Remarks From Mark and Truth (?) From Ruth

Murphy Henry

(Thanks to students Ruth and Mark for practically writing this one for me!)

Ruth first.

Ruth, if you will remember, is already a really good banjo player, has been playing for years. She is an Original Misfit and our friendship dates back to Barber Shop Days. So we’re sitting at the lesson playing Groundspeed together, her on banjo, me on guitar. (Bluegrass grammar!)

I think the song is going well, sounding good, and am willing to carry on till the finish. But as we start our second pass through Ruth stops. She says, “One of us is off and it’s probably you.

I started laughing so hard I practically fell out of my chair.

So, since I thought she was speeding up just a tiny bit, I said, “Let’s both play banjo and see if we can figure out what’s happening.”

When we played together, the song came out perfectly. So Ruth says, “You see? Just as soon as you got off the guitar we did it right.”

Too funny! Love it, love it, love it!

Mark next.

Last Saturday I was seeing Mark for only the second time. [Note: As I was copying down the stuff he said and requesting his permission to use it, I asked him if he even knew about The Blog. Oh yes, he said. “I read it every day. One of my goals is to be Blogged About.” Glad to oblige, Mark. You can cross it off your Bucket List!]

Anyhow, Mark had taken some lessons back in the ‘80s (he put his banjo together from a Stewart-McDonald kit), but had set the banjo down for years. He’s just now getting back into it and at Casey’s suggestion, he started with Beginning Banjo Vol. 2. So by the time I saw him, he’d already learned Salt Creek, Old Joe Clark, and the high break to Foggy Mt. BD. There were some minor glitches but nothing big.

Frankly, I was amazed at how well he played. (Now don’t go getting a big head, Mark!) His songs sound like songs. I figured he had some deep musical background, but he said no. No band, no choir, no rock and roll guitar. Still, somehow he has the ability to hear the song in his head. And if he can hear it, as he says, he can play it. I guess you’d just have to call it a gift.

Of course, as he’s learning the song he doesn’t necessarily hear it then. That’s why there are still mistakes—missed notes, small timing errors. But once he hears it, he’s off and running.

Which brings us to the song he was learning last week, Lonesome Road Blues. He’d not heard the song before and was working strictly from the DVD. And, again, he was doing a fantastic job. (I fear you will need a larger hat there, Markie...) It sounded to me like he was understanding the song, but the ending lick gave him away. When he tried to put it in, I could tell he was not actually hearing the song. (He was playing the last D lick and the ending lick. The ending lick replaces that D lick.)

When I asked him what was going on he said, “It’s like a big continuous loop and it never stops. It’s like the subway. I don’t know where to get off.”

I understood totally what he meant. The opening G lick and the ending D lick start the same way, with that long slide and two first-string notes. If you’ve never heard the song, how could you possibly figure out the beginning and end of the song, especially as you go into if for the second time?

And then there’s that alternate up-the-neck tag lick Earl uses (the one that starts with the backward roll) which obscures where the last note of the song really is. (Like you’d normally hear a last note, then a normal tag lick, like we do in Foggy Mt. BD. I realize this is gibberish to most of you, but it’s interesting to me. And possibly to Casey. And maybe Bill Evans....Okay, forget I even wrote this paragraph....)

So, once Mark got the song in his head and understood where it started and ended, he could play it fine. He could put the ending lick on properly, vamp to it and come in for his break at the proper time. His goal is to be able to jam and to play on stage. No problem, Mark. You keep doing exactly what you are doing. I just need to hook you up with some Misfits for some jamming. The only thing you need now is that new Stelling Masterflower you were looking at! “Christmas time’s a-coming....”

Possible topic for Next Blog courtesy of Bob Van: Is playing out of time a mental error or a mechanical error? We almost came to blows over this one. Me: “Bobby, just shut up and play it in time....” Bobby: “There’s not enough duct tape in the world....” Stay tuned!

2 thoughts on “Remarks From Mark and Truth (?) From Ruth

  1. Martin Bacon

    Very funny blog. I would say what Ruth said but only to see what reaction I could get.

    I say that mechanical errors create the circumstances that precipitate timing errors. Once you play something wrong hearing where to come back in can be hard (for me).

  2. Steve (in Japan)

    Ya, I guess your right, Marty, ’cause after all we’re only humans trying to perform like machines. Dern!

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