What We’ve Been Doing!

December 13th, 2011

Murphy Henry

Here is a thought I had while I was driving Casey and Dalton from Nashville to Winchester on Friday: I have Grand-Mommy brain! Which is to say, I have plenty of energy to think about all things Casey and Dalton, but little energy to blog about banjos. So, I decided that in lieu of blogging about banjos for a while I’d just blog. About whatever.

 

So here is my first “whatever” blog! Hope you can hang in with me until I get focused, once again, on banjos! But I was thinking that perhaps this experience may also reflect what often goes on in your lives: too much going on to devote much time to playing banjo. (Or whatever instrument you are learning.) What do you do? You just hang in the best you can, fill your lives with music as much as possible, and wait for the pendulum to swing back around. Music is such a part of my life that I can never be completely separated from it or without it.

 

Having said that, I’ll tell you what I’ve been doing lately. On Wednesday morning (Dec. 7) I flew to Nashville to join Casey and Red who were in the mad and last throes of packing up her house for the move to Winchester. Red had driven the U-Haul to her house [Editor's note: actually I picked up the U-Haul while Red held the sleeping baby at home!] and when I arrived movers were already loading the 26-foot truck. I would have been there slightly sooner but son Chris and I had made a Starbucks detour on the way from the airport for some mother-son bonding, two breakfast sandwiches, and two tall Americanos with cream! Wednesday night Red delivered the truck to the home of Ned Lubrecki (Nedski to his friends) who was driving it to Winchester on Friday. Red and I spent Wednesday night with Red’s uncle John Hedgecoth and his wife Lynn, sleeping in a soft bed while Casey hunkered down, bluegrass style, on a pallet on the floor of her house. She wanted to spend the last night in her home of the last nine years. (Dalton was nestled all snug in his Pack n Play.)

 

Thursday morning, as Casey and Dalton and I hit the road for our two-day trip to Winchester, I was surprised to find myself crying as we pulled out of Casey’s driveway. That had been such a good house for her, and she had put so much love and work into it. Casey asked me if I would like Dalton’s pacifier! Red was driving separately and taking just one day. We learned during our long journey home over Thanksgiving that Dalton can make it just about five hours before melting down completely and becoming inconsolable despite Casey’s best efforts—and much John Hartford music!

 

Our stopping places along the road are now based on which eating places have a baby changing station in the bathroom! Some Starbucks do, some don’t. Some Burger Kings do, some don’t. Cracker Barrel does. McDonald’s is pretty good.

 

We spent Thursday night at our half-way point, Bristol. Casey and I woofed down a pizza in our motel room, and I tried to stay awake long enough to watch the Steelers play the Browns on Thursday night football. I didn’t make it through the first quarter!

 

Friday morning Dalton was up bright and early at 6 a.m. So, naturally we were too! Having chosen Exit 7 on I 81 based on the presence of a Starbucks, we got our breakfast there (to go) and geared up for the last 300 miles. We rolled into Winchester sometime around 1 p.m. The rest of that day is a blur. Oh yeah! I made spaghetti! From scratch, with grass-fed local beef! Nedski arrived with the U-Haul sometime around 8 p.m. Since he had a gig in Chattanooga the next afternoon (!) he didn’t hang around. Red drove him to the Baltimore airport. I was out square dancing! Which keeps me sane!

 

Okay, gotta wind this up. Casey just came downstairs with Dalton and said she would feed him and we would head over to HER HOUSE to continue with the unpacking. Although she has not yet closed on her house (that’s Monday) the sellers were kind enough to let her unload all her stuff there Saturday. Which is what we did all day. I bailed at 4 p.m. so I could get a nap and restore my energy for, guess what? Square dancing!!

 

Which brings us around to today, Sunday. And more unpacking. I told Casey I’d make us some sandwiches for our lunch, so I’d better get to it. There is a possibility of some old-time picking tonight in Paw Paw with Sam and Joe Hermann and David McLaughlin. If I go, I’ll be hacking away at the fiddle.

 

If you’re looking for a great (although non-bluegrass) holiday CD, I’m really enjoying the new Carole King offering. Check it out. It starts off with “There As A Few Of My Favorite Things.” And Tony Trischka’s holiday CD from a few years back is (And Glory Shone Around is perhaps the title) is fabulous. And Laurie Lewis’s Winter Solstice. (Don’t hold me to the title!) And of course, The Roaches We Three Kings. (Also non-bluegrass but wonderful with great harmony.)

 

Okay, time to go be a Grandmother!!! “I have sandwiches to fix and miles to go before I…..” Okay that didn’t work! The best I can come up with (after running through the alphabet) is “miles to go before I picks” which is ungrammatical. This is better: “She has sandwiches to fix, and miles to go before she picks!” I like it!

 

Women of Bluegrass Calendar

December 11th, 2011

Murphy and Casey are featured in this banjo-centric collection by photographer Darwin Davidson. Each month pictures a different player with her banjo. Casey is January, Murphy is May. We’re not selling them through our site, but you can order them straight from the photographer for $20 each. DarwinDavidson.com

(Click on pictures for full-size images)

Murphy Henry calendar page

Casey Henry Calendar Page

 

 

Y’all Come: Portland Workshop In January

November 12th, 2011

Murphy Henry

Well, now it’s officially official. I made my plane reservations for Portland so I guess I’m really going! (Not that there was ever any doubt. It just seems more concrete now!)

 

Thanks to prodding from two mail order students and friends, Patty Spencer and Claire Levine, I will be teaching a banjo workshop in Portland (that’s Portland West, not Portland East!) January 27-29, 2012. The workshop is open to all comers but you will certainly get more out of it if you can play a few songs and do some vamping.

 

As always, I will adjust the teaching to fit the crowd, but you can guarantee that we will be doing A LOT OF PLAYING. We will play slow and we will play fast (if there are students who want to play fast). We will be working primarily with the  vast Murphy Method repertory of songs and tunes, so hopefully most of the students will know the same material. (Note to potential attendees: No need to brush up on Blackberry Blossom! We will not be playing that! Even from the Murphy Method list, I doubt that we will be playing Salt Creek, certainly not as a group! Why not? The chords are too hard!)
Other things we may cover (no guarantees!) are: using the capo, basic improvising, jamming, playing in C without a capo, playing in ¾ time, and maybe one of those fancy Scruggs backup licks Casey teaches on her Fancy Scruggs Backup DVD.
One thing the students at the recent Winchester Banjo Camp seemed to enjoy (I use the term lightly!) was playing a solo in front of the others. There was no pressure to do this, but almost everyone participated. And this seemed to be the one area that everyone mentioned having trouble with: playing in front of others. Well, a Murphy Method banjo workshop is about the safest, most supportive atmosphere you will find for taking that Leap of Faith. And as I told everyone, you don’t get the Gold Star for playing it perfectly, you get the Gold Star for PLAYING THROUGH YOUR MISTAKES  and keeping the timing going. But actually, at a Murphy Method camp, you get the Gold Star just for trying. Because I know that it takes tremendous courage for an adult to put themselves on the line like that. Every person who played was scared to death. But they did it anyhow! Brave souls! I hope they gained some confidence in their playing and learned that making a mistake was not the end of the world.

 

In fact, our motto for that weekend could have been: Nobody’s listening, nobody cares! Which sounds harsh and is, of course, an exaggeration, but what I mean is that people who are “listening” are likely thinking of something else at the very instant you make a mistake, so they literally don’t hear it. And if their ears do catch a mistake, they forget in the next millisecond. Because, again, they are likely thinking, “Wow! I wish I could do that. I wish I had that much courage.” Or, “Oh, my gosh. It’s my turn next. I hope I can do that well!”

 

I’ve told the story before that when I first started playing banjo regularly on stage (at the ripe old age, I thought, of 22!), I was playing in Red’s Charleston, S.C. band, Low Country. Which usually played in bars. At first, like you, I thought everyone was listening attentively to my playing and could hear every mistake. But then, I realized they were all drinking heavily and basically heard nothing except a wall of music. So I decided I would have a beer or two (not more than that) and then I “heard” more like they did, and was less focused on my mistakes. Nobody was listening (to me) and nobody cared (if I made a mistake). No, I’m not recommending you drink before you play, I’m just trying to make the point that I’ve been there.

 

My partner in crime, Casey, is handling all the financial and logistical details for the Portland workshop, so if you have questions, please direct them to her at 615-513-8620 or email her at themurphymethod@gmail.com.

 

Hope to see you out there in Portland West! I’ll be bringing plenty of Murphy Method merch so you can look it over and load up. No shipping charges!

 

And if you’re wondering where the phrase “Portland East and Portland West” came from, here ‘tis. That great song, Eight More Miles To Louisville. Thank you Louis Marshall “Grandpa” Jones!

 

I’ve traveled over this country wide

Seeking fortune fair

Up and down the two coast lines

I’ve traveled everywhere

From Portland East to Portland West

And back across the line

I’m going back to the place I love

That old hometown of mine.

 

Eight more miles and Louisville

Will come into my view

Eight more miles to Louisville

I’ll never more be blue

I knew someday that I’d come back

I knew it from the start

Eight more miles to Louisville

The hometown of my heart.

 

 

Beginning Banjo Camp: The Rest of the Story

November 3rd, 2011

Murphy Henry

So, I’ve done all I can right now to help Casey get ready to leave. Which gives me a few minutes to tell you more about the camp and what we taught.

 

As you know, our teaching is always hands on and our banjo camp motto is “less talk, more playing.” I think we definitely achieved that goal this weekend.

 

We asked the students to come prepared to play the first three Murphy Method tunes: Banjo in the Hollow, Cripple Creek, and/or Boil Them Cabbage Down. If they were able to vamp any, that was a plus, but not a requirement. I think I can safely say we played those songs to death!

 

At our “Meet and Greet” which was the first thing on our agenda Friday afternoon, it became clear that the students really wanted to be able to play with other people but did not have jamming situations available and—this was a biggie for almost everyone—when they tried to play in front of anybody (including their teachers) they were so nervous that they could not play well. Some of them would freeze up and weren’t able to play at all.

 

I am proud to say that by the end of the weekend almost everyone had played one of those songs by themselves in front of the other students. And they played them VERY WELL. They played IN TIME and they PLAYED THROUGH THEIR MISTAKES. And most of them were also able to do the vamping to the song they played. I received such a charge from witnessing that that I was buzzing around long after camp was over. And I’m still euphoric over their progress. And their courage. Because, by their own admissions, most of them were extremely nervous when they were playing. Terrified is actually the word that comes to mind!

 

One of the reasons they were able to do this is that we had played through those songs so many times all together. S-L-O-W-L-Y. And they were playing them correctly and in time. I can’t emphasize enough how important it is to play slow and steady and to do many, many, many repetitions every time you play. As we keep saying, lots of practice will clear up most playing problems. You also need to listen to what you are playing and to listen to the tune on the DVD. Do they sound the same?

 

After the Meet and Greet, we got out the banjos, and in one big group, we played through our three tunes. Slowly. My local students Susan and Zac had volunteered to play rhythm guitar which helped the students hear the tunes—and the chord changes—better. But, you know what? Since these were Murphy Method students to begin with, they were already playing pretty well—with good timing. And since they knew how to use their ears, as we played together, students were able to tweak their own timing. Somebody said, “I thought I could play Cripple Creek till we started playing it!” That is why playing with others is so important!

 

For our second session Friday we divided the class roughly in half (dividing along the lines of those who could already vamp some and those who could not) and began working on vamping and hearing chord changes. As always, hearing those chord changes is difficult. And, even though we do it by ear, in the beginning it’s almost impossible to get away from learning the patterns by rote, especially on the instrumentals. I was working with the vampers, so I told the students, “For now, just memorize the pattern: GGCG, GGDG.” (That’s the A part of Cripple Creek.) Then as they played the pattern, I believe most of them began to hear the changes. We worked on the vamping to all three songs, so that by itself was a lot of vamping!

 

Meanwhile Casey was busy with the non-vampers, showing them the F position chords and having them vamp to one of the easiest singing songs, Blue Ridge Cabin Home. They later moved on to Boil Them Cabbage Down.
Thus ended the first day of teaching. We broke for supper at 5 and met back at the Barber Shop that evening at 7 for our evening concert. Some of my local students joined Red and me in sitting down and playing casually for a couple of hours. Susan, Zac, and Mark played banjo, Bob Van and Janet played guitars, and Bill played bass. Some of the songs we played were:

 

Blue Ridge Cabin Home

Mary Dear

I Saw the Light

Train 45

Head Over Heels

Roll in My Sweet Baby’s Arms

Salt Creek

Sally Goodwin

Down The Road (which Zac sang)

Will the Circle

You Are My Sunshine

Lonesome Road Blues

Old Joe Clark

John Hardy

Foggy Mountain Breakdown

 

We ended with When the Roll is Called Up Yonder as we had ended so many of our Wednesday night concerts years ago. Everyone played so well. And improvising was definitely happening. I think and hope the students at the workshop got an idea of what can be achieved on the banjo when you work your butt off, you learn by ear, and you play often with other people. It can be done, folks!

 

Our Intermediate Camp is scheduled for March. Hope to see some of you there!

 

What I did at the Banjo Camp (or, how to learn by ear)

November 2nd, 2011

Red Henry

This last weekend was the Murphy Method Banjo Camp, run and taught by Murphy and Casey. This particular camp was just for beginning players. The campers were all real good folks, and everybody had a fine time.

And so, what did Red, the aged, tottering, grizzled patriarch of the family, do for the weekend? As previously noted, he took care of Casey’s baby, namely Dalton Henry, who is two months old and mighty cute. Even if he couldn’t stay awake for Halloween.

I mentioned before that Dalton is a beginning banjo player, because he can’t help it. But there’s more he can’t help doing too, over the next few years, which includes learning to talk. And how children learn that is HIGHLY relevant to learning to play music.

How does a child learn to talk? By listening and imitating people whom he hears. When you see the slogan “Talk to your baby!” it’s important, because babies have to hear words before they can say them. A baby listens and listens before it learns to talk.

And would anyone say that a baby should learn to READ before it starts to talk? Of course not. That’d be ridiculous.

So what does this have to do with bluegrass? Only everything. If you’re learning to make sounds (play music, that is), learn those sounds– the notes– BY EAR. Then practice. A lot. As Murphy says, “Listen, listen, listen, and play, play, play.”

Don’t try to learn to play bluegrass music from a piece of paper. Do you want to know what the notes should sound like? Yes. Can paper show you that? No.

Casey won’t make little Dalton read before he can talk. That’s not how people learn!

Take a hint.

Red.

Beginning Banjo Camp: The Day The Lights Went Out In Winchester!

November 1st, 2011

Murphy Henry

[And of course the title is a take-off on the song title The Night The Lights Went Out In Georgia.]

Cutting right to the chase: The Saturday morning of our Beginning Banjo Camp we woke up to find two inches of snow on the ground and more falling! Casey and I made the ten-mile trip into Winchester very slowly since even the main road, Route 50, had not been pre-treated nor plowed. What were they thinking?

We arrived at the venue—the basement of Dalton Brill’s old barber shop—to find a few students waiting patiently under the overhang of the shop next door. Down the steep outside stairs we went and I unlocked the door. The room, where we played music every Wednesday night for years, is below ground with old stone walls. When the lights are out it is pitch black. (Remember that part!) Wondering why I hadn’t remembered to bring a flashlight, I groped my way to the light switches (in the back of the room) and turned the lights on. Casey started coffee and I went upstairs to unlock the back door (which was our emergency exit) as the rest of the students were arriving. Just as I finished that task, the lights went out.

Thanks to the upstairs skylight, I could still see but downstairs it was, as I said earlier, pitch black. Making this long story shorter, we discovered there was a major power outage all across town. Luckily there were LOTS of candles on hand. So for starters we lit those, which helped. But even as we were doing that I’m thinking, “What are we going to do?”

Luckily, my friend Adam Phelps was on hand, as his son Riley was there for the morning session. I asked him to go somewhere and get some battery-powered lanterns. I knew he would come back with something! He is one of those “can do” kind of guys.

Still, I’m thinking, “What in the world are we gonna do?” Luckily, heat was not a problem. Yes, it was chilly, but with that many people (around 20) in that small space, body heat—and coats!–were doing the trick. Even with the candles, however, it was still dark. So I got out my guitar, Casey got out her banjo, and we had an old-fashioned sing-a-long! I can’t quite call it a hootenanny because we didn’t sing any “folk” songs (no Cum By Yah, no Where Have All The Flowers Gone, no The Cruel War, no If I Had A Hammer). But we did sing!

“Guess what we are going to start with?” I said. After a few misses, someone guessed, “I Saw The Light.” “You got it,” I replied. And off we went. We probably sang for close to an hour, doing everything from Will The Circle Be Unbroken to Little White Washed Chimney and Life’s Railway To Heaven. Then—bless his heart!—Adam came back with three lanterns. “You would not believe the lines in Wal-Mart,” he said. “I practically had to knock down two old ladies to get these!” At that point, I did not care!

Adam fired them up and by hanging them on nails already positioned in the middle of both sections of the basement (I’d divided it in two by hanging canvases between—makeshift but functional…sorta!) we could actually see. We decided to go on with the classes.

Shortening the story even more, the electricity stayed off until 4 p.m. Almost SEVEN HOURS! The only thing we had to cancel was the sing-a-long scheduled for that night from 7-9. I was worried the roads would freeze and we’d be driving in the dark on black ice. Been there, done that. Not fun! So, we added an hour-long slow jam to the end of the day’s activities and everyone seemed to be okay with that.

I can’t say enough about how gracious all the students were in a trying situation. Everyone was easy to get along with and no one complained about anything (even the lack of coffee!). And Dave’s wife remedied that later on by stopping by Dunkin’ Donuts and bringing two boxes of steaming Java into our midst. It was most welcome!

I’ve not said anything about the teaching but will blog more about that later. It was WONDERFUL! I was so proud of every student there. But I needed to get this snow stuff out of the way first!

And now I need to go help Casey and Dalton pack up. They are flying back to Nashville today. Boo hoo! Dalton was two months old yesterday and is as cute as a bug in a rug. I will miss them so much!

I’ll be back….with more about the camp! Stay tuned!

Murphy Method Banjo Camp this Weekend

October 27th, 2011

Red Henry

Folks, the Murphy Method Beginning Banjo Camp is this weekend! We’ll have students coming in from all over the country to learn from Murphy and Casey. This is our first camp specifically for beginners, so both Murphy and Casey will be teaching, demonstrating, and encouraging new banjo players for three days.

And what use, you may ask, will Murphy’s husband be while all this is going on? He (that is, me, myself and I) will be chasing the family’s newest banjo picker around the house. He’s Casey’s son, named Dalton Henry, age 8 weeks yesterday:

Morning Cheer

–and how does a person that young get to be a banjo picker? That’s easy: he’s already heard more banjo notes than more people. For 9 months. At close range, too. The kid can’t help playing a banjo.

Red

P.S. — Oh, I’ll get over to the camp each evening, too, to help Murphy with jam sessions and sing-alongs… with all those OTHER beginning banjo players.

The New “Banjo Backup for Fiddle” DVD is now available!

October 21st, 2011

Red Henry

Folks, we are very happy to announce that our long-awaited new DVD, “Banjo Backup for Fiddle”, is now available for your order by TELEPHONE only (we haven’t had time to put it on the site!). [Actually, now it IS on the site... just follow this link.]

Call us at 800-227-2357 ! I’ll be at the phone most of the afternoon!

Red Henry

. . . . .

How does a banjo best accompany a fiddle? By playing simple roll patterns that fit the chords. Casey and Murphy explain these patterns note-by-note as Megan Lynch plays fiddle.

Sally Goodwin, Turkey in the Straw, Old Joe Clark, Leather Britches, and more, including some exra tunes which Casey plays with Megan and bonus footage fo Murphy backing up Fletcher Bright. No Tab. (99-minute DVD, $29.95)

. . . . .

A Busy Weekend of Picking

October 13th, 2011

Red Henry

Folks, what’s the easiest and most enjoyable kind of practice? Naturally, it’s the kind that doesn’t seem like practice at all: PLAYING music. So I got a lot of easy practice last weekend.

Friday night, there was Old-Time picking at the Cabin. That’s the “Cabin” with a capital C, the one where the Old-Time pickers play. And how do you get there? Well, it’s way out in the woods on little crooked roads. In fact, in order to find it, you need to already know how to get there. (That sounds like circular reasoning, doesn’t it? Well, we do play around with the tunes. Stop it, Red.)

The Old-Time pickers (call them OTP’s for short) generally like to play a lot in one key before changing. When we started Friday night, we were in the key of A– all three of us. In fact, I wondered if I’d come there on the wrong night. But people kept drifting in and in an hour or so, we had ten players– all pretty good players, too– three or four each of fiddle and banjo, plus guitar, bass, and two mandolins: a good mix. And what did we play in the key of A? Good stuff– not only the familiar tunes, but also some oldie goodies like Old Mother Flanagan, Pretty Little Dog, and June Apple. After a couple of hours, we got into the key of D and played some there too– more good stuff.

On Saturday the music was a hair more serious because I was playing a party gig, with a three-piece band including my friends Scott and Cousin David. We played a mix of bluegrass songs and old-time tunes for a delightful outdoor event in Clarke County, Virginia. Scott played guitar and sang, and David switched off from banjo to lead guitar, while I picked a little mandolin. Everybody had a good time.

Cousin David is a very versatile musician. Between sets, he was playing some new-age music on his old-age guitar. A mischievous band member said, “Play ‘Wipeout’! and he did. Then the same person said, “Now play ‘Hey, You, Get Off of My Cloud!’”, but David wouldn’t play that. Spoilsport.

Sunday afternoon’s music was back in the traditional groove, playing with the OTP’s at a country church in West Virginia. There were  eight of us there, again a well-matched ensemble, with three fiddles, three banjos, bass, guitar, and mandolin. We played in the key of D: Cowboy’s Dream. Yellow Rose of Texas (not the one you know). Bonaparte Crossing the Rhine. Mississippi Sawyer. Hard Times Come Again No More. More good stuff.

When the Sunday music was finished, it was time to go home and collapse for a while. As one of the OTP’s said as we packed up, “Now I’ve got to go to work this week to rest up for the weekend!”  But you know what? I was in practice.

It was easy.

Red

Fruit Stripe Gum

October 9th, 2011

Murphy Henry

If I could just share one more memory from my dad’s funeral…..You will remember that Daddy was a doctor. And for many of the years in which he practiced medicine, penicillin was the go-to drug and it was administered in the form of a shot. With a shot needle. In the butt. And it hurt like the dickens! Well, his obituary had mentioned that Daddy, being a compassionate soul, always handed out a stick of Fruit Stripe Gum following his assault with the dreaded shot-needle. That was the new gum on the block back then and I remember the jingle so well:

Yipes, stripes, Beech Nut’s got ‘em

Yipes, stripes, in Beech Nut gum

Yipes, stripes, five different flavors

Get Beech Nut Fruit Stripe Gum!

Anyhow, as the obit began to circulate in the community, people would come up to us and say, “Yeah! I remember that Fruit Stripe Gum!” (Needless to say, WE never got Fruit Stripe Gum or anything like that as a reward for good behavior, which meant not crying when he gave you a shot.)

So we thought that at the viewing it would be a nice tribute to Daddy to have a bowl of Fruit Stripe Gum sitting by the guest book. But could you even buy it anymore? We didn’t know. So, of course, we went on the Internet to see. Oh, yes, it was still available, but not at our local grocery store. We could have traveled a few miles down the pike to get some but that was just one more thing to do in a day that was already pretty much filled to the brim. So we nixed that idea.

Shift now to the graveside service. Daddy was in the Navy in World War II, so the flag on his coffin had been folded and handed to me (as the oldest), Taps had been played, and “Uncloudy Day,” the last song we’d sung for Daddy, had been sung one more time. The preacher, Grady Walden, said a few final words and recited a poem. I was ready for Grady to say the final prayer when he said, “I’ve got one more thing to leave with the Hicks Sisters.” And, of course, I thought it was going to be some final words of wisdom or comfort. Instead, he tells the story of Daddy and how he rewarded good behavior following a shot. Then he reaches into his coat pocket and pulls out five packages Fruit Stripe Gum! “Do you know how hard this stuff is to find?” he says. Oh, yes, we knew. He went down the line, there where we were sitting in the front row of funeral chairs by Daddy’s grave, and handed each of us a pack of gum. Unbelievable. And through the tears, we were laughing. Which is exactly what we needed to do. Thank you, Grady!