Archive for the ‘shows’ Category

Catch the Bee-Liners Live Online Today

Monday, September 27th, 2010

Casey Henry

Today kicks off the week-long International Bluegrass Music Association Trade Show and Fan Fest in Nashville, Tenn. In conjunction with this WAMU’s Bluegrass Country is broadcasting live from Nashville. The Dixie Bee-Liners (with Casey Henry on banjo) will be playing some tunes from 5:00-5:30 Eastern Time this afternoon. You can listen online at bluegrasscountry.org.

If you’re going to be in town for the convention, the band is also playing some late-night showcases during the week. They schedule can be found here.

See Casey on Music City Roots Tonight!

Wednesday, September 22nd, 2010

Casey Henry

Tonight at 7:00 central/8:00 eastern you’ll have the chance to watch and/or listen to me play live with the Dixie Bee-Liners on the Music City Roots radio show, which is held at the Loveless Cafe Barn in Nashville, Tenn., and broadcast on WSM (wsmonline.com). They also stream live video at musiccityroots.com, so you can see us as well as hear us. Eddie Stubbs is the announcer, Jim Lauderdale is the host, and there are four other bands in addition to ourselves. We play first, so don’t tune in late! We’ll probably do about four or five songs.

If you live in town (or are coming into town for the jam camp) you can come see the show live for only $10. Details on the website.

I hope you can tune in!

Reuben’s Surprise

Wednesday, August 25th, 2010

Casey Henry

Last weekend the Dixie Bee-Liners played at the Gettysburg Bluegrass Festival in Pennsylvania. It’s only a couple of hours from my parents’ house, so I drove up the day before and spent the night with them. We were minus our fiddler for this gig, because her Army-officer boyfriend was home on leave from Afghanistan for two weeks, so we instead had a dobro player in the form of Matt Ledbetter, who has played with the band before and already knew most of the material.  We did, however, need to practice all the songs on the set list so we met early in the day for a run-through.

Stuffed into a room at the Red Carpet Inn in Chambersburg we breezed through our standards: “Crooked Road,” “Bugs in the Basement,” “Ball and Chain,” “Yellow-Haired Girl”. The only different songs were, of course, the dobro tunes. Matt played “Fireball,” a tune that I love. J.D. Crowe played it when I saw him at the Ryman last month and when I took my break I tried to play my absolute Croweiest.

Matt also played “Reuben,” which is typically a no-brainer. In D tuning it uses the same-old rolls you use all the time in standard tuning. However. We started off the second set with “Reuben” and the next song was “Walls of Time” also in D, but one that I play in regular tuning out of D position. Clearly there would be no time to re-tune. That meant I had to play “Reuben” also in standard tuning out of D position. That makes it COMPLETELY different! The rolls are entirely different and, may I say, just a little challenging. Thank goodness, then, that the tune came in the second set so I had about ten hours to think about it and practice it before debuting this new arrangement on stage.

I did not, of course, spend the entire ten hours practicing it. We had to play our first set, after all, and there were friends to visit (the Steep Canyon Rangers, the Seldom Scene), and a workshop to do, and supper to eat (many thanks to Mary Jo and Charlie Leet, Mike and Gay Henderson, et al, for the high-class fare!).  I did devote a few minutes to it, though, on three separate occasions throughout the day and had a respectable break worked up by the time we hit the stage at 11:30 p.m. – long after my bedtime.

So that is my challenge to you this week. Take a song and play it in an entirely new way. That may just mean capoing up and playing it in a new key. Or taking a song you play in G and trying to play it in C position, or in D tuning (that would really be a challenge!).  Or trying a high break to a song that you’ve never played up the neck. It will make you see that tune in a whole different light!

The Whirlwind England Trip

Wednesday, August 18th, 2010

Casey Henry

I made it to England and back in one piece. The big festival we played there was really wonderful, and the little mini-festival was fun in a more low-key sort of way. Here are some pictures to illustrate the experience.

We flew out of Dulles Airport, which required a six-hour drive from our meeting place in Abingdon, Va. We took off Wednesday night, arriving in London at 10 a.m. the next morning. We had some trouble locating our driver, who was to take us to the hotel, so for a couple hours we made ourselves at home in the middle of the floor in Heathrow’s terminal one.

Buddy Woodward, Casey Henry, Rachel Johnson, Todd Livingston and luggage.

Buddy Woodward, Casey Henry, Rachel Renee Johnson, Todd Livingston and luggage.

As soon as we got to the hotel, Rachel and I headed straight to the bar to get some lunch. There I enjoyed my very first Guinness of the trip. So what if it was only 9 a.m. in Nashville??

Casey with the first Guinness of the trip.

Casey with the first Guinness of the trip.

It’s often the little differences that delight me the most when traveling abroad. This trip it was the milk that accompanied the tea/coffee tray in the hotel room. Instead of being powdered creamer like in the U.S., or even liquid milk in a little round foil-topped container, it was liquid milk in a tube. How cool!

Milk in a tube.

Milk in a tube.

Friday we played at Fairport’s Cropredy Convention. Our driver, Martin Driver, picked us up and took us to the festival. Here we all are:

The Dixie Bee-Liners

Martin Driver, Rachel Renee Johnson, Sav Sankaran, Todd Livingston, Buddy Woodward, Brandi Hart, Casey Henry

The stage was, I swear, like four stories tall. Just look at how Buddy and Rachel are dwarfed by it in the picture below. It was closed on three sides, so it was almost like playing indoors.

Rachel and Buddy next to the really huge stage.

Rachel and Buddy next to the really huge stage.

This was our view from the stage. I think there were about 20,000 people in the audience. I really would have needed a wide-angle lens to capture the whole thing. This is about a quarter of the crowd.

The crowd at Cropredy.

The crowd at Cropredy.

After our set we signed autographs for nearly an hour. In addition to CDs and programs we got to sign funny hats, a pair of rain boots (still on the girl’s feet), the playing side of a CD, a beach ball that we had thrown into the crowd, the front of someone’s jacket while he was still wearing it, and a twenty pound note (which felt really weird. Is that even legal??) Here’s us after the signing in our stage duds:

The Dixie Bee-Liners.

The Dixie Bee-Liners.

The next day’s gig was at the Face Bar in Reading. A van came and picked us up for the two-hour drive. The mini-festival, called Cold Dog Soup, had five bands. The banjo player from Amy Harrison and the Secondhand Stringband interviewed me for his website. He also brought me beer. (He clearly did his research about how to get on my good side!) I was a bit nervous about getting the beer back home, since I had to check it and it was in glass bottles, but I carefully packed each bottle in a sock and wrapped up the cardboard bottle carrier in a bunch of t-shirts that we’d brought to sell but didn’t. All arrived home completely intact, to be enjoyed in the near future.

Harvey's beer sampler.

Harvey's beer sampler.

I met a couple Murphy Method students while there, which was cool. Overall the trip was too short and too busy. We didn’t get a chance to see anything but the roads between the airport, hotels, and gigs. I take that back. Rachel and I did walk around Banbury one evening, and we went to see the movie Inception. (Wow.) Hopefully the next trip (whenever that might be) will be at a more leisurely pace. But we met some really nice people and got to play a huge festival, so overall: a success.

Picking with Dale Crider at White Springs

Tuesday, June 22nd, 2010

Red Henry

Red Henry

Folks, I just thought you’d like to see this photo of Red & Chris and Their All-Star Band performing with Dale Crider at the Florida Folk Festival a couple of weekends ago:
DSC02475

(Pickers: Jenny Leigh, Chris Henry, Barb Johnson, Dale Crider, Red Henry, John Hedgedcoth.) As you can see, we have a good time playing music with Dale. That’s because he’s such a great performer with plenty of charisma on stage, and his shows are always unpredictable. Dale’s an entertaining MC, and he’s liable to bring out lots of his original songs, and he may put a song in a different arrangement or in a different key from the last time we played it. He may even change into a new key, or change the tempo from 3/4 to 4/4 in the middle of a song, so we have to be on our toes. So enjoy this action shot!

Red

Florida Folk Festival — Day 4 — Sunday, May 30th

Tuesday, June 15th, 2010

Red Henry

Red Henry


Sunday was another long and musical day at White Springs. The morning dawned high and dry, with no sign of the deluge we’d had the previous evening. After begging some morning coffee (essential for survival), I tuned up my mandolin and guitar and contemplated the day. We had a set to play at the River Gazebo, specified to be primarily of Florida songs. We have quite a few of those in our band repertoire, so I started picking out a few. There were some I rejected. “Abraham Washington”? — maybe too grim for Sunday. “Gospel Snakes”? — Dale had performed that one on Saturday. But we had plenty more up our sleeves.

By “we” I mean Red and Chris Henry and our All-Star Band, which includes John Hedgecoth (banjo), Jenny Leigh (fiddle), and Barbara Johnson (bass), all three of whom are great pickers. In spite of only performing together a few times per year, we have plenty of material worked up and are always learning more– we managed to play two hour-long sets at Gamblefest without repeating anything– and we have a good time playing music together.

First thing on the day’s program was to back up our friend Dale Crider for his set on the Old Marble Stage. We all traipsed over there at the appropriate time, and Dale launched into his set.

Now, Dale’s mind works quickly and creatively. (I have already mentioned his “Mangrove Buccaneer” song posted by Ron Johnson at http://www.youtube.com/watch?v=18-Kt4UKmII , in which Dale’s cat-like powers of recovery are demonstrated.) But after Dale arrived a few minutes late for his own set on Friday, and was only prevented from singing one of his own songs which we’d already done by the kindness of a vocal audience member, he’d gotten skittish about repeating a song. Before singing one of his songs at the Old Marble Stage, he paused and asked the audience, “Have I already done this one?” — it’s a good thing he asked them instead of us. I leaned into my mike and said, “Dale KNOWS that if he’d already sung it, WE would stand right here and let him sing it AGAIN!” – but correctly reassured by the audience that he hadn’t done it yet, Dale sang “Mangrove Buccaneer” to end the set. Good job, Dale.

After a break back in the campground, it was time for us to go down to the River Gazebo and play. Before our set I chatted for a while with distinguished Florida folks Larry Mangum and Frank Thomas, and also met Nancy Crockford, an accomplished violinist who was interested in learning fiddle. I’ll send you a couple of our Murphy Method fiddle-instruction DVDs, Nancy. Then it was time for us to play.

Since Christopher and I like playing double-harmony mandolins together so much, we started out with a fine Bill Monroe tune called “Tallahassee”. Chris and Jenny contributed Florida songs of their own, and then John sang his “Florida Sunshine” tribute to White Springs in olden days. The crowd really liked all these but at that point we were running short on time, so we did a quick guitar-harmony rendition of Will McLean’s “Osceola’s Last Words” and finished out with an abbreviated double-mandolin version of “Rawhide” — not exactly a Florida song, I suppose, but to get five out of six isn’t bad.

Last on our day’s schedule was a set by Dale at the Gazebo, alternating songs with Jeannie Fitchen. We had a good time playing, and listening to Jeannie, and playing, and listening, until it was time for Frank Thomas to take center stage and lead us all in “Old Folks at Home”. What a good day, and what a great festival!

After the set John needed to get back to Nashville, but the rest of us loaded up our stuff and drove down to Dale’s place at Windsor, on the shores of Lake Newnan. The thunderstorms were threatening as we set out, and let go some gully-washing rains as we drove. On Monday, we’d be recording with Dale!

Next time: Day 5!

Emerson

Monday, June 14th, 2010
Casey Henry

Casey Henry

Over the weekend I had the pleasure of playing at the Wind Gap Bluegrass Festival in Pennsylvania with the Dixie Bee-Liners. It was, I think, the fourth time I’ve played Wind Gap, and the third different band I’ve played it with. The first, of course, was Red and Murphy and Their Excellent Children. The second was Casey and Chris and the Two-Stringers. As I recall, both times the family band played it absolutely poured rain, so we were mostly performing to a crowd of lawn chairs with a very few hearty souls hunkered down in ponchos.

This year, though, the weather was perfect. Sunny, with a few scattered clouds, not too hot, not too cold, not too humid. It was a Goldilocks kind of day.

We played two sets and our first one was sandwiched in between Bill Emerson and Sweet Dixie, and Eddie and Martha Adcock. I joked that being scheduled right between two former Country Gentlemen created “no pressure at all” for the banjo player! In truth, you couldn’t find two nicer guys and it was a huge honor to share the same stage with them. Additionally, Lynn Morris was at the festival, running sound for Emerson, and having her in the audience always makes me super conscious of my playing. Not nervous exactly, just hyper-vigilant.

On this day, my hyper-vigilance paid off, because she was very complimentary of my playing. It means so much to me to get a positive comment from Lynn because she’s the kind of person who will tell you the truth if you ask her. She doesn’t give fluffy compliments.

My biggest thrill of the day, in truth one of the biggest thrills of my banjo-playing life, came after our first set. I had said hello to Bill Emerson before we went on stage. I’ve known him for quite a few years and he doesn’t live that far from my parents. I snuck into the front row to listen to a couple of songs in their set. We were mostly warming up and tuning while they were on stage, since our set followed theirs. After we had played and were standing around the record table—excuse me, product table—Bill came over to me and said, and I quote, “That was right in there.” I was SO excited. It told him it was going up on my wall of great quotes. I feel like I’ve accomplished some huge goal I didn’t know I was working towards. Bill Emerson gave his stamp of approval to my playing!! I immediately Tweeted it. And then called my parents to tell them. They were properly appreciative. Then I watched Emerson’s whole second set from the front row, recording some choice tunes on my phone—specifically “Theme Time,” which I sometimes play with the Bee-Liners, hoping to cop some of his licks. His playing is so clean, so precise. It’s a joy to listen to.

I was a little bummed to have to leave the festival that night. After the Bee-Liners’ second set I had to immediately get in my car and head south to get to my cousin Caroline’s high school graduation, which was at 3:00 the next day. I kind of wanted to stay and hang out because my friends Matt McBriarty and the Grillbillies were there and I know that a rowdy night of jamming fun was in the cards. But family events take precedence, so I drove late, and I drove early, and I arrived exactly at 3:00. Usually I’m not a good night driver, being the early-to-bed-early-to-rise type, but the excitement of the events of the day kept me going, and I expect they’ll keep on keeping me going for the next few weeks, at least!

Florida Folk Festival — Day 3

Friday, June 11th, 2010
Red Henry

Red Henry

We last left you after a long (and mostly dry) Friday at the Florida Folk Festival. Saturday morning I awoke after a good night’s sleep of 6 hours, begged some coffee, and got ready for the day. Again on Saturday we were to back up Dale Crider on a set, this time at the Azalea Stage, and then play a set of our own at 3:00 on the historic (and fun) Old Marble Stage. I say “and fun” because it is. The Old Marble Stage tent is typically crowded with festival-goers who are a lot of fun to play music for.

I got my mandolin and guitar tuned up about the time the rest of the band woke up and showed up at the campground. By “the rest of the band” I mean that we are Red and Chris Henry and Their All-Star Band: Besides Chris and myself we have my uncle John Hedgecoth, who (among other items in his long resume) played banjo for a while with Bill Monroe; Jenny Leigh, a young and talented fiddler who can play many styles well; and Barbara Johnson, who needs no introduction to a Florida audience, on bass. It’s fun to play music with this group.

Chris, Jenny, Red, and John

Chris, Jenny, Red, and John

Along with playing our sets, Jenny was going to enter the Florida State Fiddle Contest, so she, along with Chris to back her up on guitar, went over to the big Dance Tent at the appropriate time. Meanwhile, John, Barbara, and I ambled over to the Azalea Stage to see what trouble we could make for Dale Crider during his show. We all took the stage and Dale was in fine form, preaching the Florida Environment Gospel and singing his songs. Our friend Ron Johnson was there, camera in hand, and immortalized two of Dale’s numbers on YouTube:

Apalachicola Doin’ Time

Mangrove Buccaneer

(…in the second of which, perspicacious listeners will note, Dale’s amazing cat-like powers of recovery are demonstrated.)

. . . . .

After Dale’s set I went back over to the Dance Tent, where Jenny was just about to play her tunes in the state fiddle contest. She played a couple of unbeatable tunes, and— you can guess it— she won the contest! So now we have a Florida Fiddle Champion in the band.

After some picking with our friends Barbara and Gary back at the campground, the time for our own set was coming up, so we all moseyed over to the Old Marble Stage. Enjoyed visiting briefly with Donna Green-Townsend and our old musical friends the Peyton Brothers, and then it was time for us to play. I figured we’d pull out all the stops, so we kicked off the show with a high-energy homemade instrumental, “Centerville Road.” Then Chris and I launched into an old Bill Monroe number, “Toy Heart.” Then Chris sang one of his excellent original numbers, “Walkin’ West to Memphis,” and the folks liked it a lot.

John was next, and he sang a special song he’d re-written from one of Bill Monroe’s songs, “My Florida Sunshine.” The chorus goes like this:

“Way down in the state of Florida, Florida,
where the old Suwannee River flows,
My Sweetheart is waiting for me, for me…
[dramatic musical pause],
‘way down where the orange tree grows.”

–and John had re-written the verses all about the White Springs festival in the old days! Cousin Thelma Boltin was in there. So were Dale Crider, Gamble Rogers, and Will McLean, and others who had played on that same stage long ago. The song was fun to sing.

Now it was time for a tune from Jenny, and she chose “Paddy on the Turnpike,” a real barn-burner. John, Chris, and I all took a turn with it, and we finished it up by playing it one time through together. Mercy, what a tune! And the audience caught the band’s excitement.

Christoper and I enjoy playing the mandolin together, so now we played a double-mandolin arrangement on “Pelham,” another of his originals. The tune has a lot of spirit, and the folks liked it. And then (at the risk of playing three instrumentals in a row) we ended the set with “Helton Creek,” the title cut from our latest CD. Everybody played great, and the listeners gave us a very nice response for which we’re all grateful.

What a set! Then it was time to rest. Or so we thought… we got back to the campground just in time for the deluge!

This was not just a thunderstorm. This was one Florida cloudburst after another, going on for a couple of hours! Right away there were puddles on the ground a couple of inches deep. We huddled under the awning which Gary had brought, and waited for the storm to stop. But the entertainment was not over yet! Just as the storm was starting John hurried to get something out of his van, and (for the first time in his life, which I believe, knowing what a methodical person he is) locked his keys inside. So as the storm was pouring water down in buckets I was on the cell-phone to AAA, and sure enough, after about an hour a locksmith came out from Lake City, found the campground and our site somehow, and as the rain was letting off he let John back into his car. Mercy.

The rain went on and on, and everybody was too wet to pick. I heard some music over in the direction of the Mayhaws’ big awning, but at that point I was too wiped out to go and cause any trouble. That was it for the night, but it had been a great day! — as usual at White Springs!

Red

White Springs, 2010 – Day 2

Tuesday, June 8th, 2010

Red Henry

Red Henry


When I last left you, we (Chris, Jenny, and I) had arrived late and tired at the Florida Folk Festival campground, and I collapsed to get some rest for the next day. Well, Friday dawned bright and promising, and I secured the morning essential (coffee) to start waking up. Pretty soon my mother Renee and her banjo-playing brother, my uncle John Hedgecoth, arrived from Tallahassee and we all picked for a while to warm up. By “we all” I mean myself, Chris, and Jenny, plus John and Barbara Johnson, our bass player.

We’d barely gotten started when someone noticed that our friend Dale was scheduled to play a set at noon on the Seminole Stage, which is at the other end of the festival– probably about a half-mile– from the campground. We wanted to back him up. So we loaded ourselves and our instruments into a variety of vehicles and set out for the Seminole Stage.

Now, when you deal with creative personalities you’re talking about people who sometimes don’t see the point of making sure you arrive everywhere exactly on schedule. This is the case with Dale, one of the most brilliantly creative people I know. So when we all arrived at the Seminole Stage, ready to back him up for his set, he was nowhere to be seen. What to do? Well, we’ve backed Dale up a lot. When the time came to start his set, we just got up in front of the crowd and started singing his songs! We kicked it off with Dale’s original song “Mangrove Buccaneer.” The crowd (full of people who knew Dale) loved it. And when we had played about half of the set, who should come running in, guitar in hand, but Dale himself! Christopher was in the middle of singing “Tate’s Hell,” a wonderful Florida song and one of Dale’s favorites, and Dale just took over the lead vocal from him to finish out with the last verse.

Dale sang several more, and it was time to finish the show. He had decided to end the set with “Mangrove Buccaneer” when one audience member (unfortunately) told him that we’d already sung it! It would have been so much fun if he’d gone ahead and done it again, unknowingly. But instead he finished up with his song “Apalachicola Doin’ Time” (freshly topical these days with the Gulf oil disaster on peoples’ minds), and we we back to the campground to rest and pick.

Our own set was at the same Seminole Stage at 3:30, so we loaded up again and made the trek. We had an excellent crowd, and played and sang many of our favorites, starting off with Chubby Anthony’s “Foothills of Home” and finishing out with the old gospel favorite “When the Roll is Called Up Yonder,” which I’m glad to say that many people sang along with. Then it was back to the campground and picking until the small hours.

Do you wonder why we do this? Well, who’d want to be anywhere else?

Red

Niles Bluegrass Festival

Monday, June 7th, 2010
Casey Henry

Casey Henry

This weekend The Dixie-Bee Liners headed north to play in Ohio and Michigan. The festival we were booked at was a full day’s drive, so we picked up a routing date in Dayton at the Canal Street Tavern. The club reminded me of the Station Inn in Nashville. It’s been around since the early eighties and the walls of the back room are covered in graffiti and stickers, which have been consistently and painstakingly altered to reflect the most juvenile locker-room humor.

A flyer in the Canal Street Tavern for a Frank Wakefield show a few years back.

A flyer in the Canal Street Tavern for a Frank Wakefield show a few years back.

The bar walls are adorned with blown up copies (at least 4 by 5 feet) of autographed black and white 8 x 10 publicity pictures of the very young Riders in the Sky, and New Grass Revival, among others.

Unfortunately, summer is the wrong time to play at this place, as there are so many other activities going on in the city. For example, there is a baseball park right across the street. There were lots of people at the game. There were seven paying customers to watch us play. So it goes.

But the gig got us cheap hotel rooms for the night, and that was really the point anyway. At least that’s what we tell ourselves when seven people come to a show. The next two days at the Niles, Mich., bluegrass festival were considerably better. We played two sets each day. The festival is free to all attendees and is held in the city’s riverfront park.

Friday night we alternated sets with the John Cowan Trio, which is Jeff Autry on guitar and Shad Cobb on fiddle, in addition to John on bass. I’ve been knowing Jeff since I was young but I hardly ever see him, so it was awesome to get to catch up and hang out a little bit. Shad and John also live in Nashville, but I also never see them. Actually, Shad’s brother Jesse lives two houses down from me so I occasionally see him out mowing Jesse’s grass for him. What a nice brother.

Us on stage with Cowan: Casey Henry, Shad Cobb, Rachel Renee Johnson, John Cowan, and Jeff Autry.

Us on stage with Cowan: Casey Henry, Shad Cobb, Rachel Renee Johnson, John Cowan, and Jeff Autry.

John was extremely nice and asked Rachel (our fiddle player) and me up on stage during their set to pick a couple tunes. Actually, I was sitting in our van, eating a couple of crackers with almond butter before our second set and I thought I heard my name, then I thought I heard it again and I realized it was John, from on stage, saying “Oh, Casey…” I shoved the rest of the cracker in my mouth, grabbed my case from the back of the van and hotfooted to over to the stage (about fifty yards), with Rachel not far behind. I jammed on my picks and whipped my banjo out of its case, only a little out of breath.

Rachel and Shad twinned “Dixie Hoedown” (I was extremely glad she and I had played it just the day before, as the break is largely melodic), and then John sang “Rose of Old Kentucky” in C, which I kicked off. Actually, when I kicked into it I totally had “Little Georgia Rose” in my head (I have the two songs terminally confused in my brain), so the kickoff sounded extremely awkward, but I survived, and Rachel got to sing harmony on the chorus, making her aunt (who has a huge crush on John Cowan) terribly jealous.

Our own sets went fine. We tend to skew our material in a more traditional direction at festivals. Brandi sang “Foggy Mountain Top,” the Davis Sisters version, not the Carter Family version, and someone actually complimented me afterwards on my up-the-neck break on it, which really tickled me. I met several Murphy Method students over the weekend, which is always a treat.

The festival ended in a hurry on Saturday night as a storm was moving in. In the lightning and thunder with the sky about to open up any second we threw our gear and instruments into the van and made a beeline for our hotel. My drive home the next day ended up being ten and a half hours. Buddy, Brandi and Rachel had twelve, and Sav had fourteen. Come to think of it, next weekend I’LL have fourteen. Why do I even call myself a professional musician? I should call myself a professional driver!