Archive for the ‘women in bluegrass’ Category

Women on the IBMA Ballot

Wednesday, July 14th, 2010

Casey Henry


Last year
, Murphy listed the women who made it onto the second IBMA awards ballot in the instrumental performers category. There were eighteen, in contrast to a decade ago, when there were only five. Since I just filled out this year’s ballot (and since she’s busy working on her book and probably hasn’t even looked at her ballot yet), let’s take a look at who made the cut this year.

For Banjo Player of the Year

Kristin Scott Benson
Alison Brown
Cia Cherryholmes

For Bass Player of the Year

Missy Raines
Christy Reid

For Fiddle Player of the Year

Becky Buller
Molly Cherryholmes
Shelby Gold
Alison Krauss

(Same four people as last year, interestingly enough)

For Mandolin Player of the Year

Brooke Aldridge
Analise Gold
Sierra Hull

Twelve people, which pretty much splits the difference between last year and a decade ago. You’ll notice that no guitar players or dobro players made it at all. New entries this year are Brooke Aldridge, who plays with her husband Darin, and Christy Reid, who plays with her husband Lou in his band, Lou Reid and Carolina. Congratulation to these gals, who are getting out, playing in front of people, and really making an impression.

And since we’re talking about instrumental performers, here are the bands that include women who made it into the Instrumental Group of the Year category: Darin and Brooke Aldridge, Cherryholmes, the Grascals, Lorraine Johnson and Carolina Road, the Claire Lynch Band, and Rhonda Vincent and the Rage. Not a bad turn out!

The group I play with, The Dixie Bee-Liners, actually made it onto the ballot in a couple of categories: Vocal Group of the Year, and Emerging Artist of the Year. Go us!

Where are the Girls?

Wednesday, April 7th, 2010
Casey Henry

Casey Henry

There is an article in the most recent issue of Banjo Newsletter titled “Young Guns of Bluegrass.” It profiles six banjo players between the ages of 16 and 22 — all boys — who are all playing with touring bands, and in most cases, have been for at least a couple of years. The introduction to the article does state that they didn’t include Cia Cherryholmes because she has recently been profiled in BNL, but at 26 she’s a little older than this group anyway, though she started playing at about the same time. As I looked at their pictures and read their profiles (they play with bands including Barry Scott and Second Wind, Kenny and Amanda Smith, Carrie Hassler and Hard Rain, and Michael Cleveland and Flamekeeper) I thought, “where are the up and coming girls?”

Let me say right off that I in NO WAY intend to take anything away from these guys. They’re all great players and deserve the recognition, and will no doubt keep the banjo flame burning long into the future. But I wondered, since Kristin Scott Benson has now won Banjo Player of the Year twice and plays with one of the top bands in bluegrass, where are the girls coming up in the following generation?

Are the girls really not there? Or (as Murphy is finding out as she works on her history of women in bluegrass) are they there and people just don’t notice them, don’t recognize them? Do our cultural constraints make it harder for girls to become “young guns” with all the aggression, assertiveness, mastery, self-confidence, and even violence that that implies? Would these bands, who seem to have no problem taking teenaged boys on the road with them consider taking a girl of the same age? Are the girls, as is so often the case, playing with family bands and thus discounted or ignored? Or are the girls taking a more cautious approach and going to college before looking for a job with a touring band? Kristin was in college the whole time she was playing with Larry Stephenson and managed both quite nicely.

I now know what I’m going to pay attention to, maybe even do interviews for an article, while I’m on the road this summer: female banjo players, from the ages of 16 to 22, in bands who are out there playing, on stage, for money. I can’t wait to see what I find. If y’all know any names, feel free to throw them out.

Lynn Morris on the Bluegrass Blog

Thursday, October 29th, 2009

Our friends over at the Bluegrass Blog have posted a lovely conversation with Lynn Morris, who teaches our Clawhammer Banjo Volume 1 and Volume 2.  It catches up with what she’s doing these days, a question we get asked often. So if you’ve been wondering that yourself, click here and read the article.

Murphy Quoted in the Nashville Scene

Tuesday, October 6th, 2009

Last week, just prior to the IBMA Awards show, the Nashville Scene ran a piece titled “It’s a Long Way to the Top (if You Wanna Pick and Sing). The article, which is about women in bluegrass, quotes Murphy, as well as Alison Brown and Sierra Hull. Here’s the link.

Granny And Her GANGsters: Murphy Method Student Report

Monday, September 28th, 2009
Murphy Henry

Murphy Henry

I am always proud when I get an email like the one below, telling me about Murphy Method students getting out there and playing! With Barbara’s permission, I will share:

I remember when I met Murphy at banjo camp and she asked me what I wanted to do with my banjo and I told her that pretty much just wanted to play for my grandkids. Now, several years later, I do play with my grandkids in our little “Granny and her GANGsters” bluegrass band. We play on the street together and have been playing at some community events.

The kids are loving it. It is especially good for the oldest one who is 13 and has Tourette’s. He is on the bass and I am amazed at what he can do. I just ordered Murphy’s two first bass DVDs for him and I told him when he gets through them I’ll get him the slap bass DVD. We have an 11 year old on the mandolin and he has worked up three breaks, “Boil Them Cabbage Down,” “It Takes a Worried Man,” and “Will the Circle Be Unbroken.” Oh, also “Amazing Grace.” Then our littlest one is a 10 year old granddaughter who plays two breaks on her banjo and clogs up a storm. Folks always throw money in the case when she starts dancing when we busk!

In October we are going to play at the opening of a corn maze in town and it will be our first microphone experience. Wish us luck! I bet there are a lot of other women who are using their banjos in interesting ways, too. I’d like to hear about them. Not that you professionals aren’t interesting! Thanks for listening.

Barbara

And as an added bonus, I will tell you that Robyn, one of my Fiddle Sisters (also known as Logan’s mom), and I went hiking on the Appalachian Trail this past Saturday. Since I am just beginning to build up endurance, we only hiked one hour in and then one hour back out. I started limiting my exertions after experiencing digestive malfunctions on several hikes that were too long (three hours), too hot (high 80s and humid), and too dry (only two bottles of water).

Saturday’s hike was a three-bottle hike and was definitely not too dry since we walked most of the way back IN THE POURING RAIN. I amused Robyn toward the end by singing bluegrass rain songs in full voice: “It’s Raining, Raining, Raining Here This Morning,” “Listening To The Rain,” “Little Cabin Home On The Hill” (with the line just listen to the rain beat on my window pane), and the decidedly non-bluegrass “Raindrops Keep Falling On My Head” by which time we were at the car. Soaking wet. And yes, we had rain ponchos in our backpacks, but by the time we decided it was really raining hard, we were already wet, so why bother? We were a little chilly, however, but a quick trip to Starbucks fixed that! Soon after, I was back home, showered, pajama’d (can pajama be used as a verb?), and curled up with my new 800-page Diana Gabaldon novel An Echo In The Bone, anxious to find out what’s been happening to Claire and Jamie Fraser. In fact, that’s where I’m heading right now…

Women in Bluegrass

Monday, July 20th, 2009

I just finished filling out my second ballot for the IBMA Awards.

Digression about IBMA: That would be the International Bluegrass Music Association for you newbies. The IBMA is a professional trade organization for bluegrass musicians and bluegrass business people (event producers, merchandisers, record labels, songwriters, etc.). Each year the IBMA recognizes those musicians who have done outstanding work in the bluegrass music field with awards in twelve categories.

Anyhow, in years past I have ranted about the lack of female presence on these ballots, especially in the Instrumental Performers category.

Digression about how you get on the first ballot: The first ballot is completely open; any member can nominate anyone they choose. So I had no one to blame about lack of female presence except the whole membership! The most I could do was to quote Abigail Adams and say, “Remember the women!” Which I did regularly in my Women in Bluegrass newsletter.

This year I am happy to say that things are much improved. So much improved that I am going to tell you the names of all the women who made this second-ballot, long-list of candidates for nomination on the various instruments. (You’re not a true nominee until the next ballot, on which the five final names will appear.) I am so proud of all of these wonderful, talented, hard-working women! There are EIGHTEEN in all!

IBMA Candidates for Nomination…

For Banjo Player of the Year

Kristin Scott Benson
Alison Brown
Cia Cherryholmes
Donica Christensen
Beth Stevens

For Bass Player of the Year

Beth Lawrence
Missy Raines

For Fiddle Player of the Year

Becky Buller
Molly Cherryholmes
Shelby Hope Gold
Alison Krauss

For Dobro Player of the Year

Sally Van Meter (what would we do without Sally Van?)

For Guitar Player of the Year

Dale Ann Bradley
Rebecca Frazier

For Mandolin Player of the Year

Analise Victoria Gold
Sierra Hull
Lorriane Jordan
Rhonda Vincent

For contrast, in 1999 there were only FIVE women, total, nominated for Instrumental Awards on the second ballot: Kristin Scott [Benson], Alison Krauss, Laurie Lewis, Missy Raines, and Sally Van Meter.

And I wish I’d kept my second ballots from earlier years, when I suspect there were even fewer women nominated, but, frankly, I never thought I’d need them. But now I find I’m wrong. I didn’t realize I’d turn out to be such a raging feminist! I thought I was making a enough of a statement simply by playing the banjo and writing songs like “I Ain’t Domesticated Yet.” Silly me!

So, again congratulations to all these women who are out there hitting the road hard. You go!

Why I Appreciate Picking with Women

Tuesday, February 24th, 2009

Casey HenryAt tonight’s jam the banjo player, Julie, who is about to have a baby any minute, said this: “If I’m still pregnant Saturday I really want to go to the banjo workshop!” (Ned Luberecki and Tony Trischka are hosting a banjo workshop at the East Nashville School of Music on Saturday, the 28th of February.) You don’t hear that every day!

What Marty Said

Thursday, January 15th, 2009

Murphy HenryBelow you’ll find part of a longer email from a new student, Marty. He bought one of the last banjos, a Gold Tone, sold out of Brill’s Barber and Musicians’ Shop when he came up for a lesson in November. I’m gonna give you his credentials before I tell you what he said that is blog-worthy. He is an eminent cardiologist who used to be the head of the cardiology department at Bethesda Naval Hospital. He’s still in practice although he’s slumming now somewhere deep in South Carolina. <G> He’s originally from Jacksonville, Florida, (so he’s got little bit of the Southern Gentlemanly good-old boy thing going) and I think he told me he went to the same high school that some of the Lynard Skynard band members did. (Bluegrass content in last remark: Larry Cordle did a whole bluegrass tribute CD to Lynyrd Skynyrd, called “Lonesome Skynyrd Time.” I just adore that song that goes “Give me three steps, give me three steps, mister, give me three steps to the door.” Larry’s CD was the first time I was able to understand the words! I’d always loved the beat!]

Anyhow, when you see what Marty had to say, you’ll know why I am absolutely tickled to post this:

I spent practically my whole adult life raising two girls, so I really like to play Casey’s CD “Real Women Drive Trucks” because they have always been of the opinion they could do just about anything a man could do. They laugh though when I tell them I just want to learn to pick like a girl since I admire so many woman banjo players.

Thank you, Marty!

And just to remind you all of a few of the fabulous female banjo pickers:

Roni Stoneman
Lynn Morris
Alison Brown
Kristin Scott Benson
Gina Britt
Pam Gadd
Robin Roller
Cia Cherryholmes
Casey Henry (!)
Julie Elkins
Janet Beazley

Janet Davis

[Editor's Note: Murphy Henry (duh!)]

I would list more but I’ve got to quit so Red and I can start watching the first volume of the Harry Potter series. Mount your brooms!

Another Poem

Wednesday, January 7th, 2009

Murphy HenryHere’s another banjo poem, this one written by Edward Morris who now writes for CMT.com. He says it was written “some time ago under the spell of Pete Seeger.” Thank you much, Ed, (as we say in the Shenandoah Valley) for letting us post it.

THE BANJO IS A RUBE

The banjo is a rube,
long-necking into town,
slick-headed and
defensively keyed-up
to glib impertinence.

It is the village infidel,
wise-cracking the bowed heads,
plucking from crinkled knees
to tapping toes,
the Sabbath zombies into sin.

It is a guerilla
starved down
to the desperate energy
of stretched nerves,
sniping at fat pianos in full dress.

It is a pensioner,
retired to dusty corners,
pin-striped and stiff,
humming at night
an agile frolic.

Edward Morris

I must tell you that I got acquainted with Ed last year via email when he posted an article about Rhonda Vincent (January 22, 2008) for the CMT.com Blog. Titled “Deep in the Bosom of Bluegrass,” the article quoted something I’d said about Rhonda when I was on a panel about Women in Bluegrass way back in 2003. Ed and I exchanged emails about his quote, that event, and his prodigious memory and from then on have been, ahem, bosom buddies! Ed is a wonderful writer, so check out the article. It’s still online!

NOTE: In case you read the article: No matter what I said back then (and I think I was just popping off without thinking, trying to be funny) I totally support Rhonda Vincent’s attire and her music!

Kristin Scott Benson wins Banjo Player of the Year!

Monday, October 6th, 2008

At Thursday night’s awards show one of our favorite banjo players took home the award for Banjo Player of the year: Kristin Scott Benson. Kristin plays with the Larry Stephenson Band and is the second woman to take home the title, the first being Alison Brown in 1991. The other nominees in the category—Earl Scruggs, J. D. Crowe, Jimmy Mills, Ron Stewart— were unbelievably stiff competition.

Kristin Scott Benson

Kristin was modest enough to think that it was a fluke that she was nominated at all, so when she won, she was very surprised. She gave a great speech, giving lots of credit and thanks to her parents, who were in attendance that night because her husband, Wayne Benson, was taking care of their son Hogan.

Dale Ann Bradley took home Female Vocalist of the Year for the second time in a row.

Dale Ann Bradley

Kristin and Dale Ann were the only women to take home awards this year, although Gillian Welch and David Rawlings’s song “By The Mark” won Gospel Recorded Performance of the Year.

The before and after parties were great fun. This is FiddleStar/Murphy Method Camp co-host Megan Lynch and myself:

megan lynch, casey henry

And here is Lynn Morris and Bass Player of the Year nominee Marshall Wilborn, who presented the awards for Vocal Group and Album of the Year:

lynn, marshall, casey

The dress I’m wearing was made by my grandmother for my mom’s Junior-Senior prom. It was a pretty big hit, I have to say. Last but not least, here is me with my brother and fellow TMM instructor Chris Henry:

casey and chris