammy Rogers, Sharon Gilchrist, and Mary Burdette. "My, my, my" as the song goes! I was accompanied on my trip by my friend and "personal assistant," Kathy Holliday, who is the Best Book Seller Ever and a great road-tripping buddy. We talked all the way up, and all the way back. And on the way back we also Ate Chocolate and Drank Cokes! Yippee!
The book talk went great. IMHO, it's finally shaping up now since I've given it a number of times. I've finally figured out that I do better sitting down with "my banjo on my knee" and just talking. When I run out of things to say or feel like I'm "yammering," I punctuate the talk with a song. This time, Casey joined me on stage so we had the full force of two banjos! As one of our songs, I got the audience to sing along with us on "Worried Gal," in the women's key of C and asked them to pay attention to how difficult it was to actually remember to sing the word "gal" instead of "man," which is the more conventional way to sing this (and the way the Carter Family sang it).
After being immersed in a book talk and an all-female band, I'm feeling my feminist oats! I was so proud that Laurie Lewis called me a "firebrand." High praise, indeed! ...continue reading
Murphy and Casey appeared at the after-lunch roundup during Bluegrass Week at the Augusta Heritage Center in Elkins, WV, July 29, 2014. "Lonesome Road Blues" was the first tune ever recorded by a woman playing Scruggs-style banjo. That woman as Roni Stoneman.
Tuesday evening during Bluegrass Week all the female instructors played a set at the evening concert. What a fun show! Here is "Banjo Pickin' Girl". Murphy and Casey Henry (banjos), Kathy Kallick (guitar), Mary Burdette (bass), Laurie Lewis and Tammy Rogers (fiddles), Sharon Gilchrist (mandolin).
Instead of blogging about last night's Tip Jar Jam (wonderful though it was with Kathy H, Kristina, Heather, and David), I thought I would share some thoughts from our second Women's Banjo Camp, which was totally amazing. We're already looking forward to next year, July 24-26, 2015.
Michigan Sue, who also attended our Beginning Banjo Camp last fall, thoughtfully provided me with today's title. Sue has made a lot of progress in the nine months since "Baby Banjo Camp" and I congratulated her on it. Whereupon she uttered this amazing sentence: "It finally dawned on me to start listening to bluegrass! It's made a huge difference." I thought that was profound so I grabbed a marker and wrote it down. Another woman added that she had been listening to bluegrass on Sirius Radio in the car "all the time" and pointed out, "It soaks into you!" Indeed it does! ...continue reading