Archive for May, 2009

HAPPY BIRTHDAY TO ME AND MY DADDY

Monday, May 18th, 2009

Murphy HenryYes, indeed, folks, today is the day I share my birthday with my dad, Dr. L.G. Hicks, Jr. Or vice versa. He first saw the light of day in1925; I scooted out in 1952. I’ve always liked that reversal of numbers. Although I was raised (just like corn) in Clarkesville, Georgia, my dad’s hometown, I was actually born in Spartanburg, South Carolina, birthplace of the great Don Reno. We were there because Daddy was doing his internship preparatory to moving back home to open his own practice.
He was surely one of the last of the old-fashioned General Practitioners, a real, honest-to-goodness country doctor who, in my lifetime, still made house calls and even treated patients who came to our home.

I’ve been in Clarkesville this whole weekend, spending time with Mama and Daddy, and we will be having our birthday supper tonight. I’ve already given Daddy my present, a song I wrote for him that starts off “Born on your birthday, in South Carolina / You were just 27, and a brand new M.D….”.

I can’t tell you how proud I’ve always been to share birthdays with my dad. It made me feel special. (And with four younger sisters, every little bit helped!) Mama always baked us two cakes. Daddy’s was usually a pound cake and mine, something chocolate, often with M and M’s on top!

Those of you who read liner notes closely may know that for most of my young life I had planned on being a doctor, just like Daddy. (When I was feeling especially pious–usually after a summer revival–I wanted to be a medical missionary!) But my plans were derailed by a higher power when, deep into my third year as a pre-med student at the University of Georgia in Athens (go Dogs!) I went to a show at a small club called The Last Resort and heard folk singer Gamble Rogers perform. Pretty much from that point on my medical aspirations went spiraling down the tubes as I spent most of my time playing my 12-string guitar, learning Gamble’s songs, performing as a folk singer myself, hanging out at the Last Resort, driving long distances to hear Gamble play, and finally, attending my first bluegrass festival (at Gamble’s suggestion) where he introduced me to a friend of his, Red Henry.

If my dad was disappointed that I chose music over medicine and picking the banjo over delivering babies, he never said a word.

So, if you’d like to wish us a happy birthday, you know that Casey, our super web manager, has made it really easy to post comments at the end of each blog. I would like nothing better than to hear from some of you and I’ll be sure to share your comments with my dad!

Murphy Birthday Thread

Saturday, May 16th, 2009

Monday, May 18th is Murphy’s birthday. This is the official “birthday thread,” so post any and all birthday wishes in the comments section of this post!!

HAPPY BIRTHDAY!!!!!

Off to Camp

Friday, May 15th, 2009

Casey HenryToday is the first day of Banjo Camp North 2009 in Groton, Mass. This is my second year teaching at this event. This camp is one where lots of different workshops are offered simultaneously and students can choose which to attend. I’m teaching on subjects such as “Vamping and Beginning Backup,” “Playing Up The Neck for Beginners,” “Playing in Waltz Time,” “What to do in a Jam Session,” and “Scruggs-style Backup.” Camps like this are the perfect place to work out material for future DVD releases. I’ll be trying out some material in the Scruggs-style backup class that may make it onto our next banjo video. I’ll have a full report next week.

I have to say, events like this make me wish I had an iphone (12 days and counting…) so I wouldn’t have to lug my whole computer up there in order to check my email every day!

Misfit Jam

Thursday, May 14th, 2009

Murphy HenryWe had fresh blood at the jam tonight and a whopping crowd of eight pickers. Plus one audient, as we are wont to call a solitary listener. (That was Steve’s wife, Vicki.)

Susan, Mark, Steve, Ray, and Bob Mc were on banjos, Ellen was on guitar, Bill was on tenor guitar (four strings), and Bob Van was on bass. The new attendees were Steve, Ray, and Bill and I don’t think we scared them off!

Songs played:

The Big Three: (Banjo in the Hollow, Cripple Creek, Boil Them Cabbage; all the banjos playing in unison. A fine cacophony and a great way to warm up!)

Then it was on to:

Foggy Mountain Breakdown
I Saw the Light
Blue Ridge Cabin Home
Old Joe Clark
Two Dollar Bill

Susan and Mark, who have been playing OJC the longest, are doing quite well now at coming in for their breaks since Mark shared his “secret recipe” with Susan (come in on the four pickup notes). Bob has not yet learned the B part, so he played the A part and everybody came in together on his B part, which was kinda cool. And I managed to get totally lost in the middle of Steve’s break, bringing the jam to a screeching halt.

It was like this: During Steve’s lesson before the jam, he and I had been working on his tendency to speed up during some of his breaks. It’s no big thing, just a predilection to play slightly ahead of the beat until sometimes, but not always, he manages to pull about one note ahead. What I usually do is make a slight adjustment in my own guitar rhythm to stay with him. I realized tonight that this was not helping him—he often didn’t realize he was out of time since everything eventually evened out—so I told him I’d try to do better about holding the time. (That’s really hard for me to do when someone is just slightly off!)

So during the jam, when he took his break on OJC and started speeding up slightly, sure enough, I followed him! But the rest of the players didn’t, so soon both he and I were completely out of time and I couldn’t stand it, so I stopped everybody. Told them it was totally my fault. Which it was. So Steve started his break again and this time, when I felt him speeding up and wanted to go with him, I actually LISTENED TO THE BASS and that kept me in line. But durn I hated to have to admit that because I knew Bob Van would gloat and fall all over himself grinning. But in the interest of full disclosure—and as part of the overall learning experience for the students—I ‘fessed up, and sure enough, Bob was so tickled he looked like a possum up a gum stump. I told the students if they ever mentioned this again, I would deny the whole story!

I was particularly proud of the students for vamping so quietly. Even in this large crowd, we could always hear the lead being played.

But speaking of hearing, let me close out with this wonderful quote from Ray. When the jam was over and the folks were dispersing, he came up to me and said, “I’ve got to get over this self-centeredness. If I can’t hear me, I can’t play.”

Funny as that is, I knew what he meant. I told him that as he did more jamming he would actually learn to tune out the other instruments so he could hear himself better. But a banjo player getting over self-centeredness? Please! <Grin>

A Small Funny

Wednesday, May 13th, 2009

Casey HenryI don’t regularly read The Onion, but someone brought this to my attention today. In an Onion radio news segment, bluegrass comes under fire:

Those Damn Bluegrass Players at it Again

(If it doesn’t start playing when the page comes up, just click the play icon next to the top item on the list.)

Commenting Now Easier

Tuesday, May 12th, 2009

After numerous complaints about how hard it is to register and comment on our blog, we’ve discontinued manditory registration for comments. So you can now comment instantly, as often as you wish! Happy posting!

Jamming? Pay Attention to the RHYTHM!

Tuesday, May 12th, 2009

Red HenryThere was some pretty good picking not far from here a few nights ago. It just showed how the right rhythm in a session can make a lot of difference.

Well, a LOT of people showed up for this jam. There must have been 14 or 15 musicians there. Pretty often that means it’s hard to get songs and tunes to sound good, since there are so many guitar players (6 or 7, in this case) and so many other musicians (8 or 9, I guess) that it’s hard for people to hear each other well. The two most important parts of each beat— the on-beat and the off-beat— are just out of focus. But this time, things were different!

As we were getting our instruments out and tuning up to play, who should walk in but Marshall Wilborn— only one of the best bass players in the world. Marshall is extremely quiet and shy, but he plays world-class bass rhythm. And we happened to be right next to each other in the jam.

Now, being right next to Marshall had at least two advantages: (1) I could always hear where the beat was, with Marshall playing his solid bass notes; and (2) I could chunk my mandolin rhythm exactly between those bass notes and define the off-beat for everybody (the mandolin I was playing, Randy Wood #3, is not a shy mandolin). So the rhythm never got out of focus, with the bass and the mandolin going, BOOM. chunk. BOOM. chunk. BOOM. chunk. BOOM. chunk. Everybody heard the beat, and everybody heard the off-beat. And everybody played together. There’s nothing like it.

Next time you’re in a jam session, pay attention to the rhythm. It can make the music better for everybody!

Spinal Tap!!!

Monday, May 11th, 2009

Casey HenryNashville, TN – Last night Spinal Tap, or, rather, the Unwigged and Unplugged version of same, played at the Ryman Auditorium. I went to the show having waited so long to purchase my tickets that all the cheap seats (the $35 seats) were sold out. So my seat was pretty good, though pricier than I would have liked. However, the show was absolutely worth the price, so I came away satisfied.

I have been a Spinal Tap fan since the first time I saw the movie, ditto The Folksmen (from A Mighty Wind), and the show featured songs from both “bands”. We heard an introduction just before they walked on stage: “Tonight the role of Michael McKean will be played by Harry Shearer. The role of Harry Shearer will be played by Christopher Guest.” And out the three of them came, starting off the show with an a cappella version of “Celtic Blues.” They played all their big hits, plus we got some cool extras. The set list:

Celtic Days

Hell Hole

Never Did No Wanderin’

Clam Caravan

Bitch School

Locoman

The Bulging River

I’m Gonna Ride all the Way Home (with Delbert McClinton)

Blood on the Coal (with Casey Driessen and Bela Fleck)

Listen

Cornwine

The Majesty of Rock

All Backed Up

Stonehenge

Start Me Up (with Casey and Bela)

Cups and Cakes

A Mighty Wind (with Casey and Bela)

Big Bottom

Do What the Good Book Tells You To (with Annette O’Toole)

End of the Rainbow (with Annette O’Toole)

Rainy Day Sun

Sex Farm

Give Me Some Money

Eat at Joe’s

Celtic Blues (Reprise)

Heavy Duty Rock and Roll

One of the coolest parts of the show was a question and answer section where they turned the house lights up and sent people around the audience with microphones and answered people’s questions— “Any questions that don’t involve the number eleven!”. Most creative question: “If J.J. Abrams came to you and wanted to make a prequel to Spinal Tap, who would play you?”

They showed a couple of fan videos that people had made of Spinal Tap songs. The coolest of these was “Tonight I’m Gonna Rock It” done with LEGO people!!

Another outstanding part of the show was a dramatic reading. Soon after the theatrical run of the movie “This is Spinal Tap”, which, according to them was “more like a brisk walk,” NBC decided to air it on television one night in the 11:30 slot. The movie, of course, had to be run by the sensors and the head sensor was a guy by the name of Bill Clotworthy. Mr. Clotworthy made a list of the things that needed to be edited out in order for it to be aired and they treated us to a reading of that list. The whole audience was howling with laughter and later Harry apologized to the spirit of Ernest Tubb for the profanity they used on the stage of the Ryman.

The show really made me want to go back and watch all the Christopher Guest movies, including Waiting for Guffman, Best in Show, and For Your Consideration. The tour continues for a couple more weeks, so if they are playing in your area, I highly recommend going to see them. You won’t be disappointed!

Clawhammer Vol. 2 Now on DVD

Friday, May 8th, 2009

Red HenryFolks, there’s good news today from the Murphy Method: Our Clawhammer Banjo Vol. 2 DVDs have come in! This excellent DVD is taught by Lynn Morris, and she explains complex techniques including double-thumbing in our trademark note-by-note, step-by-step style.

Here are the lessons on this DVD, all taught in the double-thumbing style:

1. Old Molly Hare

2. Melody to “The Black Pony”

3. Soldier’s Joy

4. Yellow Rose of Texas

5. Turkey in the Straw

These lessons are a fun challenge to those of you who’ve gone through Lynn’s Clawhammer Volume 1! As always, Lynn explains everything completely and leaves NOTHING to chance. More info about this brand-new DVD is here.

For those of you who made advance orders, your DVDs were shipped out today! for everyone else, we have them available now!

See you at the festivals!

Misfit Jam

Thursday, May 7th, 2009

Murphy HenryWe had four folks who braved this nasty, rainy weather to come out and jam: Susan and Mark on banjos, Ellen on guitar, and Bob Van on bass. Bob Mc couldn’t make it because he was at a hospital meeting trying to figure out what to do if the swine flu epidemic hits Frederick County, Virginia.

We warmed up this week by having the banjos play the lead together on The Big Three: “Banjo in the Hollow,” “Cripple Creek,” and “Boil Them Cabbage.”

Then, having limbered the fingers up, we continued on with:

Foggy Mountain Breakdown
I Saw the Light
Lonesome Road Blues (with Bob and me singing)
John Hardy
Blue Ridge Cabin Home
Old Joe Clark

Coming in from the vamp to the lead in OJC is still giving the students fits. The entrance is particularly hard to catch because those first two notes are, in fact, pickup notes. I suggested that they try playing along with the last few licks in the break beforehand to get oriented. Then Mark figured out it made more sense to him to come in just on the four fill-in notes, so he showed Susan how to do that which proved to be a big help!

Mark is going great guns with his improvising! He had a major breakthrough at an Apple Blossom Festival picking party that Bob Mc hosted on Saturday. Somehow, something just clicked—that basic idea of licks against chords—and he was off and running. He improvised a break to “Lonesome Road Blues” right on the spot! And maybe one to “Two Dollar Bill,” if memory serves. Tonight he added some improv licks to “I Saw The Light.” You go, Mark!

Susan, also, is taking her first steps toward improv with “Blue Ridge Cabin Home.” She came through with flying colors tonight—not perfect, but good enough! And, as she said, “At least I didn’t faint!”

So once again a fine time was had by all. I do hope you notice that we continue to play the SAME SONGS over and over and over. This is the value of a jam session. Pretty soon you learn to play the darn songs just by dint of having played them so much!