Archive for the ‘DVDs’ Category

White Springs Festival Coming Up!

Tuesday, May 25th, 2010

Red Henry

Red Henry


Folks, it’s almost time for the Florida Folk Festival, held every year at the Stephen Foster State Park on Memorial Day weekend. Chris, Jenny, and I will be driving down there on Thursday (13 hours, but we’ll never match Casey’s travel percentage!), and we’ll have three days of performing music on the festival stages. Here’s our schedule:

Friday, May 28th: 3:30, at the Seminole Hut stage.

Saturday, May 29th: 3:00, at the Old Marble Stage.

Sunday, May 30th: 3:20, at the River Gazebo.

Of course we’ll have plenty of our CDs with us at our sets, and a selection of Murphy Method DVDs as well –and, naturally, there will be plenty of picking in the campground the rest of the time!

This festival runs eight or ten stages during the day, and a big show on the main stage at night. Activities include fiddle and banjo contests as well as contra-dances and craft shows. Look the festival up at http://www.floridastateparks.org/folkfest/Highlights.cfm , and take a look at the schedules! There’ll be a lot going on. Come by if you can, and say hello.

Red

May Half-Price DVD: Blackberry Blossom

Tuesday, April 27th, 2010

17Our May DVD special is the half-price Blackberry Blossom and Other Banjo Favorites. Get them while they’re hot! It features the ever-popular title tune, as well as “Katy Hill,” “Turkey in the Straw,” “Roanoke,” and Casey Henry’s original tune “Big Panther Creek Waltz,” which she recorded on her CD Real Women Drive Trucks.

Blogging Before Breakfast

Thursday, April 15th, 2010
Murphy Henry

Murphy Henry

The nice thing about working at home, as Casey has pointed out, is being able to work in your pajamas. So, here I sit at the computer, in my red pjs with my morning cuppa (tea), writing my blog before I’ve even had breakfast! My tummy protesteth!

This past weekend, as you know, we recorded a new banjo DVD, Beyond Vamping: Fancy Scruggs Backup. This was totally Casey’s idea and her concept of teaching a series of backup licks and then adding them to the same song so you get a whole song’s worth of backup is brilliant. You’re gonna love hearing Casey talk about the “short vamp diddley” and the “long vamp diddley” and what the Flint Hill Flash called the “Townhall Lick.”

My job throughout the shoot, in addition to playing guitar and singing and making sure Casey didn’t accidentally say anything wrong that she didn’t catch herself, was to keep an eye on Earl. Earl? Yes, Earl.

Casey has this wonderful gold necklace (which she wore on the Grand Ole Opry) from which hangs a tiny Earl Scruggs figure, possibly an inch high, with his banjo. What could be more appropriate for a Fancy Scruggs Backup DVD than to have a token of Earl actually in the room?

But a problem surfaced early on. Earl would occasionally be overcome with shyness and turn away from the camera. My job was to make sure Earl was always facing forward. This elicited comments from me such as “Earl’s getting a little sideways there” and “Earl’s a little crooked” and “I think Earl’s giving you a little kiss.” We had a lot of fun with Little Earl. (Which, by the way, is what Red and I named one of the chipmunks in our yard.)

Since my job didn’t require a whole lot of effort once Earl was in position, I took the liberty of writing down a few choice remarks that Casey addresses to the students. Which I will now share (if they pass Casey’s editorial powers!):

About the “long vamp diddley”: That’s a tricky little move. Get the timing in your fingers. I expect you to pause the video and go practice right now!

About the “Townhall Lick”: This lick takes an awful lot of left-hand dexterity.

About the “Cabin in Caroline Lick”: I’m about to sound like a broken record when I say, Get the notes down before you start to worry about the timing.

And my favorite (which she used several times): Take off your ring finger. Perhaps I’ve read the Lord of the Rings trilogy too many times, but each time she said this, I envisioned someone actually taking their ring finger off of their hand. With no help from Gollum!

Place your advance orders now. Operators are standing by. (One of them will be eating breakfast!)

It’s In The Can

Wednesday, April 14th, 2010
Casey Henry

Casey Henry

Ask and you shall receive! The new backup DVD we filmed last weekend is now up on the site and available for pre-order. The title will be Beyond Vamping: Fancy Banjo Backup. The cover isn’t done yet (I’m having the pictures taken tomorrow), so on the order page you’ll see a still from the video rather than the cover design.

This DVD covers fancy, mostly up-the-neck, Scruggs-style backup. I’ve been thinking about how to teach it for at least a couple of years, and several of my students have been guinea pigs for these lessons, as have some workshop participants and camp attendees. I know for a fact that they were able to learn it in their face-to-face lessons, so I hope the same thing holds true for our DVD students.

The key to teaching this is to put the licks into songs. Many other DVDs out there are full of licks, and I’m sure they all show versions of these same licks. But they don’t show you how to use them in patterns, within actual songs. Over the course of this DVD we build four different backup patterns, a lick at a time and if you make it all the way through the lessons (in order!) you will have a LOT of practice using these licks. Then it’s up to you to take them and use them in your own playing and jamming.

A great way get some practice on this is to play along with the Slow Jam DVDs. Sure the songs seem too slow for many people once they get a certain number of playing hours under their belts, but this backup is a whole new ballgame! You can use the video in a new way and practice backing up a variety of songs.

But all this info is just academic until you actually have the DVD in your hands, which will be in about six weeks. So to tide you over, here’s another picture from the shoot:

Casey and Murphy Henry, filming the new backup DVD.

Casey and Murphy Henry, filming the new backup DVD.

First Look

Saturday, April 10th, 2010

Here the first look at the backup DVD we’re working on this weekend (that’s look as in picture, not look as in video clip…). We shot all day yesterday and are about to crank up again this morning to finish it up.

Casey Henry, thinking about backup.

Casey Henry, thinking about backup.

Today: Shooting A New DVD!

Friday, April 9th, 2010
Murphy Henry

Murphy Henry

Apologies for not blogging on Thursday. Here’s my excuse: Casey arrived Wednesday night! Today (Friday) we start shooting a brand-new banjo DVD which she will be teaching. It’s chock full of all those fancy Scruggs backup licks you’ve been wanting to learn. They will all be taught note-by-note and then incorporated into a real song, so you can play along with us (I’ll be on guitar) until you feel ready to try them in a jam.

So, on Wednesday, what were we doing that interfered with my writing this all-important blog? Were we sitting around playing banjos? Were we discussing the upcoming DVD? No, we were not. First there was supper. Coming straight out of my lessons at 8 p.m., I managed to cobble together a “chick meal”–-baked sweet potatoes, black-eyed peas, avocado slices, and some of Casey’s homemade bread—since real meal of chicken and rice I’d planned on cooking was still in the raw stage. So it goes. Then, satiated, we retired to the sanctity of the TV room to watch Bridget Jones’s Diary! We love that movie!

And now, time’s up and I need to go upstairs and eat breakfast (Casey is fixing stell-cut oatmeal!) and get into my DVD clothes.

But first, a quick non-bluegrass story.

Yesterday morning I headed into town to run some errands. I stopped by Tom’s Market (our local Citgo station) for some gas. When I got back in the car, the day was so bright, I reached for my sunglasses. Drat! I couldn’t find them. Must have left them in the house I thought. As I drove, I tried to envision where I might have pulled them off and set them down. I felt very annoyed (or v. annoyed, as Bridget would write). I checked all the places in the car they might be. Nada.

Then I thought of checking my old sunglasses holder, which is actually too small to fit my new sunglasses. (Exact same brand and number, only slightly “improved,” doggone it.) Well, my new sunglasses weren’t there, but my old ones (with the broken earpiece) were. They’ll do, I thought. I took them out and put them on. Or rather, I tried to put them on. They fit right over my glasses and they weren’t going on too well. In that moment I realized, surprise, surprise: I already had my sunglasses on! And didn’t realize it!

Naturally I called Casey to tell her, but was laughing so hard I could barely get the story out. She was properly appreciative.

Alright. That’s all you get for a nickel, as we say here. Send good thoughts for a excellent day of shooting this DVD!

Building Blocks (Flying and Picking #9)

Friday, April 2nd, 2010

Red Henry

Red Henry


Last night, my instructor Brian and I made a cross-country flight to an airport about 62 miles away. The flight was in the dark, it was over some pretty sparsely-populated Virginia and West Virginia mountains, and it was in a very small single-engined airplane. We navigated visually at night, and we were not flying on instruments. Were we scared? No, not even when one of the radios quit working. We didn’t really need any radios at all. Did we have any trouble getting there and back? No. It was a lot of fun.

The flight went really smoothly, and along with flying the plane I was able to do all the things I’ve been practicing: checking our course on the ground, checking our speed toward our destination, cross-checking our progress using the navigational radio that still worked, and talking when necessary to Air Traffic Control and other airplanes. Then, of course, I had to land the plane when we got where we were going and again when we came back. In the dark. Was all this complicated? Yes, a bit. Could I have done all this right after I started training? No, of course not. Why wasn’t it overwhelming? Because I’d learned it all a step at a time.

I keep finding similarities between learning to fly and learning to play music. Learning to pick is something you need to do a little at a time. Our banjo students, for example, no matter how much they want to, can’t launch right into learning “Foggy Mountain Breakdown”, or playing “Dueling Banjos”, or improvising in jam sessions, right off the bat. Nobody can (except maybe teenagers). Instead, the students need to go through our Beginning Banjo DVDs step-by-step to learn the building blocks– the banjo licks– which they’re going to use. Then they need to go, step-by-step, into more advanced DVDs which teach them how to put those building blocks together, one step at a time.

Taking one step at a time, it all makes sense and becomes easier. You start with one thing and learn another, and then you aren’t overwhelmed and discouraged by not being able to do it all at once! Learn to play step-by-step at your own speed, and after a while you’ll be cruising over the mountains yourself.

Red

WillFest 2010

Tuesday, March 23rd, 2010
Red Henry

Red Henry

Chris, Jenny (his fiddle-playing girlfriend), and I drove down to Florida recently for the Will McLean folk music festival, and we had a great time. It was a long way for us to go, being held not far from Tampa, but it was certainly worth the drive.

The festival is named in honor of Florida’s pioneering folksinger and songwriter, Will McLean. A highly individualistic and creative person known as “Florida’s Black-Hat Troubadour,” Will influenced many other musicians and blazed the way for the rest of us who followed after.

We arrived at the show on Friday afternoon and promptly started warming up–we had a set to play at 7:00. And the set went great. We played a mix of bluegrass and Florida Folk material, and our friend Ron Johnson posted our two-guitar harmony arrangement of Will’s song “Osceloa’s Last Words” on YouTube: http://www.youtube.com/watch?v=iW-TmL-PCKE . (Red Henry and Chris Henry–guitars, Jennifer Obert–fiddle, Barbara Johnson–bass).

After performing it was time to pick, and pick we did, until late at night. On Saturday Chris and I led a well-attended mandolin workshop, playing some music and answering lots of questions, and selling a good many CDs and Murphy Method DVDs afterwards. Then we backed up our friend Dale Crider on his afternoon set for a lively crowd. There was more picking that night, and Dale showed up to sing lots of our old bluegrass favorites from when we were learning to play in the late 1960s.

On Sunday we backed Dale up on another set, and then played our own show at 2:00 on the Main Stage. We had a terrific crowd which (I say modestly) gave us a standing ovation, and then we sold some more CDs and DVDs before hitting the road. We won’t get rich playing at folk festivals in Florida, but you know what? We’ll be back!

Red

P.S.– Next shows:

Gamble Rogers Music Festival, May 1-2, St. Augustine

Florida Folk Festival, May 28-30, White Springs

Sale Ends at Midnight Tonight

Sunday, February 28th, 2010

Red Henry

Red Henry


Just a reminder to everyone that our big 5-DVD for $89 sale ends at midnight tonight (Sunday, Feb. 28th). Put your orders in if you’d like to take advantage of this great offer! We’ll send your DVDs out tomorrow.

Red

Ukulele DVD

Monday, February 22nd, 2010
Murphy Henry

Murphy Henry

Every once in a while we will have someone call to ask us a question about our Ukulele DVD For Kids. (And kids at heart!) This question is almost always something like this: “Why do you call the chords G, C, and D when they are really C, F, and G?”

An excellent question, which I actually try really hard to explain on the DVD!

But for the sake of posterity, reference, and clarity, let me make another stab at it.

The little ukulele (tenor) that we use is tuned higher than a guitar. It’s tuned, top to bottom, to the “My Dog Has Fleas” phrase, which is: G, C, E, A.

Now the cool thing is that you can still make your basic chord SHAPES—G, C, D (and everything else)— the same way. It’s like playing on the last four strings of the guitar. So, instead of confusing everybody (especially the kids) with different names for those common shapes, I decided to call them G, C, and D. (I wish now I’d referred to them as SHAPES but I didn’t. Live and learn.)

I did mention—and totally demonstrate—that if you capo your guitar at the fifth fret and play those same SHAPES—G, C, D—you can play along with the kid on the (uncapoed) uke. The key ends up being the key of C. So bass players, mandolin players, and fiddle players would be playing along in the regular key of C. (Banjo players—except for Casey—would of course take the easy way out and capo!) Guitar players could, of course, also play open (no capo) and use the chords C, F, and G. (But why would anybody make an F unless they really had to????)

Again, my thinking was that most kids will use the uke as a springboard for guitar, so I wanted them to internalize the names of those SHAPES as the shapes they would be using later on the guitar. I mean, how confusing would it be later on to be thinking a D shape is G? You know how hard it is to root out those first impressions of something totally new. Scarred for life! (And also the chords on the bigger baritone uke are named just as they are on the guitar, and sound the same.)

Ukulele was my first stringed instrument. I started playing in the fourth grade, on the tail end of the big Folk Boom. (Or Folk Scare as some people call it!) It was on the uke that I learned the basics of chords and chord changes and keys. I can no longer remember how I learned my first chords. It was either from a Mel Bay book or from my friend Jeff. But I’m pretty sure I never thought of the chords as anything but G, C, and D. And when I taught my sisters to play, and then Casey and Chris, I always called the chords G, C, and D. And they seem to have done alright. So that’s my story and I’m sticking to it!

Casey tells me the ukulele is now “in” and that there are actually some ukulele bands around now. Whoo hoo! The Murphy Method is ready. I expect Ukulele DVDs to start flying off the shelves! And if you want to see how cute Casey and Chris were in their younger years, check out this DVD!

PS: If you need more explanation: Since the uke is tuned higher, the actual sounds coming out are higher (a different pitch) so G shape really sounds like C, C shape really sounds like F, and D shape really sounds like G. (Confused?) That’s why I did it the way I did it!

I’d never heard of I, IV, and V chords, so after I’d been playing a while and had noticed that certain chords “went together” I made up my own numbering system and called them 1, 2, and 3. (At least I got the “1” right!)