Archive for May, 2009

White Springs Trip — Day 1, Thursday, May 21st

Friday, May 29th, 2009

Red HenryFolks, there’s one show I try to perform at every year. It’s the Florida Folk Festival, held each year for three days at the Stephen Foster State Park at White Springs, Florida. I haven’t found anyplace else in the country where it’s more fun to perform. And why is that? Partly, it’s because the crowds are so responsive and glad to be there, and so much fun to play for. And it’s also because of the picking.

At White Springs, the performers– and there are hundreds of them– mostly stay in one campground, and there’s music all over the place. There’s folk music of all kinds, old-time fiddle and banjo playing, bluegrass, and completely non-classifiable music going on for almost 24 hours. You’ll hear instruments ranging from Mastertone banjos and F-5 mandolins all the way to jazz guitars and washtub basses. Once there was an Australian didgeridoo in a jam session, and another time we had a troupe of Masai dancers. Whatever kind of picking (or listening) you like, it’s there! So each year, I go perform at White Springs.

Chris and I timed our trip south to arrive at Randy Wood’s shop, near Savannah, soon after he opened up on Thursday. We had a special reason for dropping by: Randy’s very first mandolin, which I’ve owned for 38 years, had been in the shop for several months for major work, and the good news was that Randy had it ready to pick up! Naturally, I was eagerly anticipating seeing (and hearing) that mandolin. What would it play and sound like? After major repairs, would it have its old, amazing bluegrass tone and response? How many weeks or months of “playing in” would it take before it sounded like it did in the old days?

Randy Wood Mandolin #1Well, when we walked in the shop, Randy had the mandolin lying on his workbench with the strings ready to tighten up. He quickly dressed the frets, tuned it up, and handed it to me. I played an open G note. Wow. I played a G chord. Oh, mercy! The sound filled the room, rich and full. I played some G stuff and some C stuff and some D stuff. I tried it up the neck. The chords were full and clear even up to the 15th fret. The mandolin was a-mazing! Far from needing any “playing in”, it sounded as great as ever. I about fell all over myself thanking Randy for the repair job. I think he was pretty pleased, too.

So we had the mandolin, and it really sounded terrific, and now it was time for lunch. And what should offer itself but bar-b-que? Randy recently built a restaurant, attached to the front of his shop. And his bar-b-que cook had recently quit, so… who should be making the bar-b-que now, but Randy himself! Chris and I had Mighty Fine jumbo Randy Wood pulled-pork sandwiches with trimmings (greens, potato salad, brunswick stew, and more) and talked with Randy while we ate. What an experience— to have Randy’s first mandolin all ready to play, to eat Randy’s bar-be-que, and to have some table conversation with him, reminiscing about old times picking in Georgia!

After lunch we regretfully hit the road, since it would be about another three hours to White Springs. Driving in and out of rain, we arrived there in the mid-afternoon, checked in, and parked in the campground. Some friends were waiting for us, and we started picking. For the time being, the rain held off and we just picked and picked.

This year I was fortunate enough to have a really fine band at the festival. My uncle John Hedgecoth, who got me into playing bluegrass music to begin with, was playing banjo. Our son Chris, who’s a mighty fine picker, singer, and songwriter, was playing guitar. Our Florida friend Barbara Johnson was playing bass for us, and as a special treat, for the first time we’d have a fiddle in the band: Chris’s friend Jenny Leigh Obert was coming down from Nashville. So it was going to be a really fine musical weekend.

We were still picking after dark when Jenny Leigh arrived, and with her fiddle playing to energize the music, we kept on going until a late hour. I think we picked until about 2:30 in the morning, and I finally quit and sacked out in my van. What a good day— and the festival hadn’t even started yet!

Next time– Day 2– Friday!

Misfit Jam

Thursday, May 28th, 2009

Murphy HenryBig News from the jam tonight! Susan improvised a break to “Roll On Buddy”! And it was fine. I knew she had it in her, I just didn’t know when and where it was going to come out. I think its emergence tonight surprised her.

To be sure, we’ve been working on improvising, and she has done the first two songs off the Improv DVD. But “Roll On Buddy” was a song she’d never even heard before. Granted, the chords are the old familiar G, C, and D. The E minor, though, is different. However, as we were getting ready to play, I told the group that the Em could be finessed—or hinted at—by just playing G.

One reason I think Susan was able to do this was that she already plays (and vamps to) “Lonesome Road Blues.” Which, as we found out, has exactly the same chord progression as “Roll On Buddy.” (I wasn’t sure until I sang the chorus of “Roll On Buddy” while Susan played the high break to LRB.) This is not to say that LRB was in Susan’s mind while she was making up her break—on the spot, of course. Still and yet, it was back there somewhere, and unconsciously I think she was able to draw on some aspects of the song. Maybe it was just that the chord progression felt familiar. After all, we’ve been playing LRB a lot in the jam.

So after the song ended and we all congratulated Susan on her first improv, I asked her, “Now, how would you explain to someone what you just did?” She says, “I have no idea!” (Except she did then say, “The Murphy Method works!” and we all cheered!)

Then somehow we got to talking about how hard all this jamming is. Oh, yeah, I remember. Susan said she was going to Casey’s workshop on jamming in Elkton, Maryland, on October 17. I said, kiddingly, “Yeah, Susan. Go up there and show them how it’s done!” Then we fell into talking about how hard jamming is.

Which is when Ellen, the guitarist, said, “I think you are all so brave.”

And I do too!

Just for the record, those present were: Susan, Mark, Bob Mc, and Logan on banjos and Ellen on guitar.

Songs:

Banjo in the Hollow, Cripple Creek, and Boil Them Cabbage played in unison for our warm-up.

Then:

I Saw the Light
Lonesome Road Blues
Blue Ridge Cabin Home
Salt Creek (played by Logan and Susan)
Foggy Mountain Breakdown
Roll On Buddy

PS: Happy Birthday to my oldest friend in the world, Sharon Ramsey (now Schilling), who went with me to see Casey play on the Opry! “Make new friends, but keep the old / One is silver and the other gold.”

Sample Clip from Beginning Banjo Volume 2

Wednesday, May 27th, 2009

We put up a new sample clip today from our Beginning Banjo Volume 2 DVD. This is the tune “Old Joe Clark”—the first phrase of the A part, also known as the “Old Joe Clark lick”:

Red and Murphy Playing Benefit on June 6

Wednesday, May 27th, 2009

Murphy HenryJust wanted to let you all know that Red and Chris and I will be playing at a benefit on June 6 at the Boyce, Virginia, Fire Hall. (Or “far” hall as we say up here.) The music starts at 4 p.m. and we’ll be doing our set about 7 p.m. If all goes well, Logan Claytor, 16, will be getting up to pick a few numbers with us. He is the star of our Wednesday Night Misfit Jam!

The benefit is to help with the medical expenses of 23-year-old Krystal Fanning, daughter of my banjo student, Jeff Fanning. (See, Jeff? I didn’t even say former banjo student. I know you’ll be back!) Krystal was in a car wreck almost a year ago and has had many surgeries on her legs. Her insurance is covering some of it, but not all of it. Hence, the benefit.

So, hope you can make it out to see us. For more info, feel free to give us a call at the usual 1-800-227-2357.

Station Inn Jam

Tuesday, May 26th, 2009

Casey HenryFirst of all, sorry for the belatedness of this morning’s post. I was really and truly going to blog last night, but I got distracted on account of my new iPhone. And then I resolved to get up early to blog, but through whatever combination of circumstances, sleep was not my friend last night. Luckily I could play Tetris on my new phone to while away the midnight hours!

I was at the Sunday night Station Inn jam this weekend. I don’t usually go because I don’t enjoy that type of picking (big, huge group; guitar players with that modern-style rhythm), but I was helping them out behind the bar due to the busy holiday weekend. I thought I’d share some observations from the night.

Picking in such a huge jam is often very hard. At one point the group consisted of six banjos, five guitars, a bass and a dobro. You have to be very confident in your playing and assertive to even get heard. On the flip side, it’s a great situation in which to stand or sit around the outer edges of the jam and vamp along. That’s what one of my students did for a couple hours. And across the jam a former student and another guy (who would have been my student if I had answered his email quicker than Ned Luberecki did) formed a little banjo corner and were trying to navigate their way through the songs companionably side by side.

What really surprised me, though, was the number of people listening. The place was full. And people stayed for a long time, listening to music that often wasn’t that great. I guess people just really like live music.

I overheard one comment from one of the patrons sitting at the bar. A woman was saying to her date: “There’s a whole different kind of bluegrass called old-time. It’s slower and doesn’t have any percussion at all. Not even a tambourine!” People make me smile!

Racing! (No Bluegrass Content!)

Monday, May 25th, 2009

Murphy HenryI’m sitting here in front of the TV as I write this blog on my laptop. Never done that before! I’m watching the Indianapolis 500. Never done that before either! But when I turned on the TV this morning with my second cuppa tea and they were interviewing Danica Patrick (currently running 11th in the race—which is real good), I got hooked. Plus that, it’s the 100th anniversary of the race which is cool. And to pull me in even further, Jim Nabors (Gomer Pyle) sang “Back Home Again In Indiana” in his opera voice.

But the thing that really grabbed me was the starting words of the race. The TV announcer had been talking all along about the “greatest words in racing” or perhaps it was the “best known words in all of sports” and of course I’m thinking what you’re all probably thinking. And then it’s time to start the race, and a woman steps up to the mike and says, “Ladies and gentlemen, start your engines!” And, I swear, tears welled up in my eyes. I was so expecting to hear, “Gentlemen, start your engines.” What a thrill! (Now at lap 45, Danica has now moved up to in 9th place…)

And, as you race fans already know, you can keep watching the action even when there is a commercial because the “side-by-side” split screen allows you to watch the race on the left side and ignore the commercial on the right. (Just kidding advertisers!) I see now that this is only applicable when the race is under the “green” flag. Right now, it’s under the “yellow flag,” when no one can pass and the laps don’t count, and the commercial is full screen.) And I love it that the whole race is sponsored by GoDaddy.com. That’s so 21st century!

Breaking news: “Danica Patrick is on the move,” say the announcers. She’s now in 7th place! I realize by the time you read this, the race will be over and all of this will be old news. But I can’t wait to blog till later because the Fiddle Sisters (with Lynn Morris) are thowing me a birthday party this afternoon and I think there might be wine involved! (Danica now in 5th…)

And I realize that this has nothing to do with banjo playing, but so it goes. And I suppose I could draw a moral, but I’ve got to get back to watching the race with both eyes. I’ll at least close with a bluegrass racing song (not “Molly and Tenbrooks”). “I’m going to the races, to see my pony run, and if I win any greenbacks, we’re sure gonna have some fun!”

P.S. – Wanted to also note that there were two other women in the race—Sarah Fisher and Milka Duno—and last year (2008) was the first year that all three participated.

Girl Jams vs. Boy Jams

Friday, May 22nd, 2009

Casey HenryLast night our jam group At Least We’re Hot got together and picked. Our jams have been somewhat more irregular than we’d like lately due to the occurance of big life events (marriage, birth, divorce, graduation) but now that those are past, for the most part, we hope to resume our weekly schedule. We gathered at Connie’s house in the woods and were greeted with a lovely spread of vegis and hummus, cheese and crackers, fruit, cookies, and, later, Oreo pie.

This sparked a discussion of how girl jams are different from boy jams. I did an entire paper on this topic in college, but that focused mostly on how the jam participants interact with each other in the jam itself. This particular discussion focused more on the incidentals. Such as: whereas we usually have snacks and drinks at our jams, if boys have food at their jams at all it will likely be beer and an open bag of Doritos.

After one of our early jams at our bass player Janice’s house, Kelley (our guitar girl) happened to mention to her husband Ned when she got back home that Janice’s candles had smelled nice and that her clothes still kinda had that smell. His reaction was, “You have candles at your jam?”

One other thing that we have at our jam that I’ve honestly never seen at a boy jam is a baby. Julie’s 3-month old daughter Eva accompanied her mother and we tried our best not to get distracted by Eva’s cuteness. She’s a pretty good baby, but what with the nursing and your run of the mill being-fussy-because-someone-is-not-holding-me, Julie got to play maybe 30% of the songs we did while she was there. What women will do in order to be able to exercise their picking chops!

Misfit Jam

Thursday, May 21st, 2009

Murphy HenryWe were a little light at the jam tonight. Just two banjo players—Susan and Ray—with Bob Van on bass and me on guitar. One audient, Susan’s husband Bill, who played so much last week his hands were hurting and he decided to sit this one out!

We started out with our regular warm-ups, Banjo in the Hollow and Cripple Creek, with Susan and Ray playing in unison. Then we moved on to trading breaks on Foggy Mountain Breakdown.

The rest of the list was:

I Saw the Light
Blue Ridge Cabin Home
Circle
Fireball Mail (I sang a few verses)
Roll in My Sweet Baby’s Arms
Boil Them Cabbage (the finale)

Susan wanted to know what DVD “Roll” was on. I knew she was working on the Improv DVD so I told her “Roll” was on that DVD—only it’s disguised as “Mama Don’t Allow.” Bob, of course, didn’t believe those two songs were anything alike, so I had to sing a verse of “Mama” to show him. Then, for free, I threw in “Will You Be Loving Another Man” which also has the same chord progression, so you can use the “Roll” break for that song too. One break, three songs. Such a deal!

This is only Ray’s second jam and, bless his heart, he is still having trouble adjusting to playing with other people. OF COURSE he can play all these songs just fine at home. I know that’s true. But if you ever want to play with other people (which most of us do), then you have to go through the painful process of learning to jam, which entails learning how to HEAR in a group. Learning how to tune out other people’s playing so you can hear what’s going on in your own head. As I told Ray, you should always be playing to some sort of outline of the song rolling through your mind. With me it’s the words. It may seem odd, but you’re NOT actually playing along to what you are hearing in the jam. You’re playing along to the song as it’s running through your own little gray cells.

But we can talk about this and talk about it, but until you get in there and just DO IT, it’s not going to make a whole lot of sense. So, gather your courage and find a jam session. Beg your teacher to start one. Or start one of your own!

P.S. Thanks for all the birthday greetings!! “Tis sweet to be remembered…”

Banjo Camp North

Wednesday, May 20th, 2009

Casey HenryA fabulous time was had by all at last weekend’s Banjo Camp North. I had the pleasure of teaching there for the second year in a row, and, knowing in advance what to expect, I brought foam to put on the hard camp bed. That made everything better!

Other instructors there for the weekend were Tony Trischka, Bill Keith, Janet Davis, Bruce Stockwell, Mac Benford, Lorraine Hammond, Rich Stillman (a fellow Kel Kroydon endorser), and many, many more. There are many stories to share, but I’ll pull out just a couple (so as not to spoil my next Banjo Newsletter article for you).

Saturday at the camp there was some free time before dinner, so Tom Mirisola of the American Made Banjo Company asked me and Rich Stillman to come to his booth to do a little impromptu jamming. We had a brief little session playing our KK banjos. One of our mail-order students, Robbin, was there with her purple KK banjo (the only purple one in the world!). She bravely jumped right into the fray and took a break on “Salt Creek.” I immediately recognized it as the one off of Beginning Banjo Volume 2! I love to see the Murphy Method put into action and I was proud that she pulled off such a great break!

Tony Trischka was there for the first day and half of camp, and although I didn’t get to attend any of his workshops (since I was teaching myself), he is always delightful to be around. I was especially flattered that he complimented me on my tune Real Women Drive Trucks, mentioning my unusual use of the Keith tuners. When I released that CD back in 2000, Mike Seeger wrote me a letter saying that the use of the tuners was new to him as well. I still have that letter on my bulletin board over my desk.

Here’s one picture from camp: Casey Henry, Tony Trischka, Kelly Stockwell

Casey, Tony, and Kelly

A 5-string mandolin, and a good one, too!

Tuesday, May 19th, 2009

Red HenryA photo just turned up which I’d like to share, since it was from a memorable occasion. This picture was taken at a party in Nashville in early 2002, and it features some remarkable mandolins.

I’ve blogged about this event before, but I hadn’t found this photo at the time. At left are (1) Randy Wood’s very first mandolin, and (2) Randy Wood #3, the mandolin which Bill Monroe once owned. At the right is Randy Wood #1281, the mandolin Christopher plays.

And the other mandolin, the one second from the right, is? — Count those strings! That mandolin is no less than a very special, custom 5-string mandolin which Randy had just made for Vassar Clements. I played it some– it was a very jazzy instrument with a cool sound.

Randy Wood Mandolins

Most mandolins are double-strung, with two each of the E, A, D, and G strings, but the single-stringing on this mandolin made it sound like someone was flatpicking a fiddle– which, if you saw Vassar play, you may remember that he liked to do. The added 5th string was the lowest one, a low C note, so that the mandolin was tuned just like a 5-string fiddle. And it definitely sounded cool.

So not you know, even if you didn’t know before, that there are not only 5-string banjos and 5-string basses and 5-string dobros and 5-string fiddles in the world, but also 5-string jazz mandolins!