Walking West To Memphis

October 6th, 2011

Murphy Henry

In the midst of everything else that’s been happening in my life, in the lives of our family, I don’t want to forget to give you the follow-up about son Chris’s song, “Walking West to Memphis.” As I told you, it was nominated for IBMA Song of the Year. Well, as it turned it, Chris’s song didn’t win, BUT the album that it appeared on, Help My Brother, by the Gibson Brothers, did win Album of the Year! And Leigh Gibson did thank Chris and all the songwriters from the stage of the Awards Show which I thought was very classy. Chris handled not winning with much aplomb and grace. I think he understood that just being nominated (that old cliché!) was a real honor. And he received several text messages right after the winner was announced, most of which said, “I still think your song was the best!” Which helped!

Red and I were sitting right beside him at the Awards Show, while Casey and Dalton and my niece Natalie Pate along with Red’s mom, Renee, and his uncle banjo player John Hedgecoth were sitting in the balcony. We were all so proud of Chris for writing such a great song! And he’s got many others which are equally as good. I look forward to their finding their way onto other albums. You go, Chris!

Eulogy For Daddy

October 2nd, 2011

Murphy Henry

My father, Loy Grover Hicks, Jr., died Sunday September 25, 2011, at the age of 86. I was so fortunate to have been at his bedside along with my four sisters and his caregiver, Karen Alexander. We were, in fact, in Karen’s home in Habersham County, Georgia, where Daddy had lived the last four months of his life.

As you may know, Daddy had had Alzheimer’s for eight or nine years so there was some amount of relief in his passing. However, up until the last couple of weeks he had always been able to walk, to feed himself, to read his newspaper, and to talk a little bit with Karen and her family. But still, over the years, it has been hard to watch this active, smart, good-looking, old-fashioned country doctor deteriorate before our very eyes. When he was first diagnosed, the five of us girls decided that one of us would come to stay with him and Mama every weekend. Casey also wanted to help out, so she, too, became part of the extended care team. I am proud to say that we were able to carry out our plan with only a few missed weekends (when we had to hire help) until Mama died last July. After that, we still came down, although not as often, for by then Daddy didn’t really know us and he had round-the-clock care at home. During that time, even though he couldn’t call my name, I would know that he knew me when he would look at me and ask, “Did you bring your gee-tar?”

But a couple of week ago his condition worsened and he began to have trouble walking and was less “with it.” We called in Hospice, who had helped with him before and who had also helped with Mama, but we had no idea he would go so fast. As it happened, all four of my sisters ended up down there this past weekend for a visit and on Friday, Laurie texted me that his breathing was rough and he had a fever. It was pneumonia. My dad himself had called pneumonia “the old man’s friend” so we decided to make him comfortable, give him morphine for pain, and wait. I made the nine-hour trip down from Virginia staring early Saturday morning, September 24. When I’d talked with Laurie he seemed a bit more stable, so I was hoping I would get there in time.

When I finally arrived, he was sleeping, his breathing still labored, although I knew he was not in any pain. I was so happy that at one point he roused enough to look at me standing at the foot of his bed. He held out his hand to me and I was sure he recognized me. I took his hand and held on for a long time. Over the course of the evening and into the next day, we sat and watched by his bedside. Three different times we sang for him, doing the old hymns we loved and hope that he loved. My dad was a man of few words, so we really didn’t know what songs he liked, we just knew that he liked to hear us sing together. So we sang When the Roll Is Called Up Yonder, I’ll Fly Away, Life’s Railway to Heaven, In the Garden, I Will Meet You in the Morning, Glad Reunion Day, Amazing Grace, and On Jordan’s Stormy Banks I Stand. We also sang some of the songs Mama had sung to us like Chattanooga Choo Choo, Kalamazoo, and, our favorite, There’s A Little Cabin. As it happened he held on till 1:30 pm Sunday afternoon. By that time we had told him we loved him, told him it was okay to go, and told him Mama was waiting for him. The last song we sang for him was Uncloudy Day. He died just a few minutes later with all of us holding his hands and touching him.

The funeral was held on Wednesday, September 28. It was a lovely service and one of the highlights was the prayer that his long-time partner prayed. With Dr. Tom’s permission I share that prayer with you now. Thanks, as always, for reading this personal remembrance. It helps me so much.

Dr. Tom Lumsden’s Prayer

Our gracious Heavenly Father, we are gathered here today to worship you, to acknowledge your Lordship in our lives and to celebrate the promotion of Dr. Loy Grover Hicks, Jr.

Father, we are grateful for the sure and certain knowledge that the quality of medical care in your celestial kingdom has just been improved by the addition of Dr Hicks to your medical staff. We are also aware that the Great Physician is already there, but if, at any time, He ever needs an assistant, or a consultant, Dr. Hicks will still be “on call” just like he always was here on earth.

At times when our spirits are burdened and the load seems difficult fro us to bear, we are thankful that we can turn to your word for comfort and solace. From the prophet Isaish comes the admonition “speak ye comfort to my people” and your word does just that. We thank you for the first verses of the third chapter of Ecclesiastes where we are reminded that you are, at all times, in command: “To every thing there is a season and a time to every purpose under heaven…A time to be born and a time to die.” Though sometimes when that time comes, even though pre-ordained and expected, it still leaves us needing your word for help.

Jesus’ words of comfort, spoken to his followers just before his own death, are recorded in the fourteenth chapter of the Gospel of John:  “Let not your heart be troubled, ye believe in God, believe also in me. In my Father’s house are many mansions, were it not so I would have told you. I go to prepare a place for you and if I go and prepare a place for you I will come again and receive you unto myself that where I am, there you may be also.” Thank you Father for these words of comfort and assurance.

We are grateful for the life and the dedication of Dr. Hicks to his practice of medicine. In his work he was certainly guided by the words of Dr. William Osler, long-time Dean of John Hopkins School of Medicine, who stated:

“It is the province of the  Physician to cure occasionally, to relieve frequently but to comfort always.”

Lord, for the many happy memories of L.G. and for my association with him in the practice of medicine for 38 years, I thank you.  Amen

Banjo Camp North

September 20th, 2011

Murphy Henry

I’m just  back from a lovely weekend in Charlton, Massachusetts, making my first appearance at Banjo Camp North, where I was able spend some quality time hanging out with my buddy, Bill Evans. Somehow we remain friends even though we totally disagree about right-hand position and using a continuous roll to play banjo backup!

We do, however, enjoy performing together so we helped each other out during the faculty concert on Friday where we played “Clinch Mountain Backstep” and “Come Back to Me Little Darling” (Bill’s tunes) and “M and M Blues” and “Bury Me Beneath the Willow” (my tunes). We also managed to work in a bit of humor which included Bill playing some crazy, off-the-wall melodic break in the middle of “Willow” and me grabbing his banjo neck and muting his strings with my hand. He then made some lame excuse saying, “But it’s my style” to which I responded, “Yeah, but I don’t like it and this is my tune!” The audience just howled. All in fun, of course.

Helping us out were Pete Kelley on bass, Phil Zimmerman playing killer Monroe-style mandolin, Dick Bowden on guitar, and Alan Kaufman on fiddle. A total tip of the hat to these guys who had never heard “M and M Blues” before. In fact as I was introducing the song, Bill was talking to the band, telling them the arrangement, and clueing them into the fact that there were stops on the chorus! When I took my banjo break (which was Earl’s first break to Foggy Mountain Special), Bill twinned me. It was awesome. Bill can twin just about anything. Which is why I had chosen “Willow”, just so Bill could twin it.

Saturday night Tony Trischka played in faculty concert and Bill and I had pulled up folding chairs to sit together in the back of the audience. When Tony sat down to play, however, we couldn’t see his hands so we got up and walked to the side of the room so we could see better. Well…..when Tony was done (the Finnish polka he played was particularly amazing) we walked back to our seats only to find that Riley Baugus (the great clawhammer player from North Carolina) was sitting in my seat. Bill was all for pulling up another chair but I said “Watch this. I’m gonna make Riley move.”

So I walk up to Riley and say, “You’re sitting in my seat.” Riley looks up sort of startled and I could tell he was fixing to say something but I continued on. I said, “You’re from North Carolina. [Dramatic pause.] You know what you have to do.” And, sure enough, he got up and gave me his seat. I knew he would. He’s a Good Boy From The South. It was hysterical! As I sat down (gracefully) I looked over at Bill and he has this disbelieving look on his face like “How did that happen?” And I’m laughing so hard I’ve got tears in my eyes. One reason I knew this would work was that on Riley’s part of the show Friday he was kind enough to mention that he was happy to see me way up here in Massachusetts. He said he liked talking to me because I didn’t have an accent!

I will close with a great quote from Bill. As we were watching the show Friday night he said, “When someone sits down to play you know it’s either gonna be very interesting and innovative or it’s gonna be old-time.” I’m not sure what that means regarding our own playing since we stood up!

Okay, I’m not quite done. There’s one more quote. This from one of the students who was there. I didn’t get his name but I think he had some of our Murphy Method DVDs. He said he’d enjoyed hearing me play and being in the classes and the slow jam. He then said, “I didn’t know you would be so nice.” I took that in the spirit it was offered, as a sincere compliment.

And finally as I was sitting down in the dining hall for our final lunch, director Mike Holmes says to me, “So, who should I hire next year, you or Casey?” (Casey has taught at Banjo Camp North several times and the people up there love her!) At first I said, “Hire Casey!” But then I quickly rethought that and walked over to him and said, “Hire us both!  We can be your only mother-daughter duo. It’s a great selling point!” Being the canny New England businessperson that he is, he said he’d think about it! So, we’ll see. Check out Banjo Camp North on line and make your plans to be there next year!

First Gig As A Grandma

September 11th, 2011

Murphy Henry

As you have probably figured out from the lack of blogs coming from me, I am still in Nashville helping Casey take care of little Dalton. (Who is cute as a bug in a rug, of course!) But last night I ventured out of the house to play a gig with my son, Chris.

Chris had told me he was playing on Saturday night at The Five Spot so I had told him I’d love to come down and watch since the show started early (8 pm) and only lasted for an hour. (I had to get back to take the night shift of Dalton watching so Casey could sleep some.) Chris then asked if I’d like to bring my banjo and get up and play a number or two. Sure, I said, since the gig seemed informal and the band seemed to be a pickup band. Then, just as I had settled down for my afternoon nap Chris called again and said that there really wasn’t a banjo player available and did I want to play the whole hour. I asked two questions: Did he think I would fit in with the rest of the players? And would they be playing standards? He said yes to both so I said, Okay, I’ll do it.

Fortunately the Five Spot, a local, funky East Nashville bar, was not too far away and I had actually driven in that area earlier in the week as I made what seemed to have become a daily grocery run to some grocery store or other. (Shout out to the Turnip Truck which has a great selection of organic food. And one of the Turnip Truck stores is right across from the Station Inn!) I called Chris on my way over and told him to meet me outside the bar and escort me in. (And carry my banjo….er, Casey’s banjo which still has a tone ring and is heavy as all get out especially with that Calton case!) I figure now that I’m a grandma someone else can carry my banjo!

We arrived way earlier than anyone else which gave Chris time to eat a sandwich before we started. As the band he had assembled came meandering in one at a time I was introduced to all of them: Brad Folk, the guitar player and singer who used to play with the Colorado band Open Road and now plays with the Warrior River Boys; Adam Chassin, the bass player and singer; Matt Raum and Lauren Faks on fiddles. Brad was kind enough to say that he had seen my Murphy Method ads in Bluegrass Unlimited for years and was happy to finally meet me. There was absolutely nothing in his demeanor or speech that caused me to think this but whenever I am playing with people I don’t know (especially ones who know of the Murphy Method) I always feel like I am being graded or challenged or judged: Can she really play? (I’m sure some people would say that’s because I judge other players so what goes around comes around! All I can say is I’m working on being less judgmental!)

But truly the vibe was laid back and friendly and, as Chris would say, “all good” especially since there was no money involved and everyone was just doing this for the fun of playing. (And the band-discounted beer!) (Note: no beer for me! Driving and on baby watch!)

In true Nashville fashion, there was no rehearsal, no talking about the tunes we would play. We tuned up individually and stepped onto the stage. Chris leaned over to me and said, “Can you kick off ‘Brand New Road Is What I’m Traveling On?’” (Which is a Reno tune that sounds like ‘Lonesome Road Blues’.) “Do you want me to sing tenor?” I asked. He nodded. “Okay, what are the words?” He refreshed me on those and I stepped up to the mike and kicked it off. (Or maybe he kicked it off. I can’t quite remember!) It felt great to be playing again.

Murphy with Chris playing at the Five Spot

Murphy Henry, Chris Henry, Adam Chassin, Matt Raum, Brad Folk, and Lauren Faks at the Five Spot

We did an hour-long set, with each band member taking a turn calling the tune. I chose “East Virginia Blues” and when I stepped up to the mike to introduce it I said, “This is the first gig I’ve played as a grandma! My daughter Casey just had a baby!” The audience (about 30 people) applauded enthusiastically.

Other songs we did included:

Sitting On Top of the World (Brad)

Toy Heart (Brad)

Daybreak in Dixie (my suggestion)

Walking West to Memphis (Chris)

Old Joe Clark (Matt)

Cherokee Shuffle (Lauren)

Kentucky Waltz (Adam)

Meet Me Out On the Mountain (Chris)

A Webb Pierce number which I think was More and More (Brad)

Roll in my Sweet Baby’s Arms (by guest fiddler David)

Love’s Gonna Live Here Again (Brad)

We closed out with Rawhide which was fast as…..the dickens! And then Chris sped it up! And then he sped it up again. At which point I couldn’t even vamp so I just quit!

When we walked off the stage a guy came up and said he’d like to buy the band a round of beer. I would have loved to have taken him up on it, but as I noted before, I had “promises to keep and hours to go before I could sleep.”

When I got back to Casey’s house about 10 pm she was just putting Dalton down. I climbed in bed beside his crib and Casey went down the hall to sleep in my bed. He stayed asleep (with one short rocking interlude) till 2 am, when Casey came in to feed him. At which point I headed to my own well-earned rest! I awoke seven hours later to a brand new day to spend with my brand-new grandson. Life is good!

Dalton Whitfield Henry, With Pictures

September 3rd, 2011

Casey Henry

I know that Red shared the big news yesterday, but today I have pictures! Dalton was born August 31st at 7:41 p.m. and weighed in at 9 lbs 7 oz, 22 inches long.

Red, Casey, Dalton, and Murphy Henry

The proud mama and grandparents with the new addition to the Henry family. Dalton is almost exactly 48 hours old in this shot.

Dalton Henry

And here Dalton gets his first view of banjo picks, courtesy of Ned Luberecki. He doesn't look that impressed...

A New Banjo Player

September 2nd, 2011

Red Henry

Folks, I’m writing this from Nashville, Tennessee. Murphy and I are over here for a few days to visit with Casey and her brand-new son, Dalton Whitfield Henry.

Of course this means that Murphy and I are having a great time seeing Casey and the baby. But it also means that nobody’s at home right now, sending out DVDs! But keep on placing your orders, because I should be back at work on Monday, sending them out. Till them, play a tune for little Dalton.

Red

Custom Lesson Additions

August 29th, 2011

Casey Henry

As I count the days past my due date (just two days overdue at this point…) I’m keeping busy doing the custom lessons that I warned people I may not have time to do if the baby arrived early or on time. Lucky for these people the baby seems like he’s pretty comfortable right where he is, so I might have time to get those last five songs on my list finished…

  • Beautiful Star of Bethlehem (I) Watch clip. – This is one of my favorite bluegrass Christmas tunes and very possibly the first one of a second volume of Christmas custom lessons.
  • Fox on The Run (I) Watch clip. – I’m pretty surprised it took so long for someone to ask me to do this popular song. In the lesson I give you what Bill Emerson played on the Country Gentlemen’s recoding of it.
  • Glendale Train (Backup in D) (A) Watch clip. – People are always wanting more backup stuff. So here’s some backup in the key of D. It’s not easy, but if you’re ready for it, it’s really useful.
  • Long Skinny Lanky Sarah Jane (I) Watch clip. – This is such a funny song that Ralph Stanley recorded. The break is very straightforward Stanley style.
  • Lorena (A) Watch clip. – One of John Hartford’s signature songs. He didn’t write it, he just played it a lot. This is what he played on the “Gum Tree Canoe” album.
  • Love is A Rose (I) Watch clip. – The second Linda Ronstadt song to be added to the list. There’s a banjo on her recording of it and this is what he plays.
  • Mole in The Gound (I) Watch clip. – This is an old-time tune I was only passingly familiar with until Marty Bacon asked for this lesson. Played in drop-C tuning it has a nice drive to it.
  • These Thousand Hills (I) Watch clip. – This is from a Christian band called Third Day. Goes quite well on the banjo, even though their recording is all electric guitars and drums and stuff.

All these can be ordered from my website. $30 each.

Chris’s Song IBMA Final Nominee!

August 18th, 2011

Murphy Henry

I couldn’t wait to tell you all our son Christopher’s song, “Walkin’ West to Memphis,” made the final ballot for IBMA Song of the Year! There are only five songs nominated and his is one of them. What an honor! The song was recorded by the Gibson Brothers on their album Help My Brother. [Here's the link to download Chris's version of the song from CD Baby. And here's the link to do the same from iTunes. And finally here's the iTunes link to the Gibson Brothers' version.]

Many of you know that Chris is a top-notch mandolin and guitar player. (If I do say so myself!) But he is also an extremely gifted songwriter. He and Casey recorded a number of his songs on their CD Get Along Girl, including the aforementioned “Walkin’ West to Memphis.” (Don’t you just love the word “aforementioned”?!) He also included a bunch of his songs on his own CD, Monroe Approved. One of my favorites there is “Listen to the Lonesome Train (Boxcar Door).” He recorded that with Roland White and it is, as we say in the biz, a keeper fer sure.

IBMA 2011 Nominees

The 2011 IBMA nominees. Chris is second from the left, standing next to Ronnie McCoury. Photo from the Bluegrass Blog.

Whenever an event requiring a present comes along, I can almost guarantee that I will get a CD from Chris with a new song or several new songs on it. The title of one, “Maybelle’s Been a Bad Dog” is pretty self-explanatory! He’s got a project in the can now that features a lot of newly-written old country-type songs. He plays some old-school electric guitar on these (in addition to mandolin and acoustic guitar) and does some mighty fine singing.

Last night when I was waiting (with bated breath) to hear if Chris’s song got nominated I was in the middle of lessons. Right after he texted to say his song was, indeed, a final nominee, Bob Mc, who was listening to Sirius Radio on his way home from his lesson, texted to say “congratulations.” I love texting! (And I’m SURE Bob was not texting and driving!)

Mark was also listening to the radio on his way to the lesson. Since Logan is going off to college Friday (Virginia Tech) I had arranged with Mark to turn his lesson (my last one of the night) into a jam session and had invited Logan and Bob Van to come pick. As soon as Mark walked in he said he’d heard about Chris’s song on the radio too. He had had the classic bluegrass response. He said, “I ran off the road!” That usually happens when a banjo picker hears Earl on the radio for the first time, so Chris was in pretty good company!

I was in pretty good company, too, sitting there picking with Mark, and Bob, and Logan while basking in the glow of being a proud mother. We hoisted a few Corona’s in honor of Chris (Not Logan! He has to wait till college!) and proceeded to pick till about 10:00. But the story of that jam will have to wait till another time. I was nice to be with bluegrass folks who understood what a great moment it was for Chris to have a song nominated for Song of the Year.

So, big CONGRATULATIONS to Chris, my fav-o-rite songwriter! And you can bet Red and Casey and I will be there at the Awards Show in September, hoping for Chris to win a Song of the Year trophy, but proud of him no matter what! Yeehaw!

[Editor's Note: You can see the full list of nominees over at the Bluegrass Blog.]

Christopher’s song in IBMA “Song of the Year” balloting

August 18th, 2011

Red Henry

Here’s some bluegrass news from the Murphy Method — Many thanks to all the International Bluegrass Music Association members who voted for Christopher’s song “Walking West to Memphis” in the Song of the Year balloting! Last night, they announced that WWTM is one of 5 finalists! Y’all keep voting, and Murphy and I are looking forward to the IBMA Awards Show in late September.

Custom Lesson Update

August 11th, 2011

Casey Henry

Here is my periodic update of the new additions to the custom lessons list. These are the ones I’ve gotten done in the last two or three weeks. Some interesting songs here. “Gentle On My Mind” is a challenge because the melody mostly consists of only two notes. “Ring of Fire” is Earl’s break from when he recorded it not too many years back on that CD called “Earl Scruggs and Friends.” Billy Bob Thornton is singing lead on this cut. Not one of my favorite versions of the song, but Earl’s break is dead-on and it was fun for me to sit down and figure it out because I haven’t studied that much of his later period stuff. Very syncopated.

These lessons can be ordered from my website here.

The complete list of all the lessons available is here.

Also, I added guitar practice tracks for the following tunes:

Dear Old Dixie
Wabash Cannonball in G
Redwing
Bells of St. Mary’s
Clinch Mountain Backstep in A

And if you don’t know what the deal is with these guitar tracks you can read about it here.