Archive for December, 2008

Behind the Scenes of Slow Jam 2

Wednesday, December 3rd, 2008

Casey HenryToday we have for you some pictures of the filming of our DVD Picking Up The Pace: More Slow Jamming with Murphy and Casey. We filmed back in August and it seems like ages ago. Here is what took place in our Winchester, VA studio on the first day of filming:

Murphy and Casey

Murphy and Casey’s wardrobe and makeup test.

David, Casey, Murphy tuning

David McLaughlin, Casey and Murphy tuning, which is a very important part of filming!

David McLaughlin

Before we even started the first tune, David broke a string. This is him changing it.

Red

Literally behind the scenes..this is Red running the camera, which is what we look at the whole time you think we’re smiling happily at you!

Murphy and Murphy

And last but not least, this is Murphy, and yes she is watching her own video! She carefully reviews the breaks to the songs before filming to make sure she plays them the same way that she taught them.

SOME people can both PLAY and LISTEN!

Tuesday, December 2nd, 2008

Red HenryA thought occurred to me last Saturday, when we were picking at my birthday party in Nashville. All the folks in the jam could play quite well, and it was a big jam. There were 13 or 14 of us in the picking circle, including two or three banjos, two mandolins, half a dozen or so guitars, three or four fiddles, and a bass. Normally in a group that size, the mandolin players and lead guitar players can’t be heard at all, even when they’re playing a lead break. But you know what? In this jam, EVERYBODY could be heard. NOBODY got drowned out—not the mandolin players, not the lead guitar players, NOBODY.

This was because all the pickers in the jam were not only good PLAYERS, but good LISTENERS too. Everybody LISTENED to what was going on—to whoever was playing lead or singing at that moment—and made sure that the lead got heard. This meant, in several cases, that pickers would stop playing entirely during a quietly-sung verse or a softly-played lead break. But it sure was good for the music.

Remember that good musicianship includes not only PLAYING, but LISTENING too. One mark of a really good musician is that he or she is always trying to make the GROUP sound good. That’s a goal everyone can aspire to. Next time you’re in a jam, don’t just PLAY. LISTEN.

Teaching at the Barber Shop Winding Down

Monday, December 1st, 2008

Murphy HenrySort of a sad day here. Brill’s Barber Shop and Musician’s Shop where I have taught for the last 22 years is now empty. All the guitars that were hanging up—attached by metal shower curtain hooks and dangling from a long metal pipe attached to the wall—are gone. The shelves filled with CDs and cassettes are now empty. The pegboard that held strings, capos, kazoos, and a musical saw is now barren. All the banjos had made their departures earlier, purchased by lucky students who got some really good deals.

The talking moose, Buck, given to Dalton on his birthday by David McLaughlin and Marshall Wilborn, has found another home. (“What am I gonna do with that?” Dalton asked. “I’ll have to put it up somewhere.” He ended up having loads of fun with it, teasing the little kids who came in for hair cuts by going out in the hall and making Buck talk to them with the remote microphone.) The jackalope that Lynn Morris gave him has also been hauled away. Even the old-fashioned barber chairs are gone. My friend Patty Henry bought the ancient cash register. Dalton never rang up any sales on it, he just kept his money in there. The drawer opened when you pulled the handle. I’m glad it found a loving owner.

This was the first time I had seen the shop empty. The auctioneers loaded things up while we were out of town for Thanksgiving. I came in today to get a few of my things out and as I stared at the empty showcase and the walls devoid of pictures, I thought of a great song we used to sing at our regular Wednesday night concerts in the basement of the shop. It was called “There Was An Auction At The Homeplace” and it was written by Mike Henderson, of Shepardstown, West Virginia. One of the most poignant phrases to me has always been “the house’s heart was empty.” That’s the way the barber shop felt today. The auctioneers had come, they’d “put everything in boxes,” and they’d hauled a life away.

One of the few things remaining is my little table where I keep all my teaching stuff—Banjo Newsletters, picks, bracket wrenches, tiny screw drivers, wire cutters, cassette players, blank cassettes, Murphy Method DVDs, CDs to give away. It’s very crowded. I’ll be teaching in the empty shop though December while I look for a new location in which to ply my trade. I’ll have to dig up a couple of chairs, though. Those are gone, too. But maybe, just maybe, I’ll put up a Christmas tree.