Archive for the ‘DVDs’ Category

A Couple of Reviews

Sunday, June 20th, 2010

I was browsing around the Bluegrass Unlimited site today and ran across a couple of reviews they did of our DVDs. (BU is the premier bluegrass magazine. If you don’t subscribe already, you should.) I’ll post the links as well as the complete text, just in case the link stops working at some point in the future.

141Easy Songs for Banjo
The Murphy Method is the common sense method of learning, used by many folks who don’t want to be hindered by learning too much music theory, but want to be able to play an instrument. In days gone by, young people watched their elders play and imitated them, often when no one was around. In this case, we are looking at banjo. Casey Henry is an accomplished banjo player and, as it turns out, a very good teacher. There is no tablature used here. Learning is by example and, so, we are patiently shown how each tune is played at speed and then painstakingly slowed down, lick by lick.

Murphy Henry, whom the method is named after, supports her daughter on guitar and vocals, so both leads and backup playing can be demonstrated. The lessons are well-organized and well thoughtout, providing clear shots of both hands and an empirical example of how the banjo interacts with the guitar and vocals. This meshing of banjo and guitar lines is at the heart of traditional bluegrass music.

The focus is on five songs, all of them standards: “Old Home Place,” “NinePound Hammer,” “Salty Dog,” “Amazing Grace,” and “Ballad Of Jed Clampett.” Not only will you learn to play clean, concise versions of these tunes, you will be given patient examples that you can return to, until you get each lick. There is an assumption made that the viewer can already play the basic rolls, knows most of the basic licks, and can string them together. There is a chapter, “CGD Songs” that will help with all of this.

If you want to learn to play banjo, but tablature makes you break out in cold sweats, this DVD will open a lot of doors for you, especially, if you don’t want to get bogged down in that labyrinth called music theory. The Henrys will teach you what you need to know without burying you in gobbledygook. RCB (Nov. 2009) (View original. The review is at the bottom of the page.)

15Rawhide and Other Banjo Favorites

You can’t beat experience, especially when it comes to teaching. Murphy Henry is everything I like in a teacher: knowledgeable, thorough, patient, but most of all experienced. She’s confronted just about every problem and question a student might have, and she puts that experience to use in this addition to her extensive DVD banjo instruction series.

The Blistering Banjo Favorites that Murphy teaches on this two-hour DVD are “Rawhide,” “Bluegrass Breakdown,” “Theme Time,” and “Hazel Creek.” All are accessible from several levels of easily navigable menus.

Much has been made of the fact that Murphy doesn’t use tablature, preferring to teach by sight and ear. Proponents and opponents of this method can sometimes overstate their cases. What’s important is the end product and many people have learned banjo (and learned it well) by using The Murphy Method. The benefit of not using tablature is that the lesson goes straight into the cerebellum and you don’t have to wean yourself away from the written page. Frankly, the only downside I see is that you can’t quickly refer to measures on a page and might have to watch the DVD to isolate a particular passage. In the age of instant digital access, this is not a problem.

Murphy is one of the cleanest, most straightforward players around. She teaches more than notes and chords here; she teaches tone, timing, and touch.

Each lesson is divided into an uptempo version of the song, a slowed-down version, followed by a patient teaching of each measure through the song, and then a version played with guitar so the student can get used to following a rhythm instrument. This is an often overlooked aspect of banjo playing that Murphy rightly emphasizes. Recommended for anyone in need of adding some high-octane barnburners to their banjo repertoire. CVS (June 2010) (View original. Review is at the bottom of the page.)

Florida Folk Festival — Day 4 — Sunday, May 30th

Tuesday, June 15th, 2010

Red Henry

Red Henry


Sunday was another long and musical day at White Springs. The morning dawned high and dry, with no sign of the deluge we’d had the previous evening. After begging some morning coffee (essential for survival), I tuned up my mandolin and guitar and contemplated the day. We had a set to play at the River Gazebo, specified to be primarily of Florida songs. We have quite a few of those in our band repertoire, so I started picking out a few. There were some I rejected. “Abraham Washington”? — maybe too grim for Sunday. “Gospel Snakes”? — Dale had performed that one on Saturday. But we had plenty more up our sleeves.

By “we” I mean Red and Chris Henry and our All-Star Band, which includes John Hedgecoth (banjo), Jenny Leigh (fiddle), and Barbara Johnson (bass), all three of whom are great pickers. In spite of only performing together a few times per year, we have plenty of material worked up and are always learning more– we managed to play two hour-long sets at Gamblefest without repeating anything– and we have a good time playing music together.

First thing on the day’s program was to back up our friend Dale Crider for his set on the Old Marble Stage. We all traipsed over there at the appropriate time, and Dale launched into his set.

Now, Dale’s mind works quickly and creatively. (I have already mentioned his “Mangrove Buccaneer” song posted by Ron Johnson at http://www.youtube.com/watch?v=18-Kt4UKmII , in which Dale’s cat-like powers of recovery are demonstrated.) But after Dale arrived a few minutes late for his own set on Friday, and was only prevented from singing one of his own songs which we’d already done by the kindness of a vocal audience member, he’d gotten skittish about repeating a song. Before singing one of his songs at the Old Marble Stage, he paused and asked the audience, “Have I already done this one?” — it’s a good thing he asked them instead of us. I leaned into my mike and said, “Dale KNOWS that if he’d already sung it, WE would stand right here and let him sing it AGAIN!” – but correctly reassured by the audience that he hadn’t done it yet, Dale sang “Mangrove Buccaneer” to end the set. Good job, Dale.

After a break back in the campground, it was time for us to go down to the River Gazebo and play. Before our set I chatted for a while with distinguished Florida folks Larry Mangum and Frank Thomas, and also met Nancy Crockford, an accomplished violinist who was interested in learning fiddle. I’ll send you a couple of our Murphy Method fiddle-instruction DVDs, Nancy. Then it was time for us to play.

Since Christopher and I like playing double-harmony mandolins together so much, we started out with a fine Bill Monroe tune called “Tallahassee”. Chris and Jenny contributed Florida songs of their own, and then John sang his “Florida Sunshine” tribute to White Springs in olden days. The crowd really liked all these but at that point we were running short on time, so we did a quick guitar-harmony rendition of Will McLean’s “Osceola’s Last Words” and finished out with an abbreviated double-mandolin version of “Rawhide” — not exactly a Florida song, I suppose, but to get five out of six isn’t bad.

Last on our day’s schedule was a set by Dale at the Gazebo, alternating songs with Jeannie Fitchen. We had a good time playing, and listening to Jeannie, and playing, and listening, until it was time for Frank Thomas to take center stage and lead us all in “Old Folks at Home”. What a good day, and what a great festival!

After the set John needed to get back to Nashville, but the rest of us loaded up our stuff and drove down to Dale’s place at Windsor, on the shores of Lake Newnan. The thunderstorms were threatening as we set out, and let go some gully-washing rains as we drove. On Monday, we’d be recording with Dale!

Next time: Day 5!

White Springs Festival Coming Up!

Tuesday, May 25th, 2010

Red Henry

Red Henry


Folks, it’s almost time for the Florida Folk Festival, held every year at the Stephen Foster State Park on Memorial Day weekend. Chris, Jenny, and I will be driving down there on Thursday (13 hours, but we’ll never match Casey’s travel percentage!), and we’ll have three days of performing music on the festival stages. Here’s our schedule:

Friday, May 28th: 3:30, at the Seminole Hut stage.

Saturday, May 29th: 3:00, at the Old Marble Stage.

Sunday, May 30th: 3:20, at the River Gazebo.

Of course we’ll have plenty of our CDs with us at our sets, and a selection of Murphy Method DVDs as well –and, naturally, there will be plenty of picking in the campground the rest of the time!

This festival runs eight or ten stages during the day, and a big show on the main stage at night. Activities include fiddle and banjo contests as well as contra-dances and craft shows. Look the festival up at http://www.floridastateparks.org/folkfest/Highlights.cfm , and take a look at the schedules! There’ll be a lot going on. Come by if you can, and say hello.

Red

May Half-Price DVD: Blackberry Blossom

Tuesday, April 27th, 2010

17Our May DVD special is the half-price Blackberry Blossom and Other Banjo Favorites. Get them while they’re hot! It features the ever-popular title tune, as well as “Katy Hill,” “Turkey in the Straw,” “Roanoke,” and Casey Henry’s original tune “Big Panther Creek Waltz,” which she recorded on her CD Real Women Drive Trucks.

Blogging Before Breakfast

Thursday, April 15th, 2010
Murphy Henry

Murphy Henry

The nice thing about working at home, as Casey has pointed out, is being able to work in your pajamas. So, here I sit at the computer, in my red pjs with my morning cuppa (tea), writing my blog before I’ve even had breakfast! My tummy protesteth!

This past weekend, as you know, we recorded a new banjo DVD, Beyond Vamping: Fancy Scruggs Backup. This was totally Casey’s idea and her concept of teaching a series of backup licks and then adding them to the same song so you get a whole song’s worth of backup is brilliant. You’re gonna love hearing Casey talk about the “short vamp diddley” and the “long vamp diddley” and what the Flint Hill Flash called the “Townhall Lick.”

My job throughout the shoot, in addition to playing guitar and singing and making sure Casey didn’t accidentally say anything wrong that she didn’t catch herself, was to keep an eye on Earl. Earl? Yes, Earl.

Casey has this wonderful gold necklace (which she wore on the Grand Ole Opry) from which hangs a tiny Earl Scruggs figure, possibly an inch high, with his banjo. What could be more appropriate for a Fancy Scruggs Backup DVD than to have a token of Earl actually in the room?

But a problem surfaced early on. Earl would occasionally be overcome with shyness and turn away from the camera. My job was to make sure Earl was always facing forward. This elicited comments from me such as “Earl’s getting a little sideways there” and “Earl’s a little crooked” and “I think Earl’s giving you a little kiss.” We had a lot of fun with Little Earl. (Which, by the way, is what Red and I named one of the chipmunks in our yard.)

Since my job didn’t require a whole lot of effort once Earl was in position, I took the liberty of writing down a few choice remarks that Casey addresses to the students. Which I will now share (if they pass Casey’s editorial powers!):

About the “long vamp diddley”: That’s a tricky little move. Get the timing in your fingers. I expect you to pause the video and go practice right now!

About the “Townhall Lick”: This lick takes an awful lot of left-hand dexterity.

About the “Cabin in Caroline Lick”: I’m about to sound like a broken record when I say, Get the notes down before you start to worry about the timing.

And my favorite (which she used several times): Take off your ring finger. Perhaps I’ve read the Lord of the Rings trilogy too many times, but each time she said this, I envisioned someone actually taking their ring finger off of their hand. With no help from Gollum!

Place your advance orders now. Operators are standing by. (One of them will be eating breakfast!)

It’s In The Can

Wednesday, April 14th, 2010
Casey Henry

Casey Henry

Ask and you shall receive! The new backup DVD we filmed last weekend is now up on the site and available for pre-order. The title will be Beyond Vamping: Fancy Banjo Backup. The cover isn’t done yet (I’m having the pictures taken tomorrow), so on the order page you’ll see a still from the video rather than the cover design.

This DVD covers fancy, mostly up-the-neck, Scruggs-style backup. I’ve been thinking about how to teach it for at least a couple of years, and several of my students have been guinea pigs for these lessons, as have some workshop participants and camp attendees. I know for a fact that they were able to learn it in their face-to-face lessons, so I hope the same thing holds true for our DVD students.

The key to teaching this is to put the licks into songs. Many other DVDs out there are full of licks, and I’m sure they all show versions of these same licks. But they don’t show you how to use them in patterns, within actual songs. Over the course of this DVD we build four different backup patterns, a lick at a time and if you make it all the way through the lessons (in order!) you will have a LOT of practice using these licks. Then it’s up to you to take them and use them in your own playing and jamming.

A great way get some practice on this is to play along with the Slow Jam DVDs. Sure the songs seem too slow for many people once they get a certain number of playing hours under their belts, but this backup is a whole new ballgame! You can use the video in a new way and practice backing up a variety of songs.

But all this info is just academic until you actually have the DVD in your hands, which will be in about six weeks. So to tide you over, here’s another picture from the shoot:

Casey and Murphy Henry, filming the new backup DVD.

Casey and Murphy Henry, filming the new backup DVD.

First Look

Saturday, April 10th, 2010

Here the first look at the backup DVD we’re working on this weekend (that’s look as in picture, not look as in video clip…). We shot all day yesterday and are about to crank up again this morning to finish it up.

Casey Henry, thinking about backup.

Casey Henry, thinking about backup.

Today: Shooting A New DVD!

Friday, April 9th, 2010
Murphy Henry

Murphy Henry

Apologies for not blogging on Thursday. Here’s my excuse: Casey arrived Wednesday night! Today (Friday) we start shooting a brand-new banjo DVD which she will be teaching. It’s chock full of all those fancy Scruggs backup licks you’ve been wanting to learn. They will all be taught note-by-note and then incorporated into a real song, so you can play along with us (I’ll be on guitar) until you feel ready to try them in a jam.

So, on Wednesday, what were we doing that interfered with my writing this all-important blog? Were we sitting around playing banjos? Were we discussing the upcoming DVD? No, we were not. First there was supper. Coming straight out of my lessons at 8 p.m., I managed to cobble together a “chick meal”–-baked sweet potatoes, black-eyed peas, avocado slices, and some of Casey’s homemade bread—since real meal of chicken and rice I’d planned on cooking was still in the raw stage. So it goes. Then, satiated, we retired to the sanctity of the TV room to watch Bridget Jones’s Diary! We love that movie!

And now, time’s up and I need to go upstairs and eat breakfast (Casey is fixing stell-cut oatmeal!) and get into my DVD clothes.

But first, a quick non-bluegrass story.

Yesterday morning I headed into town to run some errands. I stopped by Tom’s Market (our local Citgo station) for some gas. When I got back in the car, the day was so bright, I reached for my sunglasses. Drat! I couldn’t find them. Must have left them in the house I thought. As I drove, I tried to envision where I might have pulled them off and set them down. I felt very annoyed (or v. annoyed, as Bridget would write). I checked all the places in the car they might be. Nada.

Then I thought of checking my old sunglasses holder, which is actually too small to fit my new sunglasses. (Exact same brand and number, only slightly “improved,” doggone it.) Well, my new sunglasses weren’t there, but my old ones (with the broken earpiece) were. They’ll do, I thought. I took them out and put them on. Or rather, I tried to put them on. They fit right over my glasses and they weren’t going on too well. In that moment I realized, surprise, surprise: I already had my sunglasses on! And didn’t realize it!

Naturally I called Casey to tell her, but was laughing so hard I could barely get the story out. She was properly appreciative.

Alright. That’s all you get for a nickel, as we say here. Send good thoughts for a excellent day of shooting this DVD!

Building Blocks (Flying and Picking #9)

Friday, April 2nd, 2010

Red Henry

Red Henry


Last night, my instructor Brian and I made a cross-country flight to an airport about 62 miles away. The flight was in the dark, it was over some pretty sparsely-populated Virginia and West Virginia mountains, and it was in a very small single-engined airplane. We navigated visually at night, and we were not flying on instruments. Were we scared? No, not even when one of the radios quit working. We didn’t really need any radios at all. Did we have any trouble getting there and back? No. It was a lot of fun.

The flight went really smoothly, and along with flying the plane I was able to do all the things I’ve been practicing: checking our course on the ground, checking our speed toward our destination, cross-checking our progress using the navigational radio that still worked, and talking when necessary to Air Traffic Control and other airplanes. Then, of course, I had to land the plane when we got where we were going and again when we came back. In the dark. Was all this complicated? Yes, a bit. Could I have done all this right after I started training? No, of course not. Why wasn’t it overwhelming? Because I’d learned it all a step at a time.

I keep finding similarities between learning to fly and learning to play music. Learning to pick is something you need to do a little at a time. Our banjo students, for example, no matter how much they want to, can’t launch right into learning “Foggy Mountain Breakdown”, or playing “Dueling Banjos”, or improvising in jam sessions, right off the bat. Nobody can (except maybe teenagers). Instead, the students need to go through our Beginning Banjo DVDs step-by-step to learn the building blocks– the banjo licks– which they’re going to use. Then they need to go, step-by-step, into more advanced DVDs which teach them how to put those building blocks together, one step at a time.

Taking one step at a time, it all makes sense and becomes easier. You start with one thing and learn another, and then you aren’t overwhelmed and discouraged by not being able to do it all at once! Learn to play step-by-step at your own speed, and after a while you’ll be cruising over the mountains yourself.

Red

WillFest 2010

Tuesday, March 23rd, 2010
Red Henry

Red Henry

Chris, Jenny (his fiddle-playing girlfriend), and I drove down to Florida recently for the Will McLean folk music festival, and we had a great time. It was a long way for us to go, being held not far from Tampa, but it was certainly worth the drive.

The festival is named in honor of Florida’s pioneering folksinger and songwriter, Will McLean. A highly individualistic and creative person known as “Florida’s Black-Hat Troubadour,” Will influenced many other musicians and blazed the way for the rest of us who followed after.

We arrived at the show on Friday afternoon and promptly started warming up–we had a set to play at 7:00. And the set went great. We played a mix of bluegrass and Florida Folk material, and our friend Ron Johnson posted our two-guitar harmony arrangement of Will’s song “Osceloa’s Last Words” on YouTube: http://www.youtube.com/watch?v=iW-TmL-PCKE . (Red Henry and Chris Henry–guitars, Jennifer Obert–fiddle, Barbara Johnson–bass).

After performing it was time to pick, and pick we did, until late at night. On Saturday Chris and I led a well-attended mandolin workshop, playing some music and answering lots of questions, and selling a good many CDs and Murphy Method DVDs afterwards. Then we backed up our friend Dale Crider on his afternoon set for a lively crowd. There was more picking that night, and Dale showed up to sing lots of our old bluegrass favorites from when we were learning to play in the late 1960s.

On Sunday we backed Dale up on another set, and then played our own show at 2:00 on the Main Stage. We had a terrific crowd which (I say modestly) gave us a standing ovation, and then we sold some more CDs and DVDs before hitting the road. We won’t get rich playing at folk festivals in Florida, but you know what? We’ll be back!

Red

P.S.– Next shows:

Gamble Rogers Music Festival, May 1-2, St. Augustine

Florida Folk Festival, May 28-30, White Springs