Archive for November, 2008

Pictures from Dalton Brill’s Memorial Pickin’

Wednesday, November 12th, 2008

Casey HenryFor those of you who couldn’t come to Dalton’s service, but who wanted to, here are some pictures from the memorial pickin’ we had at the shop the afternoon after the funeral.

Dalton Brill\'s Barber and Musician Shop

Dalton Brill\'s Barber Pole

Dalton Brill’s barber pole.

Logan, Murphy, Red

Picking in the shop. L-R: Murphy’s student Logan on banjo (you’ve read about him in previous blog posts), Murphy on fiddle, Red on mandolin, Gerald Crowell on guitar at right.

Murphy Henry

Murphy picking “Under The Double Eagle” on Dalton’s banjo.

Marshall Wilborn

Bass player Marshall Wilborn, one of Dalton’s Wildcats, taking in the music.

David, Chris

Wildcats David McLaughlin and Chris Henry.

Dalton\'s barberin implements

Some of Dalton’s barbering implements. Note his CD, prominently displayed.

Sharpening strop

Dalton’s sharpening strop.

Watch and Listen

Tuesday, November 11th, 2008

Red HenryI recently agreed to play a charity fundraiser with some friends, Charlie and Charlotte and their Sweetwater String Band. I’ve have played quite mandolin on a few gigs with Charlie and Charlotte over the years, but for this show, since one or two of their regular pickers weren’t available, they needed to include a couple of folks I hadn’t performed with before, Troy on banjo and Larry on fiddle.

Now, when you have a public performance coming up, what do you do to get ready? Along with your own individual practice, to make sure you’re warmed up on your own instrument, the whole band needs to get together and rehearse to make sure they can play their best together. So we all got together last Sunday to practice at Charlotte’s house, and started running over the material for the two sets which Charlotte planned to play at the show.

These five musicians had never performed together before, but we all knew what to do: WATCH and LISTEN. To know when to play lead or sing harmony, LISTEN to the bandleader’s instructions and preferences, and remember them. To know when to play backup or be quiet, WATCH and LISTEN to what all the other people are doing, and don’t step on them. To know when to split a lead break, WATCH and LISTEN. Be ready for the subtle, sometimes almost-instant “handoff” from the other lead player, so that you can take over the second half of the break without hesitation.

This also brings up some “Don’t’s” which you can figure out well enough: when playing, DON’T pay attention just to yourself as the rest of the band listens to each other and tries to sound their best together. DON’T throw in all your favorite licks at every opportunity, but play (1) what belongs best in the song and (2) what sounds best in that particular group. DON’T make the show all about you, but concentrate on making the bandleader(s) sound as good as you can– they’re the people who hired you. Back them up. That’s what you’re there for.

This isn’t hard, but you do need to have the right attitude. I’m glad to say that everybody knew what to do in the rehearsal, and we sounded fine. I’m looking forward to the show.

Don’t worry, you’ll get a report.

On The Road: Why Winchester

Monday, November 10th, 2008

Murphy Henry[This is my Banjo Newsletter column from May 1986. It did not, in fact, make it into my book. Guess there wasn’t enough about banjo playing in it! I reprint it here to share with you my first glimpse of Dalton Brill’s Barber Shop where I’ve taught for the last 22 years.]

Well, folks, greetings from the thriving metropolis of Winchester, Virginia! WE HAVE MOVED! It’s over! It’s done! No more following a 24-foot U-Haul truck through the mountains at 25 miles per hour! No more wandering around in Columbia, South Carolina, looking for Interstate 77! And no more wondering whether we are going to like this house that we have just committed a lifetime of payments to. We love it!

But, why Winchester? Well, now, I’m not really a big believer in signs but….on our first visit to Winchester, back in December, naturally one of our first concerns was to find a place where I could teach banjo. I mean, first things first. Not four blocks from the house where we were staying [with David McLaughlin], there it was: Brill’s Barber Shop and Musicians’ Shop—Specializing in Bluegrass and Country Music. Now I have taught at several different music stores in my time, but none of them has ever mentioned the word “bluegrass” in its logo, marquee, or advertising. That was Sign #1. Red and I went in and were introduced to the proprietor, Dalton Brill, who, being between haircuts, was sitting down playing his banjo. (Sign #2.) It was a Gibson. (Sign #3.)

Now in order to understand Sign #4, which is a biggie, I will have to digress for just a moment. On Christmas Eve, John and Lynn Hedgecoth [Red’s uncle and his wife, both musicians] came over to our old house in Hawthorne, Florida, to exchange gifts, see how much our kids had grown, pick a little, and gossip about Prominent Bluegrass Musicians. John just happens to be one of the best banjo players in the world. In between Bill Monroe stories, he was wandering around looking at all our books. He came back and said, “Is that a Don Reno Instruction Book you have? I’ve never seen one.”

“No,” I said, “that’s a Don Reno Song Book. I traded Don Wayne for it up in New Jersey. I didn’t know Don Reno had published an instruction book.”

“Oh, yes,” said John. “I’ve always wanted one.”

“Well, if I ever see any,” I said, “I’ll get two. One for me and one for you.”

So what do you think happened? Up in Winchester the very next week, I walked over to the rack of music books in Brill’s and found a whole slew of Don Reno Banjo Instruction Books. And that was Sign #4. I bought two.

(more…)

Banjo Newsletter 35th Anniversary Issue

Friday, November 7th, 2008

Casey HenryWe’d like to bring your attention to the November issue of Banjo Newsletter magazine. It is the 35th Anniversary issue, celebrating continuous publication since the first issue in November 1973. It features all sorts of history and reminiscences about the magazine, including a tab from the very first issue, and many tributes to founder Hub Nitchie. All the columnists reflect on their years with the magazine and Murphy returns to write her “On The Road” column. Especially exciting is the long-awaited return of the Flint Hill Flash, intrepid reporter from the Flint Hill community in North Carolina, where everyone plays banjo and wants to pick like Earl. If you’ve never read BNL before, this is the perfect issue to start with. Call them up (800-759-7425), subscribe, and ask them to start you with this special issue.

The Misfits at Dalton’s Shop

Thursday, November 6th, 2008

Murphy HenryAs you saw on our November 3rd Blog, my good friend and banjo-playing buddy Dalton Brill died on October 29. I’ve been teaching at Dalton’s combination Barber Shop and Musician’s Shop since we moved to Winchester in 1986. As I told the folks at Dalton’s funeral, our friend David McLaughlin had been instrumental (no pun intended!) in getting us to move to Virginia from Florida and one of his hooks was that he knew a place where I could teach banjo. David said it was just down the street from his house on the Olde Towne Mall.

So when Red and I drove to Winchester to check things out, we went by the shop and met Dalton. He was very gracious, as I learned he always was. I told him I’d heard he had an opening for a banjo teacher. He told me that he’d never had anyone teaching at his shop before, but he was willing to give it a try. We negotiated lesson prices and a commission for him and I was all set. It wasn’t until years later when Dalton and I were reminiscing about our first meeting that I found out that Dalton didn’t know me from Adam’s house cat and that David had never said anything to him about my teaching there! But, as usual, Dalton rose to the occasion—being the Southern Gentleman that he was—and wanting to spare me any embarrassment, he just said sure, I could teach there. He was just hoping I could actually play the banjo!

What he didn’t tell me was that his dog Shotzie—a Doberman pinscher—stayed in the back room during the day (and in the shop at night), and that I’d have to walk through there to get into the shop (unless I wanted to come in the front door and walk past all the men waiting for haircuts). I’m afraid of dogs in general (and men getting haircuts in particular), so I opted instead for crawling through a window into my teaching space. (The window was an indoor old-fashioned type that slid up and was low to the ground so it wasn’t hard to do.) Dalton later told me that he got a real kick out of seeing me crawling thought that window. I guess it was sorta funny looking!

Dalton was pretty much solely responsible for all the students who started lessons with me to begin with. Not only did he run an ad in the paper, he also corralled any of his customers who showed the slightest interest in guitar or banjo. I’ve written about Dalton several times in Banjo Newsletter (those columns are collected in my book….) and maybe we’ll post those later.

Murphy’s Misfits—the first group of my students to jam together—originated in his shop and as you can see from the pictures posted on Monday, the tradition continues. The current group of unofficial Misfits (I haven’t told them they are Misfits yet!) is, left to right: Chick, Steve, Bob Van, Mark, Susan, and Bob Mc. I’m the short person in the front in the green Kaufman Kamp T-shirt with the STELLING BANJO.

In the hour and a half jam we had on Saturday, we played six tunes: Banjo in the Hollow, Cripple Creek, Boil Them Cabbage, Cumberland Gap, Foggy Mountain Breakdown, and I Saw The Light. Everybody did great! We actually had NO train wrecks. I was so proud of all the students. I’m hoping to make this a regular monthly affair. We’ll see! I can’t stress enough how important it is to LEARN YOUR VAMP CHORDS. That’s what making jamming possible. Who knows? Maybe you can stop by Winchester and join us sometime. After all, Carol Lombardo came all the way from Alaska!

Scales

Wednesday, November 5th, 2008

Casey HenryOn Monday we received this question from a student:

At least with what DVDs I have of yours I don’t recall seeing or hearing anything about learning scales on the banjo. Could you maybe post about scales on your Daily Blog? Thanks!!

This student is correct in that we don’t teach scales on any of our DVDs, with the exception of the Blackberry Blossom (aka Medodic) Video. We don’t teach them because we don’t consider them particularly relevant to Scruggs-style playing (again, with the abovementioned exception). Because the banjo uses rolls, it gets the melody in a different way than the other instruments (guitar, mandolin, fiddle) that play liner melodies. We do still use the notes that are in the scale, but it is more useful to think in terms of licks, which work nicely as independent pieces that you can then move around and use in different songs.

Learning and practicing scales will not help you develop the skills you need to play with other people in a jam session or to improvise with licks, and those are our goals for all our students. So, unless you are the kind of person who really likes scales (some people do, I can’t imagine why), don’t worry about them.

Now, if your aim is to play the banjo in a more progressive (think Noam Pikelny), or melodic (Bill Keith), or jazz (Bela Fleck) style, then you definitely should learn all of your scales–all twelve keys, major and minor. But I don’t feel that many of our Murphy Method students fall into that category!

Performing in Florida

Tuesday, November 4th, 2008

Red HenryHello, Folks—Today I just thought you’d like to see a couple of video clips from a 1989 performance by Red and Murphy & Co. We were performing on stage at the Spirit of the Suwanee festival, in north Florida, along with our friends Karen Spence, Tuck Tucker and George Custer:

First, you’ll see us singing that old favorite, “East Virginia Blues”:

http://www.youtube.com/watch?v=dyniQXqMzDM

(Band personnel: Murphy Henry, banjo; Red Henry, guitar; George Custer, fiddle; Karen Spence, bass; and Tuck Tucker, dobro.)

…and here we are performing Murphy’s original song, “How They Loved to Sing”:

http://www.youtube.com/watch?v=JPNx3QOXWK4

—Many thanks to Butch Burns, producer of the Bottom Dollar Bluegrass TV shows in Tallahassee, for sending us these clips. Happy listening!

In Memory of Dalton Brill

Monday, November 3rd, 2008

Brill\'s Barber Shop window

Dalton Brill - April 10, 1935-October 29, 2008

Read the Winchester Star article on Dalton from October 31, 2008.

Brill’s Barbershop is where Murphy’s Misfits originated.

Brill\'s Barber Shop

Murphy’s current group of Misfits at their jam on November 1st, 2008:

Murphy\'s Misfits

Photos by Ellen Zimmerman.