Archive for October, 2009

A Vintage Blog

Friday, October 9th, 2009
Red Henry

Red Henry

Folks, the thought occurred to me that you might like to read a note I wrote several years ago, about a visit with our old friend Clermont Hosford. I’ve learned a lot of mandolin playing from him, and, as you’ll see, he is quite a character.

. . . . .

A Trip to the Mountains

One of our greatest inspirations is legendary mandolinist Clermont Hosford of Cameron County, Virginia. A few months ago I sent Clermont a tape of my ongoing CD project, and then drove up the mountain to see him. It was a long drive, but I finally got to Clermont’s house and eagerly tapped on his door.

He opened it. “Hello, Red!” he said. “About time you got here.” Good old Clermont. I entered his living room, dodging the dogs. “Did you get my tape?” I asked. “Yeah, I got it.” he grunted. “Why’d you send it?”

“Why, Clermont,” I said, “I thought that listening to it would give you a little pastime.“ “Pastime!?” he snorted. “Twenty-three numbers! That thing ran over an hour! Listening to that ain’t a pastime, it’s an avocation.”

“Well, how’d you like it?” I asked, starting to feel nervous. “It was all right,” he drawled. “But Clermont,” I begged, “really, what did you think of it?” Clermont’s eyes glinted. “Oh,” he said dryly, “I could listen to most of it.”

Now I was getting desperate. “Listen, Clermont, I need a good title for the CD. You got any ideas?” “Sure,” he said. “I got a great title for you. How about Twenty-Three Things to Play on a Mandolin Besides Music?”

With Clermont in this mood, I knew I couldn’t accomplish anything. I walked out on his porch, trying to think of something polite to say. “That’s a nice walnut tree over your outhouse,” I said. “Yep,” he replied. “Is that an oak tree next to it?” I asked. “Yep,” he said. I pointed to the next tree and asked, “Is that one poplar?” “Shore is,” he said, “folks around here likes it a lot.”

I could tell it was time to go. I got in my car. Clermont casually sauntered over.  “Clermont,“ I said, “I have to tell you, this has been a real experience.”

“Well, Red,” he replied sagely, “you know what experience is, don’t you? Experience is what you get, when you didn’t get what you really wanted.”

“Thanks, Clermont.” The dogs howled. I drove back down the mountain.

Misfit Jam

Thursday, October 8th, 2009
Murphy Henry

Murphy Henry

We had a new guitar student join the jam tonight which was fun. Cody is a delightful young man, age 20, who lives near me and has been taking lessons for about four or five months. (If you read my General Store column in Bluegrass Unlimited you will have seen a reference to his father, Elvis, who plows our driveway in the winter. What did we ever do without him?)

Cody was welcomed heartily by Mark, Ellen, Bob Mc, and Bob Van. Susan had to cancel at the last minute and was missed, and Logan was absent for the second week in a row and is now on probation!

In deference to Cody, I tried to choose songs that had easy chord patterns. (So, no “Banjo in the Hollow,” no “Cripple Creek,” and no “Old Joe Clark”!) Our set list was as follows:

Foggy Mountain Breakdown

Blue Ridge Cabin Home

I Saw the Light

John Hardy

Lonesome Road Blues

I’ll Fly Away

Then we did one of the songs Cody has been working on, “Folsom Prison Blues” in the key of E. (He’s a big Johnny Cash fan. He also wants to learn “A Country Boy Can Survive” by Hank Jr., but I’ll have to learn that one first, myself.) We’ve never done anything in the key of E at the jam, so I quickly went over the vamping (move all the basic Key of G vamps backwards three frets) and told Ellen to capo up four and play out of C position. (Also known as “four C” to many bluegrass players.) Bob Van was really slapping the bass in the Johnny Cash style, which added a lot of pizzazz and authenticity to the song.

We closed out, as always, with “Wagon Wheel” which, unfortunately, has really quick chord changes. But, hey, it’s our theme song, so what could I do?

At one point in the proceedings, Cody asked if there were any flatpicks that were easier to grip, since he almost dropped his. (I told him that was pretty normal.) Bob Van whipped out a pick with a hole in the middle for Cody to try. At the end of the evening, Cody said he liked the pick pretty well and he guessed he’d go home and drill a hole in the pick he had. Got to admire a man who is comfortable with power tools!

There was much laughter all through the jam and a good time was had by all. And, perhaps best of all, Cody said he’d be back. We didn’t scare him off! We must be getting better!

Words of Encouragement

Wednesday, October 7th, 2009
Casey Henry

Casey Henry

I always like to read about people who are going through the same things that I’m going through. So from time to time we like to post words from our students, in the hope that they will encourage everybody else in their learning journey. The letter below is from Ken Weaver, who really seems to like the Easy Songs for Banjo DVD:

I wanted to give Casey some positive feedback on her DVD instruction “Easy Songs for Banjo”. It will seem like a small thing to a family with so much talent, but put yourself in the place of a person who has a real desire to pick, and who didn’t inherit a lot of help from the gene pool, as I tell you how much enjoyment I am getting from the great teaching job that Casey has done with this DVD. Yes I’m a “Banjo Misfit” and all my life I was told that “you can’t do it”….but even though these are simple tunes by comparison, I’m doing it!!….and it gives me so much pleasure! Last night I did something I’ve never done with any other instruction….I sat down and learned to play a song well enough to play right along with you on the DVD, in a little over an hour. Casey explains each step so well that I didn’t have to waste hours rewinding and playing over in order to learn each lick. I had never attempted “Salty Dog” before and I could hardly believe that I was able to sit and play along without stressing and getting my fingers all tied in a knot trying to keep up!….thank you for doing it at a slightly slower pace for us “misfits” just getting started. I am definitely recommending your instruction to other “banjo wannabees”.

Now a word about your “Murphy Method”….it is a really great way to not only learn, but to retain and build on. I found myself at one point paying too much attention to the visual and watching Casey’s fingers…trying to duplicate the moves. Well as you already know…just as with Tab….if you’re not listening, then you’re not understanding. You really are trying to duplicate a sound, not movements, so listening first is essential. I was having a little trouble with one lick because of not “listening” until I took a breath closed my eyes and let the sound sink in….then I muted the DVD and almost instinctively played the lick properly. It was then that it dawned on me that the movement was a slight variation on something I had already learned, and that I needed to just relax and let it flow. Of course we need the visual, but as with tab…if you pay too much attention to it….it handicaps your brain.

So anyway…don’t change a thing….and thank you from all of us “Misfits” :)

Thanks, Ken! It’s great to hear from our students and I’m so glad that you’re having success with your playing. Keep it up!

Murphy Quoted in the Nashville Scene

Tuesday, October 6th, 2009

Last week, just prior to the IBMA Awards show, the Nashville Scene ran a piece titled “It’s a Long Way to the Top (if You Wanna Pick and Sing). The article, which is about women in bluegrass, quotes Murphy, as well as Alison Brown and Sierra Hull. Here’s the link.

IBMA 2009

Tuesday, October 6th, 2009
Red Henry

Red Henry

Folks, Murphy and I have arrived safely back in Winchester after an excellent International Bluegrass convention. A highlight for us was to see Casey’s set with The Dixie Bee-Liners on Saturday, along, of course, with seeing many old friends, some of whom we only run into each year at IBMA.

Since I’m a mandolin player, I’m glad to report that the mandolin-making world is alive and well. There were LOTS of excellent mandolins for sale at the convention booths, a suitable testimony that this really is the golden age of mandolin building.

Not all of the mandolins for sale were new ones. One booth with quite a few older mandolins was Elderly Instruments. Stan and his crew had brought (along with lots of new instruments) several old Gibsons, including an F-2, an F-4, and two F-5s. One of the F-5s was from 1927, and the other one was signed and dated on the label: July 9th, 1923.

In case that date doesn’t ring a bell, it’s the same day that Bill Monroe’s famous old F-5 was signed and dated. However, this instrument of Elderly’s looked about the opposite of Bill Monroe’s. Bill’s mandolin is so beat up that one instrument expert said it looked like it had been “dragged along behind the car on a doggie leash.” This F-5 at Elderly, on the other hand, was really pristine—played very little, and preserved in extremely nice condition for 86 years. (Sounded mighty fine, too.)

I spent a little while visiting with Bob Fehr at the Martin Guitars booth. He had a great many innovative new models on display along with Martin’s traditional line, and I wasn’t disappointed by a single one. The Martin company is doing a fine job these days.

There were also a whole lot of really fine banjos for sale, by a lot of companies. I could spend a while just naming them. There was the First Quality company with their excellent Sullivan banjos. There was Steve Huber with his genuinely prewar-sounding tone rings and banjos. There were Nechville banjos and Recording King banjos and Gold Tone banjos and a great many more. If you ever would like to find yourself a banjo, you might come to the IBMA convention, and just go around and play every banjo there! It won’t take but a day or two to find the one you like best!

The same thing goes for anyone who needs a string bass. There was one company there with thirteen (yes, THIRTEEN) basses on display, and I expect that every one of them was for sale.

I’d brought a couple of mandolins with me (to play, not to sell!) but since I had to watch our own Murphy Method booth a good part of the time, I didn’t do a great deal of picking. But what I did was fun. Thanks to those who participated. We’ll look forward to more next year.

The Gates Will Open

Monday, October 5th, 2009
Murphy Henry

Murphy Henry

Here is a recent exchange I had with a student in the UK which I hope will prove enlightening.

Hi Murphy,

Last week I took a giant step forward and dared to venture into Pandora’s box: the Advanced Earl DVD. I wasn’t too sure how I would fair but having worked my way through High Breaks and Backup I felt I was ready for a bigger challenge. Besides, I was growing awfully tired of hearing those same or similar licks again and again. My ear needed a fresh sound.

I got some relief in the guise of “Liberty” in the key of C from the Soldier’s Joy DVD. What an amazing DVD that one is! In fact I would go so far as to say it is one of my favorites. But my goal over the next twelve months is to progress up the neck with a focus in developing a good solid back-up.

After watching Advanced Earl all the way through one time to get some inspiration I decided I would try out “Foggy Mountain Special.” My aim was to try to see if I could master the left hand fingering and get a feel for those up-the-neck shapes. To my amazement all my fingers just seemed to fall on the right strings and on the right frets with apparent ease. I guess you could say I hit one of those eureka moments which is often the topic of discussion on the Banjo Hangout. I have still some way to go to getting the tune to completion but I have learned all the licks and joined up most of the dots…

Best Regards

Archie

Hi Archie,

I was intrigued by your comment about working your way through High Breaks and Backup. You say, “I was growing awfully tired of hearing those same or similar licks again and again…”

Then later on, when working on “Foggy Mountain Special” you say, “To my amazement all my fingers just seemed to fall on the right strings and on the right frets with apparent ease.”

Hmmmm…..Would you happen to see any connection between those two happenings?

Yes, of course you would. The Method works!

This is exactly why I have you (and everybody else) do those same similar licks over and over again (as you did in High Breaks) till they get boring beyond belief! It’s so your fingers will fall in the right places without your having to think about it when you tackle the harder stuff like “Foggy Mountain Special.” See, there is Method in my Madness!

I’m glad you are hanging in there. I think a quote from a Bill Monroe song would be appropriate here: “And for those who walk that Shining Pathway, the gates will open…”

Glad the gates are opening for you!

Murphy

From the Booth

Friday, October 2nd, 2009

What we’re doing right now: Murphy is talking to students and fans; Red is watching over things; and I (Casey) am taking this picture!

Marshall Wilborn wins Bass Player

Friday, October 2nd, 2009
Casey Henry

Casey Henry

Marshall Wilborn, 2009 Bass Player of the Year

Marshall Wilborn, 2009 Bass Player of the Year

We are so proud we’re just about to bust. At LONG LAST our very own Marhsall Wilborn (who teaches our bass DVDs) won Bass Player of the Year last night at the IBMA awards. When Chris and Sally Jones read out the name both Murphy and I leapt to our feet, screaming in celebration. It is much deserved and we couldn’t be happier. Actually Michael Cleveland and Flamekeeper cleaned up, winning Instrumental Group of the Year, in addition to Fiddle Player (Michael) and Mandolin Player (Jesse Brock).

Here are some pictures from last night. First, Murphy and me in all our finery:

Casey and Murphy Henry

Casey and Murphy Henry

This year the Dillards were inducted into the Bluegrass Hall of Fame. At the pre-awards reception we ran into one of  our banjo heros Doug Dillard, who wrote our Murphy Method stand-by “Banjo in the Hollow.” Murphy grabbed him for a picture:

Doug Dillard and Casey Henry

Doug Dillard and Casey Henry

Also before the show we ran into Murphy’s longtime friend Claire Lynch, who was nominated for Female Vocalist of the Year, and Claire’s daughter Christie:

Murphy Henry, Claire Lynch, Christie Lynch

Murphy Henry, Claire Lynch, Christie Lynch

And last, but not least, here are the Dillards, with Hot Rize, closing out the show singing “Old Home Place”:

Mitch Jayne, Dean Webb, Doug Dillard, Tim O'Brien, Rodney Dillard (Nick Forester in the rear.)

Mitch Jayne, Dean Webb, Doug Dillard, Tim O'Brien, Rodney Dillard (Nick Forester in the rear.)

Kristin Scott Benson once again won Banjo Player of the Year, the the Daughters of Bluegrass won Recorded Event of the Year.

Grip Packed To Travel!

Thursday, October 1st, 2009
Murphy Henry

Murphy Henry

As you read this, Red and I are on the road, headed for Nashville and the IBMA World of Bluegrass where we will set up our Murphy Method booth at FanFest. (Friday and Saturday, if you want to make last minute plans to come see us!) Casey, as you may know from reading this blog and the Bluegrass Blog, is already there (since she lives in Nashville anyhow) along with my Fiddle Sister Patty Pullen who is staying at Casey’s house. Which is where we will be holed up also during the hours when we are not tending our booth!
Tonight (Thursday) Casey and Patty and I will be attending the IBMA Awards Show which will feature none other than Steve Martin! Also, the Dillards are being inducted into the IBMA Hall of Fame and I’m almost as excited about that as seeing Steve Martin. (You may know the Dillards best from their appearances as the Darling Family on the Andy Griffith Show. The great banjo player Doug Dillard is also the author of “Banjo in the Hollow”!) I hope we’ll have some pictures to post on Friday!

Now, a word about the Misfit Jam. We had an observer tonight, a former beginning banjo student who has been taking some time off. He stayed for the whole hour so I figured he was enjoying himself. Mark and Susan acquitted themselves admirably on banjo, while Ellen, Bobby V. and I held up the rhythm section. We were having so much fun, especially when we played “Banjo in the Hollow” and “Cripple Creek” FAST, that I declared, “Who needs Logan?” (He had ditched us for College Night at the mall. Can you believe that?)

The quote of the night was from Ellen. She was explaining to our guest that this is a Misfit jam and said that tonight we had “a whole lot of misses and a couple of fits.” I said, “That’s going in the blog” and promptly wrote it down next to Jody Stecher’s picture on the front of Banjo Newsletter.

Ah yes, and the title, Grip Packed To Travel. That’s from the chorus of “Blue Ridge Mountain Blues”: My grip is packed to travel/And I’m scratching gravel/For that Blue Ridge far away.”

As I write this, my grip is currently lying open and partially packed on the floor of my bedroom. Guess I’ll go throw a few more things in it, read a few pages about Jamie and Claire, and hit the hay. Oh, yes, and there’s supper to eat. I think I’ll do that first. Hope to see you in Nashville!