Archive for February, 2009

The Man Who Invented the Banjo

Friday, February 27th, 2009

RedNow, I know what you’re going to say: that the banjo was invented a long time ago by a person nobody knows now. But I’m not talking about just any banjo, I’m talking about the 5-string banjo, with four long strings and a short one at the top: a banjo like the ones we use to play American bluegrass and traditional music on now.

According to bluegrass legend, the inventor of the 5-string (in its modern configuration) was Joel Walker Sweeney, an 1800s minstrel from near Appomattox, Virginia. Well, it so happened that I was driving along a highway in south-central Virginia one day a few years ago, and I suddenly noticed this sign at the side of the road:

Sweeny Historical marker

A light came on. I was near Appomattox! This sign must be talking about THE Joel Walker Sweeney, the man who invented the 5-string. So I got out my trusty camera and took a picture of the sign, and then followed the driveway nearby back to a small family graveyard some distance from an old house. Some of the stones in the tiny cemetery were modern, but one of them said clearly:

Joel Walker Sweeny grave

–so I stood for a few minutes in contemplation, and took a picture of the stone as well.

I have heard that Joel W. Sweeney and his minstrel troupe were tremendously popular in their day, and even crossed the Atlantic to make a European tour, and while they were there, they played for the queen of England. So the Sweeneys were real entertainment stars, way back then. Then when the Civil War came, Joel’s brother Sam joined the Confederate army and was taken into the staff of cavalry General J.E.B. Stuart, who really liked Sam’s playing and even had him play when riding along on cavalry raids. So the Sweeney family left its mark on American music and saw a lot of history being made.

There are some who say (and perhaps correctly) that Joel Sweeney didn’t invent the 5-string banjo, but just popularized it. But whatever role he played, he’s famous for it now. If you ever happen to see that historical marker, just take a few minutes off from your trip and spend them with the Inventor of the Banjo.

Various and Sundries

Thursday, February 26th, 2009

Murphy HenryI was recently looking through some of the old stuff I’ve held onto for lo these many years (in various “keeping boxes” as we call them), throwing out things I can’t remember why I kept, and trying to organize the rest and date some of the letters (sans envelopes) that Mama started off with “Tuesday morning” or “Wednesday afternoon.” (Love the perpetual calendars on the internet!)

And why am I telling you this? Because I ran across two banjo books! One is titled Fun With The Banjo (Five String or Plectrum) by Mel Bay (copyright 1962) and the other is Modern 5 String Banjo Method published by M. M. Cole Publishing Co., (copyright 1941).

I am a little reluctant to poke fun at the Mel Bay book since the company now distributes our DVDs (and are wonderful people, let me add). Suffice it to say that both books were simply wrong for me because they were all about flat-picking the banjo which was tuned in “C.” I’m guessing they came with an el cheapo banjo I got one Christmas (and never learned to play). Since I could already play guitar, I could strum the banjo easily but it sounded awful, and I never really quite got the point or understood what it was all about. This was before I’d had my life-changing Saul-on-the-road-to-Damascus experience at the Lavonia, Georgia, bluegrass festival in the early seventies where I finally “got it” about bluegrass and also met Red!

And you know, it wasn’t like I hadn’t heard bluegrass before that. I actually got to watch some of the Flatt and Scruggs shows on TV. I think they came on Saturday afternoons, along with other shows like the Porter Wagoner Show and the Wilburn Brothers Show. I liked watching them and enjoyed the music, don’t get me wrong, but they just weren’t any big deal. The thing I remember most is how funny I thought they all looked when they took off their hats to sing a gospel number. And the song I remember best is the Pet Milk commercial: “When you go to the grocery store buy the best milk you can get/You’ll start cooking with a golden spoon when you start cooking with Pet/Evaporated Milk.” I realize now that it was sung to the tune of “Boil Them Cabbage Down.”

I guess it just wasn’t time for the bluegrass bug to bite me then. I was content to play my baritone ukulele at various church and Girl Scout camps, singing all those great old folk songs like “Kum By Yah,” “If I Had A Hammer,” “Michael Row The Boat Ashore,” “Stewball,” “The Cruel War” (a heart-rending fave especially for a tomboy like me who loved the lines “I’ll tie back my hair, men’s clothing I’ll put on and I’ll pass as your comrade as we march along”), and “Blowing in the Wind.” Eventually I graduated to guitar, continuing to play it like a uke at first (on the last four strings) because the chords were so hard to make. And finally I found my way to the banjo. But that story will have to wait until another time because this blog is long enough already! Thanks if you read this far. You could have been practicing your banjo!

How We Percieve our Playing

Wednesday, February 25th, 2009

Casey HenryI just got back from the weekly At Least We’re Hot jam session. I thought that I played pretty well tonight (I play fiddle with this particular group). At first I thought it was because it had only been five days since our last jam, rather than a whole week, so I was a bit more in practice. But then, on my drive home, I was reflecting that I probably played about as well (or as badly) as usual, and for some reason I percieved it as better. Maybe it was because I was in a good mood. Maybe it was because of my new shoes:

Pink Flowerdy Docs

In any case, I think that often happens—that our perception of how we play has little to do with how we actually play. Sometimes people will get very discouraged over having a bad playing day, but it almost always is not as bad as they think. (Of course, it works in the opposite direction, too. If you think you played awsomely, it may not have been much better than average.) It’s the same principle by which I judge my hair. Some days I think it looks great, for no particular reason; some days it looks awful, for no particular reason. But to everyone but myself, it probably looks almost identical.

I don’t know what factors go into how we percieve our playing, but take that into account when you think you’ve played badly. Don’t get discouraged. But then, when you think you’re playing awesomely, try and hold onto that feeling for as long as possible. It can only be good for your playing!

Why I Appreciate Picking with Women

Tuesday, February 24th, 2009

Casey HenryAt tonight’s jam the banjo player, Julie, who is about to have a baby any minute, said this: “If I’m still pregnant Saturday I really want to go to the banjo workshop!” (Ned Luberecki and Tony Trischka are hosting a banjo workshop at the East Nashville School of Music on Saturday, the 28th of February.) You don’t hear that every day!

Truck for Sale

Tuesday, February 24th, 2009

Casey HenryIf anyone is interested in my truck, I’m selling it.

See the ad on Craigslist.

Four, Count Them, FOUR fiddlers!

Tuesday, February 24th, 2009

RedSometimes picking sessions will end up with a shortage of one instrument or another, but sometimes you might have LOTS of some instruments present. This might mean complete musical confusion, but on the other hand, if the pickers know what they’re doing, they’ll all sound great. It was that way a few years ago at a picking party in Nashville, when we had four fiddlers all playing along:
Mark Wingate, Bob Forrester, John Hedgecoth, Murphy Henry

–from left to right, the four fiddlers are: Mark Wingate, Bob Forrester, John Hedgecoth, and none other than Murphy.

(The other pickers visible are Joe Forrester, his hands visible at far left; excellent banjo picker Sally Wingate, with her back to the camera; and our son Christopher, taking excellent leads on his Martin D-18. I was there, but out of the picture to the left.)

Now, in some jams I’ve seen, if you had four fiddlers playing at once, you might have to say that they were four too many. But not this time! Not only were all four of these fiddlers really good musicians, but also, they all knew just how to play in a jam, and when they all played together, it was a beautiful redneck string section in action. They sounded great.

Next time you have four of the same instruments in a picking session, just remember: they CAN all sound good together! But the players have to know what they’re doing!

New Banjo DVD in the Works

Monday, February 23rd, 2009

Murphy HenryNews flash: This weekend Casey is coming home and we’ll be recording a BRAND NEW DVD of more easy songs for banjo. (Not sure of the exact title yet, but that’s the gist of it.) Casey will be doing the teaching, and I’ll be accompanying her on guitar. Songs that are slated to be taught include: “Ballad Of Jed Clampett”(after many requests!), “Old Home Place”, “Nine Pound Hammer”, “Bury Me Beneath the Willow”, simple up-the-neck breaks to “Blue Ridge Cabin Home” (which we’ve been teaching at camps for years) and “Salty Dog”, and maybe a really easy version of “Amazing Grace”. (The version on the Amazing Grace DVD is good, but it is really hard! As you may have found out.) So hopefully we’ll be blogging about that.

I now send you onto the blog I first wrote, before I remembered to mention the DVD!

Not Much Bluegrass Content

Good morning, folks! Sorry if you tuned in early and found no new blog. Entirely my fault. I was down in Georgia this weekend with my folks and didn’t get back till late. (Well, it was 8 o’clock, which after nine hours on the road felt late.) And then I had to send my weekend report to my sisters (we call it a “hotwash”) and I got carried away talking about how cute Mama and Daddy both are. (As you may recall my mentioning, they both have Alzheimer’s.) Mama, however, can still play Scrabble (although she does sometimes come up with unique spellings!), so we played three games in a row on Saturday and two more before I left on Sunday morning. I love spending time with her like this. Saturday night we all settled down on the couch in the TV room to watch a DVD of “Arsenic and Old Lace” with Cary Grant. What a weird movie! I’m sorta glad I watched it as I’d heard the title forever, but I certainly wouldn’t watch it again. I didn’t mind the dead bodies so much, but there was entirely too much yelling!

And then, too, after I got home last night, I had to watch the Academy Awards. (With Hugh Jackman!) I didn’t make it to the end, and I missed the first hour, but what I saw, I enjoyed. For some reason I really enjoyed seeing Joel Gray (who helped present Best Supporting Actor). I love him, not from Cabaret, but from the TV series Buffy the Vampire Slayer! (He played a very bad man….er…demon. And did a fabulous job.)

So, this morning I am headed over to Bluegrass Unlimited to write my monthly column, “The General Store.” If you’re not yet a subscriber to this fine publication, it’s still the Bible of bluegrass as it’s been for over 40 years! Great articles (Casey often writes for them), great record reviews, and even ads provide a wealth of information about festivals, instruments, strings, and other accessories. Many of you probably discovered The Murphy Method in the pages of BU.

And with that, I’m off. Hope you have a most excellent Monday. Don’t forget: Wednesday is Ralph Stanley’s birthday! And my sister Argen’s. And Pete Wernick’s. HAPPY BIRTHDAY TO ALL Y’ALL!

If You’d Been at My House Tonight…

Friday, February 20th, 2009

Casey Henry…this is what you would have seen:

Myrna Talbot

Myrna Talbot tearing it up.

Kelley Luberecki, Julie Pennell

Kelley Luberecki, Julie Pennell really concentrating on the chords.

Janice Young

Jancie Young, holding us all together.

…and this is what you would have heard:

There’s More Handsome Men Than One

Banjo Pickin’ Girl

Come Hither to Go Yonder

Tear My Stillhouse Down

Soldier’s Joy

Wilson’s Clog

Arkansas Traveller

Fireball Mail

Long Journey Home

Did You Ever See the Devil, Uncle Joe

Things I’ve Changed My Mind About

Thursday, February 19th, 2009

Murphy HenryI was thinking the other day during a lesson about all the things about banjo playing that I’ve changed my mind about and I decided to make a list. Many of these are things I was adamant about in my younger days! How time does mellow one….

I no longer think it’s imperative to bring your thumb down to the second string when doing the Foggy Mountain Breakdown lick. I used to teach IMTM religiously. Now I give students a choice!

I no longer think you have to anchor both your ring and little finger (right hand) on the head. I do it that way, but I’m okay with students using either one or both. (Bill Evans and I disagree on this!) I do still think you need to anchor at least one of them, though!

I’ve given up trying to teach the “right” chords to “Roll in My Sweet Baby’s Arms.” (“Right” being code for “the way Lester and Earl done it.” They used four beats of D chord in the next-to-last measure. Words: “roll in my sweet baby’s….”) Today most people split that measure into two beats of G and then two of D. Not wanting to confuse my students, I now teach it that way. (But I still love the sound of those four beats of D!)

I’ve finally realized that other styles of banjo playing besides Earl’s are good too! In fact, I wish I could play some of Don Reno’s stuff. (And it’s not that I think I’m too old to learn, it’s just that I don’t have the burning desire that it takes right now. Maybe in my next life….)

I’ve finally realized that students need to learn to vamp almost as soon as they learn to play their first song. Sure, holding down four-finger chords is a pain but it’s the only way you’re gonna ever be able to play with other people, so might as well get started early.

I’ve not changed my mind about tab BUT I did show one of my students (Steve) how to use an Alan Munde melodic lick he’d learned from tab. I showed him how to put it into the B part of “Cripple Creek.” It’s a really cool up-the-neck lick. (And the only reason I did this is that Steve could actually play it. In time.)

Things I’ve Not Changed My Mind About

I still think learning to play by ear is the best way to learn banjo. Or fiddle, or guitar, or mandolin, or dobro, or bass.

I still believe there you should start off learning to play it like Earl—especially in the beginning. I’m not quite a fanatical about learning every little nuance of his every song though.

I still think the only way to really learn to play is to get out there and play with other people. You can only go so far at home.

I still don’t like to play “Blackberry Blossom” on the banjo! (I don’t like it on the fiddle either. Guess I just don’t like the song!) And I don’t teach it. I let Casey handle that!

I could go on and on, but I will save those thoughts for another day! (And how fun it is to write a whole blog where every paragraph starts with “I”!)

A Banjo-Filled Day

Wednesday, February 18th, 2009

Casey HenryToday I had a particularly banjo-filled day. I started out by sitting down to practice Pat Flynn’s material because I’m going to play a few songs with him at the Station Inn tomorrow night. But when I sat down, for some reason I was particularly inspired (could very well have been the new sweater I was wearing) and all these little licks and pretty rolls patterns started coming out of my banjo. So I worked on that for a while, trying to put them together into what will ultimately become “The Sweater Song.” Then I did actually practice what I was supposed to practice for a while, including the New Grass Revival songs “How Many Hearts” and “Do What You Gotta Do,” which require me to learn Bela Fleck licks—not my strong suit and therefore requiring a LOT of practice.

In the afternoon Michelle Canning came for a lesson. Michelle is the one who bought the second Casey Henry model banjo. She and her mom are in Nashville for a week of seeing the sights and stopped in for a lesson. She is turning into quite the banjo picker. I showed her a relatively obscure Scruggs tune: “Pick Along”. I learned it off of the Scruggs Revue LP “Strike Anywhere” and we listened to that track at the end of the lesson. Some things about the Scruggs Revue I like, some things I don’t like. Among the things that I don’t care for is that the banjo is not high enough in the mix. The saxophone takes a pretty good break, though…

The final event of the night was a practice with Pat Flynn of the songs we’re doing Wednesday night. We just ran the songs once or twice through, since I’d played all of them with him before. We’re just doing these numbers as a duo, though, so that means there is nowhere to hide. I have to know that stuff cold. So there will be at least a couple hours between now and show time when I’ll have the banjo in my hands running the tunes, or, to use an acedemic term, cramming. As I often point out to my students, cramming doesn’t really work in music, but it sure makes me feel better!