Archive for the ‘By Murphy’ Category

Beginning Banjo Camp: The Day The Lights Went Out In Winchester!

Tuesday, November 1st, 2011

Murphy Henry

[And of course the title is a take-off on the song title The Night The Lights Went Out In Georgia.]

Cutting right to the chase: The Saturday morning of our Beginning Banjo Camp we woke up to find two inches of snow on the ground and more falling! Casey and I made the ten-mile trip into Winchester very slowly since even the main road, Route 50, had not been pre-treated nor plowed. What were they thinking?

We arrived at the venue—the basement of Dalton Brill’s old barber shop—to find a few students waiting patiently under the overhang of the shop next door. Down the steep outside stairs we went and I unlocked the door. The room, where we played music every Wednesday night for years, is below ground with old stone walls. When the lights are out it is pitch black. (Remember that part!) Wondering why I hadn’t remembered to bring a flashlight, I groped my way to the light switches (in the back of the room) and turned the lights on. Casey started coffee and I went upstairs to unlock the back door (which was our emergency exit) as the rest of the students were arriving. Just as I finished that task, the lights went out.

Thanks to the upstairs skylight, I could still see but downstairs it was, as I said earlier, pitch black. Making this long story shorter, we discovered there was a major power outage all across town. Luckily there were LOTS of candles on hand. So for starters we lit those, which helped. But even as we were doing that I’m thinking, “What are we going to do?”

Luckily, my friend Adam Phelps was on hand, as his son Riley was there for the morning session. I asked him to go somewhere and get some battery-powered lanterns. I knew he would come back with something! He is one of those “can do” kind of guys.

Still, I’m thinking, “What in the world are we gonna do?” Luckily, heat was not a problem. Yes, it was chilly, but with that many people (around 20) in that small space, body heat—and coats!–were doing the trick. Even with the candles, however, it was still dark. So I got out my guitar, Casey got out her banjo, and we had an old-fashioned sing-a-long! I can’t quite call it a hootenanny because we didn’t sing any “folk” songs (no Cum By Yah, no Where Have All The Flowers Gone, no The Cruel War, no If I Had A Hammer). But we did sing!

“Guess what we are going to start with?” I said. After a few misses, someone guessed, “I Saw The Light.” “You got it,” I replied. And off we went. We probably sang for close to an hour, doing everything from Will The Circle Be Unbroken to Little White Washed Chimney and Life’s Railway To Heaven. Then—bless his heart!—Adam came back with three lanterns. “You would not believe the lines in Wal-Mart,” he said. “I practically had to knock down two old ladies to get these!” At that point, I did not care!

Adam fired them up and by hanging them on nails already positioned in the middle of both sections of the basement (I’d divided it in two by hanging canvases between—makeshift but functional…sorta!) we could actually see. We decided to go on with the classes.

Shortening the story even more, the electricity stayed off until 4 p.m. Almost SEVEN HOURS! The only thing we had to cancel was the sing-a-long scheduled for that night from 7-9. I was worried the roads would freeze and we’d be driving in the dark on black ice. Been there, done that. Not fun! So, we added an hour-long slow jam to the end of the day’s activities and everyone seemed to be okay with that.

I can’t say enough about how gracious all the students were in a trying situation. Everyone was easy to get along with and no one complained about anything (even the lack of coffee!). And Dave’s wife remedied that later on by stopping by Dunkin’ Donuts and bringing two boxes of steaming Java into our midst. It was most welcome!

I’ve not said anything about the teaching but will blog more about that later. It was WONDERFUL! I was so proud of every student there. But I needed to get this snow stuff out of the way first!

And now I need to go help Casey and Dalton pack up. They are flying back to Nashville today. Boo hoo! Dalton was two months old yesterday and is as cute as a bug in a rug. I will miss them so much!

I’ll be back….with more about the camp! Stay tuned!

Fruit Stripe Gum

Sunday, October 9th, 2011

Murphy Henry

If I could just share one more memory from my dad’s funeral…..You will remember that Daddy was a doctor. And for many of the years in which he practiced medicine, penicillin was the go-to drug and it was administered in the form of a shot. With a shot needle. In the butt. And it hurt like the dickens! Well, his obituary had mentioned that Daddy, being a compassionate soul, always handed out a stick of Fruit Stripe Gum following his assault with the dreaded shot-needle. That was the new gum on the block back then and I remember the jingle so well:

Yipes, stripes, Beech Nut’s got ‘em

Yipes, stripes, in Beech Nut gum

Yipes, stripes, five different flavors

Get Beech Nut Fruit Stripe Gum!

Anyhow, as the obit began to circulate in the community, people would come up to us and say, “Yeah! I remember that Fruit Stripe Gum!” (Needless to say, WE never got Fruit Stripe Gum or anything like that as a reward for good behavior, which meant not crying when he gave you a shot.)

So we thought that at the viewing it would be a nice tribute to Daddy to have a bowl of Fruit Stripe Gum sitting by the guest book. But could you even buy it anymore? We didn’t know. So, of course, we went on the Internet to see. Oh, yes, it was still available, but not at our local grocery store. We could have traveled a few miles down the pike to get some but that was just one more thing to do in a day that was already pretty much filled to the brim. So we nixed that idea.

Shift now to the graveside service. Daddy was in the Navy in World War II, so the flag on his coffin had been folded and handed to me (as the oldest), Taps had been played, and “Uncloudy Day,” the last song we’d sung for Daddy, had been sung one more time. The preacher, Grady Walden, said a few final words and recited a poem. I was ready for Grady to say the final prayer when he said, “I’ve got one more thing to leave with the Hicks Sisters.” And, of course, I thought it was going to be some final words of wisdom or comfort. Instead, he tells the story of Daddy and how he rewarded good behavior following a shot. Then he reaches into his coat pocket and pulls out five packages Fruit Stripe Gum! “Do you know how hard this stuff is to find?” he says. Oh, yes, we knew. He went down the line, there where we were sitting in the front row of funeral chairs by Daddy’s grave, and handed each of us a pack of gum. Unbelievable. And through the tears, we were laughing. Which is exactly what we needed to do. Thank you, Grady!

Walking West To Memphis

Thursday, October 6th, 2011

Murphy Henry

In the midst of everything else that’s been happening in my life, in the lives of our family, I don’t want to forget to give you the follow-up about son Chris’s song, “Walking West to Memphis.” As I told you, it was nominated for IBMA Song of the Year. Well, as it turned it, Chris’s song didn’t win, BUT the album that it appeared on, Help My Brother, by the Gibson Brothers, did win Album of the Year! And Leigh Gibson did thank Chris and all the songwriters from the stage of the Awards Show which I thought was very classy. Chris handled not winning with much aplomb and grace. I think he understood that just being nominated (that old cliché!) was a real honor. And he received several text messages right after the winner was announced, most of which said, “I still think your song was the best!” Which helped!

Red and I were sitting right beside him at the Awards Show, while Casey and Dalton and my niece Natalie Pate along with Red’s mom, Renee, and his uncle banjo player John Hedgecoth were sitting in the balcony. We were all so proud of Chris for writing such a great song! And he’s got many others which are equally as good. I look forward to their finding their way onto other albums. You go, Chris!

Eulogy For Daddy

Sunday, October 2nd, 2011

Murphy Henry

My father, Loy Grover Hicks, Jr., died Sunday September 25, 2011, at the age of 86. I was so fortunate to have been at his bedside along with my four sisters and his caregiver, Karen Alexander. We were, in fact, in Karen’s home in Habersham County, Georgia, where Daddy had lived the last four months of his life.

As you may know, Daddy had had Alzheimer’s for eight or nine years so there was some amount of relief in his passing. However, up until the last couple of weeks he had always been able to walk, to feed himself, to read his newspaper, and to talk a little bit with Karen and her family. But still, over the years, it has been hard to watch this active, smart, good-looking, old-fashioned country doctor deteriorate before our very eyes. When he was first diagnosed, the five of us girls decided that one of us would come to stay with him and Mama every weekend. Casey also wanted to help out, so she, too, became part of the extended care team. I am proud to say that we were able to carry out our plan with only a few missed weekends (when we had to hire help) until Mama died last July. After that, we still came down, although not as often, for by then Daddy didn’t really know us and he had round-the-clock care at home. During that time, even though he couldn’t call my name, I would know that he knew me when he would look at me and ask, “Did you bring your gee-tar?”

But a couple of week ago his condition worsened and he began to have trouble walking and was less “with it.” We called in Hospice, who had helped with him before and who had also helped with Mama, but we had no idea he would go so fast. As it happened, all four of my sisters ended up down there this past weekend for a visit and on Friday, Laurie texted me that his breathing was rough and he had a fever. It was pneumonia. My dad himself had called pneumonia “the old man’s friend” so we decided to make him comfortable, give him morphine for pain, and wait. I made the nine-hour trip down from Virginia staring early Saturday morning, September 24. When I’d talked with Laurie he seemed a bit more stable, so I was hoping I would get there in time.

When I finally arrived, he was sleeping, his breathing still labored, although I knew he was not in any pain. I was so happy that at one point he roused enough to look at me standing at the foot of his bed. He held out his hand to me and I was sure he recognized me. I took his hand and held on for a long time. Over the course of the evening and into the next day, we sat and watched by his bedside. Three different times we sang for him, doing the old hymns we loved and hope that he loved. My dad was a man of few words, so we really didn’t know what songs he liked, we just knew that he liked to hear us sing together. So we sang When the Roll Is Called Up Yonder, I’ll Fly Away, Life’s Railway to Heaven, In the Garden, I Will Meet You in the Morning, Glad Reunion Day, Amazing Grace, and On Jordan’s Stormy Banks I Stand. We also sang some of the songs Mama had sung to us like Chattanooga Choo Choo, Kalamazoo, and, our favorite, There’s A Little Cabin. As it happened he held on till 1:30 pm Sunday afternoon. By that time we had told him we loved him, told him it was okay to go, and told him Mama was waiting for him. The last song we sang for him was Uncloudy Day. He died just a few minutes later with all of us holding his hands and touching him.

The funeral was held on Wednesday, September 28. It was a lovely service and one of the highlights was the prayer that his long-time partner prayed. With Dr. Tom’s permission I share that prayer with you now. Thanks, as always, for reading this personal remembrance. It helps me so much.

Dr. Tom Lumsden’s Prayer

Our gracious Heavenly Father, we are gathered here today to worship you, to acknowledge your Lordship in our lives and to celebrate the promotion of Dr. Loy Grover Hicks, Jr.

Father, we are grateful for the sure and certain knowledge that the quality of medical care in your celestial kingdom has just been improved by the addition of Dr Hicks to your medical staff. We are also aware that the Great Physician is already there, but if, at any time, He ever needs an assistant, or a consultant, Dr. Hicks will still be “on call” just like he always was here on earth.

At times when our spirits are burdened and the load seems difficult fro us to bear, we are thankful that we can turn to your word for comfort and solace. From the prophet Isaish comes the admonition “speak ye comfort to my people” and your word does just that. We thank you for the first verses of the third chapter of Ecclesiastes where we are reminded that you are, at all times, in command: “To every thing there is a season and a time to every purpose under heaven…A time to be born and a time to die.” Though sometimes when that time comes, even though pre-ordained and expected, it still leaves us needing your word for help.

Jesus’ words of comfort, spoken to his followers just before his own death, are recorded in the fourteenth chapter of the Gospel of John:  “Let not your heart be troubled, ye believe in God, believe also in me. In my Father’s house are many mansions, were it not so I would have told you. I go to prepare a place for you and if I go and prepare a place for you I will come again and receive you unto myself that where I am, there you may be also.” Thank you Father for these words of comfort and assurance.

We are grateful for the life and the dedication of Dr. Hicks to his practice of medicine. In his work he was certainly guided by the words of Dr. William Osler, long-time Dean of John Hopkins School of Medicine, who stated:

“It is the province of the  Physician to cure occasionally, to relieve frequently but to comfort always.”

Lord, for the many happy memories of L.G. and for my association with him in the practice of medicine for 38 years, I thank you.  Amen

Banjo Camp North

Tuesday, September 20th, 2011

Murphy Henry

I’m just  back from a lovely weekend in Charlton, Massachusetts, making my first appearance at Banjo Camp North, where I was able spend some quality time hanging out with my buddy, Bill Evans. Somehow we remain friends even though we totally disagree about right-hand position and using a continuous roll to play banjo backup!

We do, however, enjoy performing together so we helped each other out during the faculty concert on Friday where we played “Clinch Mountain Backstep” and “Come Back to Me Little Darling” (Bill’s tunes) and “M and M Blues” and “Bury Me Beneath the Willow” (my tunes). We also managed to work in a bit of humor which included Bill playing some crazy, off-the-wall melodic break in the middle of “Willow” and me grabbing his banjo neck and muting his strings with my hand. He then made some lame excuse saying, “But it’s my style” to which I responded, “Yeah, but I don’t like it and this is my tune!” The audience just howled. All in fun, of course.

Helping us out were Pete Kelley on bass, Phil Zimmerman playing killer Monroe-style mandolin, Dick Bowden on guitar, and Alan Kaufman on fiddle. A total tip of the hat to these guys who had never heard “M and M Blues” before. In fact as I was introducing the song, Bill was talking to the band, telling them the arrangement, and clueing them into the fact that there were stops on the chorus! When I took my banjo break (which was Earl’s first break to Foggy Mountain Special), Bill twinned me. It was awesome. Bill can twin just about anything. Which is why I had chosen “Willow”, just so Bill could twin it.

Saturday night Tony Trischka played in faculty concert and Bill and I had pulled up folding chairs to sit together in the back of the audience. When Tony sat down to play, however, we couldn’t see his hands so we got up and walked to the side of the room so we could see better. Well…..when Tony was done (the Finnish polka he played was particularly amazing) we walked back to our seats only to find that Riley Baugus (the great clawhammer player from North Carolina) was sitting in my seat. Bill was all for pulling up another chair but I said “Watch this. I’m gonna make Riley move.”

So I walk up to Riley and say, “You’re sitting in my seat.” Riley looks up sort of startled and I could tell he was fixing to say something but I continued on. I said, “You’re from North Carolina. [Dramatic pause.] You know what you have to do.” And, sure enough, he got up and gave me his seat. I knew he would. He’s a Good Boy From The South. It was hysterical! As I sat down (gracefully) I looked over at Bill and he has this disbelieving look on his face like “How did that happen?” And I’m laughing so hard I’ve got tears in my eyes. One reason I knew this would work was that on Riley’s part of the show Friday he was kind enough to mention that he was happy to see me way up here in Massachusetts. He said he liked talking to me because I didn’t have an accent!

I will close with a great quote from Bill. As we were watching the show Friday night he said, “When someone sits down to play you know it’s either gonna be very interesting and innovative or it’s gonna be old-time.” I’m not sure what that means regarding our own playing since we stood up!

Okay, I’m not quite done. There’s one more quote. This from one of the students who was there. I didn’t get his name but I think he had some of our Murphy Method DVDs. He said he’d enjoyed hearing me play and being in the classes and the slow jam. He then said, “I didn’t know you would be so nice.” I took that in the spirit it was offered, as a sincere compliment.

And finally as I was sitting down in the dining hall for our final lunch, director Mike Holmes says to me, “So, who should I hire next year, you or Casey?” (Casey has taught at Banjo Camp North several times and the people up there love her!) At first I said, “Hire Casey!” But then I quickly rethought that and walked over to him and said, “Hire us both!  We can be your only mother-daughter duo. It’s a great selling point!” Being the canny New England businessperson that he is, he said he’d think about it! So, we’ll see. Check out Banjo Camp North on line and make your plans to be there next year!

First Gig As A Grandma

Sunday, September 11th, 2011

Murphy Henry

As you have probably figured out from the lack of blogs coming from me, I am still in Nashville helping Casey take care of little Dalton. (Who is cute as a bug in a rug, of course!) But last night I ventured out of the house to play a gig with my son, Chris.

Chris had told me he was playing on Saturday night at The Five Spot so I had told him I’d love to come down and watch since the show started early (8 pm) and only lasted for an hour. (I had to get back to take the night shift of Dalton watching so Casey could sleep some.) Chris then asked if I’d like to bring my banjo and get up and play a number or two. Sure, I said, since the gig seemed informal and the band seemed to be a pickup band. Then, just as I had settled down for my afternoon nap Chris called again and said that there really wasn’t a banjo player available and did I want to play the whole hour. I asked two questions: Did he think I would fit in with the rest of the players? And would they be playing standards? He said yes to both so I said, Okay, I’ll do it.

Fortunately the Five Spot, a local, funky East Nashville bar, was not too far away and I had actually driven in that area earlier in the week as I made what seemed to have become a daily grocery run to some grocery store or other. (Shout out to the Turnip Truck which has a great selection of organic food. And one of the Turnip Truck stores is right across from the Station Inn!) I called Chris on my way over and told him to meet me outside the bar and escort me in. (And carry my banjo….er, Casey’s banjo which still has a tone ring and is heavy as all get out especially with that Calton case!) I figure now that I’m a grandma someone else can carry my banjo!

We arrived way earlier than anyone else which gave Chris time to eat a sandwich before we started. As the band he had assembled came meandering in one at a time I was introduced to all of them: Brad Folk, the guitar player and singer who used to play with the Colorado band Open Road and now plays with the Warrior River Boys; Adam Chassin, the bass player and singer; Matt Raum and Lauren Faks on fiddles. Brad was kind enough to say that he had seen my Murphy Method ads in Bluegrass Unlimited for years and was happy to finally meet me. There was absolutely nothing in his demeanor or speech that caused me to think this but whenever I am playing with people I don’t know (especially ones who know of the Murphy Method) I always feel like I am being graded or challenged or judged: Can she really play? (I’m sure some people would say that’s because I judge other players so what goes around comes around! All I can say is I’m working on being less judgmental!)

But truly the vibe was laid back and friendly and, as Chris would say, “all good” especially since there was no money involved and everyone was just doing this for the fun of playing. (And the band-discounted beer!) (Note: no beer for me! Driving and on baby watch!)

In true Nashville fashion, there was no rehearsal, no talking about the tunes we would play. We tuned up individually and stepped onto the stage. Chris leaned over to me and said, “Can you kick off ‘Brand New Road Is What I’m Traveling On?’” (Which is a Reno tune that sounds like ‘Lonesome Road Blues’.) “Do you want me to sing tenor?” I asked. He nodded. “Okay, what are the words?” He refreshed me on those and I stepped up to the mike and kicked it off. (Or maybe he kicked it off. I can’t quite remember!) It felt great to be playing again.

Murphy with Chris playing at the Five Spot

Murphy Henry, Chris Henry, Adam Chassin, Matt Raum, Brad Folk, and Lauren Faks at the Five Spot

We did an hour-long set, with each band member taking a turn calling the tune. I chose “East Virginia Blues” and when I stepped up to the mike to introduce it I said, “This is the first gig I’ve played as a grandma! My daughter Casey just had a baby!” The audience (about 30 people) applauded enthusiastically.

Other songs we did included:

Sitting On Top of the World (Brad)

Toy Heart (Brad)

Daybreak in Dixie (my suggestion)

Walking West to Memphis (Chris)

Old Joe Clark (Matt)

Cherokee Shuffle (Lauren)

Kentucky Waltz (Adam)

Meet Me Out On the Mountain (Chris)

A Webb Pierce number which I think was More and More (Brad)

Roll in my Sweet Baby’s Arms (by guest fiddler David)

Love’s Gonna Live Here Again (Brad)

We closed out with Rawhide which was fast as…..the dickens! And then Chris sped it up! And then he sped it up again. At which point I couldn’t even vamp so I just quit!

When we walked off the stage a guy came up and said he’d like to buy the band a round of beer. I would have loved to have taken him up on it, but as I noted before, I had “promises to keep and hours to go before I could sleep.”

When I got back to Casey’s house about 10 pm she was just putting Dalton down. I climbed in bed beside his crib and Casey went down the hall to sleep in my bed. He stayed asleep (with one short rocking interlude) till 2 am, when Casey came in to feed him. At which point I headed to my own well-earned rest! I awoke seven hours later to a brand new day to spend with my brand-new grandson. Life is good!

Chris’s Song IBMA Final Nominee!

Thursday, August 18th, 2011

Murphy Henry

I couldn’t wait to tell you all our son Christopher’s song, “Walkin’ West to Memphis,” made the final ballot for IBMA Song of the Year! There are only five songs nominated and his is one of them. What an honor! The song was recorded by the Gibson Brothers on their album Help My Brother. [Here's the link to download Chris's version of the song from CD Baby. And here's the link to do the same from iTunes. And finally here's the iTunes link to the Gibson Brothers' version.]

Many of you know that Chris is a top-notch mandolin and guitar player. (If I do say so myself!) But he is also an extremely gifted songwriter. He and Casey recorded a number of his songs on their CD Get Along Girl, including the aforementioned “Walkin’ West to Memphis.” (Don’t you just love the word “aforementioned”?!) He also included a bunch of his songs on his own CD, Monroe Approved. One of my favorites there is “Listen to the Lonesome Train (Boxcar Door).” He recorded that with Roland White and it is, as we say in the biz, a keeper fer sure.

IBMA 2011 Nominees

The 2011 IBMA nominees. Chris is second from the left, standing next to Ronnie McCoury. Photo from the Bluegrass Blog.

Whenever an event requiring a present comes along, I can almost guarantee that I will get a CD from Chris with a new song or several new songs on it. The title of one, “Maybelle’s Been a Bad Dog” is pretty self-explanatory! He’s got a project in the can now that features a lot of newly-written old country-type songs. He plays some old-school electric guitar on these (in addition to mandolin and acoustic guitar) and does some mighty fine singing.

Last night when I was waiting (with bated breath) to hear if Chris’s song got nominated I was in the middle of lessons. Right after he texted to say his song was, indeed, a final nominee, Bob Mc, who was listening to Sirius Radio on his way home from his lesson, texted to say “congratulations.” I love texting! (And I’m SURE Bob was not texting and driving!)

Mark was also listening to the radio on his way to the lesson. Since Logan is going off to college Friday (Virginia Tech) I had arranged with Mark to turn his lesson (my last one of the night) into a jam session and had invited Logan and Bob Van to come pick. As soon as Mark walked in he said he’d heard about Chris’s song on the radio too. He had had the classic bluegrass response. He said, “I ran off the road!” That usually happens when a banjo picker hears Earl on the radio for the first time, so Chris was in pretty good company!

I was in pretty good company, too, sitting there picking with Mark, and Bob, and Logan while basking in the glow of being a proud mother. We hoisted a few Corona’s in honor of Chris (Not Logan! He has to wait till college!) and proceeded to pick till about 10:00. But the story of that jam will have to wait till another time. I was nice to be with bluegrass folks who understood what a great moment it was for Chris to have a song nominated for Song of the Year.

So, big CONGRATULATIONS to Chris, my fav-o-rite songwriter! And you can bet Red and Casey and I will be there at the Awards Show in September, hoping for Chris to win a Song of the Year trophy, but proud of him no matter what! Yeehaw!

[Editor's Note: You can see the full list of nominees over at the Bluegrass Blog.]

Picking and Dancing

Tuesday, August 9th, 2011

Murphy Henry

I’m just back from a big weekend of kicking up my heels at the West Virginia Square Dance Convention in Buckhannon. “And this is relevant to bluegrass how?” you might be asking. Well, since I spent this past year learning to dance the man’s part, not only did I dance some with my friend and student Janet Moore, but when we got back “home” after the dance we entertained our friends by playing music (banjo and guitar) in the lobby of our hotel.

Here are some of the songs we played:

Foggy Mountain Breakdown
Lonesome Road Blues
Old Joe Clark
John Hardy
Down Yonder
Will the Circle Be Unbroken
I’ll Fly Away
When the Roll Is Called Up Yonder
Amazing Grace
Roll in My Sweet Baby’s Arms
Battle Hymn of the Republic (in C)
Rocky Top
Country Roads
In The Pines
Mansion Over the Hilltop
Kicking Mule
You Are My Sunshine
This Land Is Your Land
Save Me A Square on the Floor (my square dance song)
I Saw The Light
Chinese Breakdown (in C)

Murphy jamming it up at the square dance!

Murphy jamming it up at the square dance! (Photo by Bonnie Pollock)

Janet and I had rehearsed most of these songs many times, but “Battle Hymn of the Republic” (which was a request) we’d only gone over once, just messing around, and “In the Pines” (another request) we’d never played together. And I’m telling you, Janet is so gutsy! When I take one of these requests all she says is, “Where do I put my capo?” Of course, if it’s the Key of C, she might make a small face because she still hates making that F chord, but she goes ahead and does it anyhow. And she has a very good ear for hearing chord changes, so that helps enormously. In fact, that’s what makes it possible for us to try unrehearsed material. Which is part of the fun of playing for me.

Janet holding down that rhythm guitar.

Janet holding down that rhythm guitar. (Photo by Bonnie Pollock.)

New to our “show” this time was Janet’s singing. She sings very well and knows the words to most of the standards. I’d only planned for us to sing in unison but she was singing so strong that on “Roll In My Sweet Baby’s Arms” I switched to the tenor and we had a real bluegrass duet! That worked so well that I also tried it on “You Are My Sunshine” which sounded so good that Janet’s husband Kenney jumped up and applauded!

Word of our Friday night picking spread through the crowd at the dance and we had folks coming up on Saturday and asking, “Will you be playing tonight?” Which is always flattering. One woman said to me, “My friend told me that you and your daughter were playing banjo and guitar at the hotel.” Oh, my! Did Janet (who is about my age) ever love that!

So many thanks to our square dancing friends for listening, for requesting tunes, and especially to Ron for bringing the Wild Turkey!

Shortie

Tuesday, August 2nd, 2011

Murphy Henry

So, my banjo student Mark comes in yesterday for his lesson with a story to tell. He says he was driving home from work, listening to my CD, M and M Blues, which I had given him on our shared birthday, May 18. It was not his first listen, of course, so it didn’t hurt my feelings when he said he’d gotten tired of listening to me and, wishing for a change, had turned the CD player off and turned his radio on. Much to his jaw-dropping surprise, there I was again, playing “John Hardy,” my name glowing cheerfully at him from the digital display. “Turn me off, will you?” I seemed to be chuckling. “I don’t think so!” Needless to say, Mark was a little freaked. Apparently the Universe was thinking, naw, you really haven’t heard enough of Murphy!

So many thanks to either Chris Jones or Ned Luberecki, two of the DJs on the Sirius XM show, “Bluegrass Junction,” for playing “John Hardy,” which is one of the cuts on the Stelling Anthology CD. Mark was also mightily impressed by the bass playing on that tune which was done by my fav-o-rite bass player of all time, Casey Henry! I might also mention that Ned has a couple of dynamite tunes on that same CD, with the extremely clever titles “Emergency Pulloff” and “Nedscape Navigator.”

I now return to my previous engagement, writing the General Store column for Bluegrass Unlimited. This short blog was brought to you by a cup of instant Starbucks! Buzz!

Thoughts on Old Joe Clark

Monday, June 27th, 2011

Murphy Henry

I recently received this email from a student:

I have learned the notes to Old Joe Clark and can play the slow version along with the DVD. However, I absolutely cannot translate this to the correct rhythm. I cannot even get the first lick! I am going crazy!

And I answered thusly:

I don’t know if it will make you feel any better, but MANY students have trouble with the correct rhythm to Old Joe Clark. It’s hard! Remember: the first two notes you play are pick-up notes–before the down beat. The down beat is the third note, the fifth string. My guess is you might be hearing it wrong. If you are hearing the first note you play as the down beat, then you are…..well, let’s just say you’re in trouble! If you can count time, then you can count those first two notes as “and-uh” with the fifth string then becoming “one.”

ASIDE: I’m not much of a time counter myself, but when I was learning banjo I occasionally had need to count time. What worked for me was counting every single note like this: one-ee-and-uh (which would represent four notes), two-ee-and-uh, three-ee-and-uh, four-ee-and-uh. So a simple square roll—3,2,5,1—would count out “one-ee-and-uh.” One syllable for every note. Ignore this if it’s confusing!

Now, if you are worried about the “bounce” or what notes to emphasize, it’s way too early for that. Just keep playing the correct notes mechanically for a while as you try to get them into your fingers. Do not try to play fast! I promise it won’t help. After a while, if you are faithful and diligent, the “correct rhythm” will come to you. Don’t rush the process!!!!! In fact, you can’t rush the process. (Can you, Marty??) And if you could find someone to play guitar with you, that would help. Especially if the guitar player knows Old Joe to begin with.

Believe me, there is no trick to learning this, no magic cure. Listen lots to where I play Old Joe with the guitar on Beginning Banjo Volume 2. You might also try the Slow Jam DVD, which includes Old Joe played with a band. You can play along with us, and we leave a hole for you to play by yourself. That should help. Although it might be too fast to play along with at first. But you could listen over and over and over and vamp along. Learning to vamp to the song should help with your understanding of it.

You didn’t say how long you’d been playing or using the Murphy Method, but if you are a really new player, or new to playing by ear, then it might be too early for Old Joe. You might need to go back and get some of the “foundation” tunes from Beginning Banjo Volume 1 and Misfits.

Last resort: Hop a plane and come take a lesson with Casey in Nashville or me in Winchester!

But in the meantime, as someone said to me recently (two people, actually!): Patience, patience, patience.

And don’t give up! Good luck!