I filmed these tunes as part of a video oral history project on women who play traditional music, which is being made by a woman named Dyann Arthur. It’s called the Music Box Project. She is interviewing women all around the country. Although she’d talked to several clawhammer players, I was the first Scruggs-style player she had included. She has an interview scheduled with Murphy later on this summer. This is the title tune from my CD, “Real Women Drive Trucks.” I wish that I had been able to get my banjo into more perfect tune, but I had to drop it into D tuning that morning, and it really needs at least a day to acclimate before it starts sounding right.
Archive for the ‘Video clips’ Category
Yet Another You Tube Video
Monday, July 26th, 2010Another New Video from YouTube
Monday, July 5th, 2010I write this from the kitchen table of my grandparents’ house in Clarkesville, Georgia. I spent all of yesterday picking blackberries and making jelly, and completely forgetting to blog. So, I offer another video clip from YouTube. This, as I say in the introduction, is an arrangement of a lullaby Grandmother used to sing to us when we were little. I recorded it on my Real Women Drive Trucks CD.
New Video from YouTube
Thursday, July 1st, 2010This video clip popped up on YouTube this morning. Casey Henry playing her original song “Leroy and Liza.” Enjoy!
Mark Panfil Dobro Lesson
Saturday, June 19th, 2010I just found this while I was searching around on YouTube. Mark Panfil is our is the instructor on our Beginning Dobro DVD. He posted this lesson on YouTube back in January for one of our signature Murphy Method songs: “Banjo in the Hollow.” As you know it’s the first tune we teach on the Beginning Banjo DVD, but it’s not on the Dobro DVD. It’s also on the Slow Jam DVD, so Mark has considerately made a Dobro lesson for it so that any Dobroists who have that Slow Jam disc can learn it and play along with it.
Florida Folk Festival — Day 4 — Sunday, May 30th
Tuesday, June 15th, 2010Sunday was another long and musical day at White Springs. The morning dawned high and dry, with no sign of the deluge we’d had the previous evening. After begging some morning coffee (essential for survival), I tuned up my mandolin and guitar and contemplated the day. We had a set to play at the River Gazebo, specified to be primarily of Florida songs. We have quite a few of those in our band repertoire, so I started picking out a few. There were some I rejected. “Abraham Washington”? — maybe too grim for Sunday. “Gospel Snakes”? — Dale had performed that one on Saturday. But we had plenty more up our sleeves.
By “we” I mean Red and Chris Henry and our All-Star Band, which includes John Hedgecoth (banjo), Jenny Leigh (fiddle), and Barbara Johnson (bass), all three of whom are great pickers. In spite of only performing together a few times per year, we have plenty of material worked up and are always learning more– we managed to play two hour-long sets at Gamblefest without repeating anything– and we have a good time playing music together.
First thing on the day’s program was to back up our friend Dale Crider for his set on the Old Marble Stage. We all traipsed over there at the appropriate time, and Dale launched into his set.
Now, Dale’s mind works quickly and creatively. (I have already mentioned his “Mangrove Buccaneer” song posted by Ron Johnson at http://www.youtube.com/watch?v=18-Kt4UKmII , in which Dale’s cat-like powers of recovery are demonstrated.) But after Dale arrived a few minutes late for his own set on Friday, and was only prevented from singing one of his own songs which we’d already done by the kindness of a vocal audience member, he’d gotten skittish about repeating a song. Before singing one of his songs at the Old Marble Stage, he paused and asked the audience, “Have I already done this one?” — it’s a good thing he asked them instead of us. I leaned into my mike and said, “Dale KNOWS that if he’d already sung it, WE would stand right here and let him sing it AGAIN!” – but correctly reassured by the audience that he hadn’t done it yet, Dale sang “Mangrove Buccaneer” to end the set. Good job, Dale.
After a break back in the campground, it was time for us to go down to the River Gazebo and play. Before our set I chatted for a while with distinguished Florida folks Larry Mangum and Frank Thomas, and also met Nancy Crockford, an accomplished violinist who was interested in learning fiddle. I’ll send you a couple of our Murphy Method fiddle-instruction DVDs, Nancy. Then it was time for us to play.
Since Christopher and I like playing double-harmony mandolins together so much, we started out with a fine Bill Monroe tune called “Tallahassee”. Chris and Jenny contributed Florida songs of their own, and then John sang his “Florida Sunshine” tribute to White Springs in olden days. The crowd really liked all these but at that point we were running short on time, so we did a quick guitar-harmony rendition of Will McLean’s “Osceola’s Last Words” and finished out with an abbreviated double-mandolin version of “Rawhide” — not exactly a Florida song, I suppose, but to get five out of six isn’t bad.
Last on our day’s schedule was a set by Dale at the Gazebo, alternating songs with Jeannie Fitchen. We had a good time playing, and listening to Jeannie, and playing, and listening, until it was time for Frank Thomas to take center stage and lead us all in “Old Folks at Home”. What a good day, and what a great festival!
After the set John needed to get back to Nashville, but the rest of us loaded up our stuff and drove down to Dale’s place at Windsor, on the shores of Lake Newnan. The thunderstorms were threatening as we set out, and let go some gully-washing rains as we drove. On Monday, we’d be recording with Dale!
Next time: Day 5!
WillFest 2010
Tuesday, March 23rd, 2010Red Henry
Chris, Jenny (his fiddle-playing girlfriend), and I drove down to Florida recently for the Will McLean folk music festival, and we had a great time. It was a long way for us to go, being held not far from Tampa, but it was certainly worth the drive.
The festival is named in honor of Florida’s pioneering folksinger and songwriter, Will McLean. A highly individualistic and creative person known as “Florida’s Black-Hat Troubadour,” Will influenced many other musicians and blazed the way for the rest of us who followed after.
We arrived at the show on Friday afternoon and promptly started warming up–we had a set to play at 7:00. And the set went great. We played a mix of bluegrass and Florida Folk material, and our friend Ron Johnson posted our two-guitar harmony arrangement of Will’s song “Osceloa’s Last Words” on YouTube: http://www.youtube.com/watch?v=iW-TmL-PCKE . (Red Henry and Chris Henry–guitars, Jennifer Obert–fiddle, Barbara Johnson–bass).
After performing it was time to pick, and pick we did, until late at night. On Saturday Chris and I led a well-attended mandolin workshop, playing some music and answering lots of questions, and selling a good many CDs and Murphy Method DVDs afterwards. Then we backed up our friend Dale Crider on his afternoon set for a lively crowd. There was more picking that night, and Dale showed up to sing lots of our old bluegrass favorites from when we were learning to play in the late 1960s.
On Sunday we backed Dale up on another set, and then played our own show at 2:00 on the Main Stage. We had a terrific crowd which (I say modestly) gave us a standing ovation, and then we sold some more CDs and DVDs before hitting the road. We won’t get rich playing at folk festivals in Florida, but you know what? We’ll be back!
Red
P.S.– Next shows:
Gamble Rogers Music Festival, May 1-2, St. Augustine
Florida Folk Festival, May 28-30, White Springs
The Late, Great Allen Shelton: a BAND PLAYER
Tuesday, November 24th, 2009Red Henry
Folks, this is Allen Shelton playing his tune “Bending the Strings”. I’m sending it out so that you can all see it.
http://www.youtube.com/watch?v=UNWX2bV2_Yg
This is a great performance by a late, great picker. And I was reminded (having forgotten it since) that about 25 years ago I had the honor of backing Allen up on guitar when he played this tune at a workshop.
I’m also posting this because Allen Shelton was not only a great picker, but he KNEW HOW TO PLAY IN A GROUP. Examples:
1.When the fiddle is taking its break, is Allen playing away in the mike? NO. You can really hear the fiddle.
2. When the mandolin is taking its break, is Allen in the mike, drowning it out? NO. You can really hear the mandolin.
To be a good musician, you have to know more than just how to play your instrument. You have to know how to help the whole band sound good. Allen was not only a great musician, but also a great BAND PLAYER.
Red
P.S. — Mandolin content: In the clip, also listen to mandolin genius Jesse McReynolds. During his break he comes out with something
dangerously close to a Frank Wakefield lick, too. This is all Mighty Fine entertainment.
Peeling up the Asphalt: A Concert at the Pithlachocco Stage
Tuesday, November 17th, 2009Red Henry
Well, Folks, last time I left you with a description on playing at the Hahira bluegrass festival. (A YouTube clip of us on stage, featuring several numbers, has been posted here.) This time, we’ll talk about our Sunday concert at Dale Crider’s Pithlachocco Stage on the shore of Lake Newnan near Gainesville, Florida.
“Pithlachocco?”, you might ask. “What in the world does that mean?” Well, it’s an old Florida Indian word meaning “the place of the long boats.” Recent discoveries have revealed that Indians in ancient times made thousands of canoes on the shore of the lake. So Dale Crider, when he started his excellent concert series there, named his stage for those “long boats.” It’s an outdoor stage and the weather was pleasantly cool. We and the audience were all comfortable and ready for a good time.
After one or two schedule changes (never expect everything to happen on time), we kicked off our first set at about 7:00. For this show, “we” (Red and Chris and Their All-Star Band) were myself on mandolin, Chris on guitar and mandolin, Barbara Johnson on bass, and Jenny Leigh on fiddle. We’d had plenty of time for rest since our festival sets the day before, and all were ready to go.
Now, there’s a big difference between playing at a bluegrass festival and performing for an audience that just likes music. We didn’t play as many of our old bluegrass standards, but we put several great Florida songs and other interesting numbers into the set instead, songs like “Osceola’s Last Words”, “Big Jim Folsom”, and other favorites from our CDs. Also, of course, the audience was much more ready to listen to stories than the bluegrass festival crowd had been, so we told them about several adventures of Clermont Hosford and others, and, as always, some of the stories were true. The people really liked all the songs and the stories, so we played and played and sold CDs and visited with the folks and had a great time.
Bob Raisler taped the entire show, and has kindly posted quite a few of our songs on YouTube. Check out several of them here. (The stage was not nearly as dark as it looks! Just tilt your computer screen until you can see us!)
. . . . .
Not many bands play both bluegrass festivals and folk-music concerts. Maybe it’s because they don’t enjoy both, or because they just don’t have both kinds of material worked up. But we play both kinds of shows, and sure like it!
Red
P.S. Next time: Recording with Dale on Monday!
Dixie Bee-Liners: The Making of “Heavy”
Saturday, November 7th, 2009Many thanks to Jeremy Darrow for his video editing.
Other posts on this video shoot can be found here.
Banjo Pickin’ Girl
Friday, July 10th, 2009And while we’re all about the YouTube clips this morning, here’s one more. This is from week 1 at Kaufman Kamp. Casey Henry with Adam Masters (fiddle), Cindy Studdard (banjo) and Mark Cosgrove (guitar) doing “Banjo Pickin’ Girl”.
