Archive for September, 2010

New Music Video from Chris Henry

Monday, September 13th, 2010
Chris Henry

Chris Henry

This video is the first single of the music from an upcoming album to be released before the end of the year.  Chris Lovelace and I have been making music quite a while in different genres.  We’ve been punk rockers, hip-hoppers, and now we’re putting some of our favorite sounds together in what has been described by The Bluegrass Blog as “Alt-County”.  I like that, not alt-country, but alt-county.  We’re county fellers and though neither one of us grew up farming or hunting, we really do connect with the county vibe.  Chris has two daughters, Lilian and Evelyn, who are just starting kindergarten this year and you can see their initials on his shirt in some parts of the video.  I’m wearing a pin that my grandmother used to wear.

We were initially going to film the video in Luray Caverns. That was the location that the director who came down from New York, Liquid, had chosen. We got there and they said it was a no-go, so we started driving up and down some back roads until we saw a fellow out in a field with a metal detector.  He was looking for civil war stuff and we found out that he knew some bluegrass folks.  As I recall, I believe his wife had maybe sold a house to one of the Yates brothers and might have been related to Earl Taylor, so that was a good connection.  We asked him if he knew a good place to go and he said he had some land up the road.  I asked him if it was purty and he replied “Well, I think so.”  And when we got there via a grass path off the main dirt road, it was pretty.  We shot the first part there and then cruised up the skyline drive and shot some footage looking out toward the Shenandoah Valley towards North Mountain, where Chris and I grew up. The last location, where the waterwall is, was in Sterling and I used to pass it going to work and always thought it would be a good scene for a music video.

Liquid rode the MegaBus down from up north and arrived at 5 in the morning in D.C.  I picked him up, late, at about 9 and we shot from about 12 to 8, having lunch in Luray.  We got back to the studio in Sterling and he finished editing about 4 in the morning and I took him back to D.C. and he caught about a 9AM bus back.  So it was a whirlwind 24 hours and Chris and I had a really good time making our first video.  Stay tuned for more Archetones music videos and an album to be release this fall!

Fruit Stand Picking

Friday, September 10th, 2010

Red Henry

Last night, we picked at the fruit stand. That’s Linda’s Mercantile in Winchester Virginia. The proprietors are well-known bluegrass performers Linda and David Lay, and they host local musicians for a couple of hours of music each Thursday evening from 7 to 9.

On this occasion, the usual schedule was interrupted for an excellent square dance exhibition: after we’d played music for twenty minutes or so, Murphy and her square-dance friends put on a set of mighty fine dancing for the folks.

The crowd really liked the dancing, but when it was over, all the energy had gone out of the picking. Quite a few of the musicians had departed, and most of the others didn’t seem to want to play. So Murphy and her student Zack and I started playing to get things going, kicking it off with “Cripple Creek” and then the old Lester Flatt favorite, “Will You Be Loving Another Man.” Sure enough, musicians started playing along: guitar players, fiddle players, and a bass and dobro. Now the music was shaping up. We kept it up with “Roll in My Sweet Baby’s Arms,” “Wabash Cannonball,” and other old favorites. Soon the jam was rolling along. We went for an hour or so, and then Murphy and I finished up our own part of the show and headed for home. But by that time, we left a dozen or so pickers carrying on.

When a jam is falling apart, sometimes you’ve just got to put some energy in there. Often as not it’ll be contagious, and you’ll have plenty of company soon!

Red

From the Archives: You Can Go Home Again

Thursday, September 9th, 2010

This is one in our continuing occasional series of excerpts from Murphy’s Banjo Newsletter articles. This is from the September 1990 issue, and appears on page 127 of Murphy’s book …And There You Have It! If you’re a long-time Red and Murphy fan you’re recognize the events in this column as inspiration for Murphy’s song “How They Loved To Sing.”

When I was little, growing up in northeast Georgia, we spent a lot of time going to church. As many people in Georgia did, we attended the Baptist Church. My favorite part of church was the singing. I could have a good time just looking through the hymn book. I was always very conscious of the songs we sang, and some of them I liked better than others. The Sunday morning selection of songs was never high on my list because, for one thing, we didn’t do enough of them. I mean it was like, poof, two songs and then they were taking up the offering. In addition, the songs we did sing were too formal, to staid, too lifeless: “Crown Him With Many Crowns”; “All Hail The Power Of Jesus’ Name”; “Holy, Holy, Holy.” They were good for practicing your alto and for seeing how many versus you could sing without looking at the book, but that was about it. There was no joy.

Sunday evening was better because it was more relaxed. The men came without their coats (although not without their ties), and the ladies came without their hats, the choir forsook their robes, and the singing was “all together lovely.” (Sorry. I couldn’t resist. “All Together Lovely” is a song that only the most dedicated Southern Baptist would recognize.) Sunday evening was when we did the good singing: “Washed In The Blood”; “The Old Rugged Cross”; “Amazing Grace”; “Glory To His Name”; and maybe even “When The Roll Is Called Up Yonder”, although we didn’t do that one much because it generated too much toe-tapping. And you know where toe-tapping leads. Straight into dancing. And that is a no-no. Now, those were some songs you could put your heart into. But, even those songs paled alongside the singing that the folks did at our family reunion.

The Hicks-Sisk Reunion was held each August, the hottest month in the Georgia year, at a little country church that my Granddaddy Hicks had attended as a boy. The road leading to Amy’s Creek Baptist was red Georgia clay, the cardboard fans found on the back of the pine pews were from the local funeral home, and a Sears Roebuck catalog graced the outhouse, which was a three seater.

I always rode to the reunion with Granddaddy and Grandmother so I could get there early without having to wait on Mama and Daddy who usually arrived at dinner time (that’s lunch time to you) with my younger sisters and our portion of dinner on the ground. Getting there early meant I had to sit through a fire and brimstone sermon, but it was worth it because to get to the sermon you had to go through the singing. And those people could flat out sing. They were still using the old Stamps-Baxter paperback hymnals with the shaped notes and they sang all the good songs: “I’ll Fly Away”; “Precious Memories”; “Life’s Railway To Heaven”; “Farther Along”; “Just A Little Talk With Jesus”; “On The Jericho Road”. It was the custom at that little church to invite everybody in the congregation to sing in the choir (otherwise they wouldn’t have had a choir). Not wishing to appear to anxious, I always said “no” two or three times, just to be polite, you know, before I gave in. At the time, I hardly knew any of the songs but that didn’t bother me. I made a joyful noise as loud as any of them. They didn’t care.

After the preaching we would adjourn to the outside where already some of the ladies would be spreading out their tablecloths on the raw pine boards stretched between saw horses in one continuous long line. They would open the trunks of their cars and bring forth picnic baskets and pasteboard boxes full of fried chicken [Editor's note: no Kentucky Fried for them, no ma'am!], potato salad, green beans, homemade rolls, watermelon rind preserves, chocolate cake, and every good Southern delicacy that you could think of. We would eat until we were about to pop and wash it all down with Dixie cups full of iced tea or lemonade.

When all the eating was over and the tables had been cleared and the men had finished smoking, someone would toll the church bell and back into the church we would all go for my absolutely favorite part of the whole day: more singing. This was the time when you could call out the number of the song you wanted to sing: “Never Grow Old” (Number 210); “Come Unto Me” (142); “Victory In Jesus” (92). Different men would get up and lead the congregation in singing their favorite song. Granddaddy would always lead “Amazing Grace”. When things started to wind down someone would get up and mention by name all the relatives who had passed away since our last reunion. Then we would sing “That Glad Reunion Day” (Number 300) and it was over. Except, of course, for more visiting and the lengthy Southern goodbyes. Those are my musical roots. This is where my musical soul lies. When the single exception of having to wear a dress, it was just about a perfect day.

[The article continues on to tell about going back to Amy's Creek many years later with her kids. But if you want to read that, you'll just have to get the book!]

Picking

Tuesday, September 7th, 2010

Red Henry

Yesterday afternoon we had a real good picking session. The participants were what made it work. Besides Murphy, Chris, and myself, we had a teenage banjo player, a forest ranger, a deaf banjo player, a singer converted from hip-hop, and an out-of-work bass player. A well-matched group, huh?

Okay. I guess you are wondering who these people were and why they fit together so well musically. Well, the teenage banjo player was Murphy’s student Logan, a good student and up-and-coming player whom she’s blogged about before. And the party was for Logan’s 18th birthday. The forest ranger was local guitar picker and singer Gerald C., who happens to be Logan’s scoutmaster. The deaf banjo player was our Cousin David, about whom you’ve heard before. (Just kidding about the “deaf” part.) The convert from hip-hip was our friend Chris L., a new Stanley Brothers/Flatt & Scruggs/Reno & Smiley freak who used to be in a rock band with our Chris. (The band was called, appropriately enough, The Bends.) And the bass player was Murphy’s long-time student Bob V., a fine picker and witty person.

So why did we fit together so well? Well, aside from Murphy’s formidable skill at leading a jam session (as amply demonstrated on our Slow Jam and More Slow Jam DVDs), it was because everybody knew a lot of the same material or could pick up on it well. You do find jam sessions where the players all have their own favorite songs but can’t really play anyone else’s. In this case, everybody picked up on what everyone else was doing, and it worked out fine.

Sometimes you find the strangest combinations of folks in jam sessions… and the music still works!

Red

Here’s A Picture

Monday, September 6th, 2010

Casey Henry

Because I have NO ideas for what to blog about today, here’s a picture instead. Amy Harrison and the Secondhand Stringband shared the stage with us when we played at Cold Dog Soup in England a couple weeks back. Their banjo player, Malc McLeod is a Banjo Newsletter subscriber and was excited to meet me. (As I’ve previously mentioned, he brought me beer!) On the band’s site they’ve posted a picture of the two of us, along with Rachel Renee Johnson, the fiddler for the Dixie Bee-Liners. Take a look at it here. Not a bad shot, if I do say so myself. And I do.

More About Mama

Wednesday, September 1st, 2010

Murphy Henry

First of all, thank you all for the expressions of sympathy you have offered to me since Mama died. I can’t tell you how much it meant when you were placing orders by phone just to have you say, “I’m sorry to hear about your mother.”  And the cards and the emails have all meant so much. I hope to be back to regular blogging before long, but I still need to share some more thoughts about Mama. Losing her has been so hard. Thanks for your understanding.

The following is an essay my niece Caroline, daughter of my sister Nancy, wrote about Mama, her grandmother. She wrote it last year, her senior year in high school. It was so poignant we asked her to read it at Mama’s funeral, and she did. I thought it captured a lot about Mama and about our family. And also says a lot about the wonderful young woman Caroline is growing up to be.

My Grandmother

By Caroline Pate

My grandmother is one of the sweetest people I know. So when she was diagnosed with Alzheimer’s disease, it came as a great shock to me. I found myself pushing away my extended family that I was once so close to. But it took my grandmother’s wise words to show me that even if the disease had changed our family, we needed to stick together for better or worse.

My grandmother- known as “Gaga” by my family- is like a storybook grandmother, a living reproduction of Mrs. Santa Claus. When I was young, my sister and I would stay at her house every other few weekends, and those visits were a treat. When we first arrived, we would rush to our beds to find the “bed presents” Gaga had left us. Priceless dollar store toys nestled under our pillows, a magnificent surprise. Then we would come to the dinner table to have the finest cuisine in the North Georgia Mountains laid before us. We would feast upon friend chicken and okra, corn pudding, and for desert, Gaga’s famous pound cake- all homemade. The next morning, we would wake up early to cruise yard sales and spoiled by my grandmother with previously owned treasures.

But my favorite memories are when my mother’s tight knit family was together. With my grandmother’s five daughters and seven grandchildren, the house was a bustling, happy mess. Gaga would be in the kitchen, while my mom and aunts would be playing bluegrass in the living room. My cousins and I were left to play. When we got older some of us went to play music and sing with our aunts. I loved watching my grandma close her eyes, the corners crinkling into a smile, and hearing her contented little chuckle when I would sing with my mother and sister. Eventually, all of us would sit down at the table to a big meal. Afterwards, the younger cousins would cajole some of our relatives into playing pinochle, the card game that our family had manipulated the rules for our own use and passed down for generations.

When Gaga was diagnosed, everything changed. We could no longer go on our family beach trips, because she would forget where she was. My mother had to take her keys away, which was an ordeal in itself.  But with Alzheimer’s, every thing is déjà vu. My grandmother would forget her keys were taken away and think she had lost them. Someone would tell her she could not drive anymore and she would call my mother, angry. She could no longer even cook- she would forget her dishes were in the oven and they would burn. She even forgot how to play pinochle. Eventually, visiting became less of a vacation and more of a chore. My grandparent’s activities were deduced to watching television and napping. It scared me to watch them become shells of the people they had once been, and it scared me even more to know that all of our memories would be forgotten, that even I would be forgotten. I hated that weren’t even family anymore- we were “caretakers”.

One night when I was in my room, the book I was reading suddenly reminded me of my grandmother. From the shelf above my bed, I pulled down a small wooden frame that my grandmother had given me one Christmas. I had almost forgotten about it. I opened up the back, and inside was a note that read:

Caroline,

When I was a girl in the Mt. Creek Baptist Church, I heard a preacher pray this prayer. I thought it was beautiful. It inspired me. I appropriated it for my own. I began praying it for myself…every day.

When the girls came along, I began praying it for them, and when you came along, I began praying it for you.

I may have missed a day or two praying this prayer, but some days I prayed it for you many times. I’m sure I’ve averaged praying this prayer for you once a day for all of your life.

And. I’ll continue to pray it for you every day for as long as I can pray…because I love you. Gaga

I then realized that because she had forgotten, I had to remember. Because our family could never be the same, now we needed to be together more than ever- just in a different way. Our family had gone through many hard times, but we needed to still be there for each other, like she was for us, every day. Pray for each other like she did for us, every day. Because she may have forgotten the prayer now, but I will never forget those words she framed for me:

Dear Father,

Help Caroline in the early morning of her life to catch hold of the things that of true and lasting value and pursue those things with great joy and enthusiasm.

Create the mix of circumstances that will bring about Your perfect will in her life.

In Jesus’ name I pray,

Amen.

(Mama gave a framed copy of the prayer Caroline talks about to each of her grandchildren. She was truly, as her preacher said at her service, a prayer warrior.)