Posts Tagged ‘capos’

Vamping with a capo

Friday, October 24th, 2008

CaseyThis week one of my students ventured out to her first public jam session. She had previously jammed only at group lessons and at the FiddleStar/Murphy Method camp that we held last month. She has been playing just about a year and went to this jam with the intention of just vamping—not taking any leads. She was pleased to find that on most songs she could figure out what the chords were, by paying attention to the guitar player’s hands, and keep up pretty well.

She ran into a stumbling block on “Old Joe Clark.” They were playing it in A (that’s where it is always played), but because we banjos play it in G when there are no fiddles around, she wasn’t sure of the chords. She knew that when she played OJC in G the “off chord” is F. So when she tried to use that chord, only in the key of A, it sounded wrong. Someone leaned over to her and told her she needed a capo for OJC.

She wasn’t using a capo since she wasn’t playing lead, and a capo doesn’t make any difference to your vamping anyway, but it confused her. So here was the simple solution: when you’re vamping in A, you move everything up two frets from where it is in G. She had moved her regular chords up, but she forgot to move the off chord up, too! Problem solved.

About Capos

Monday, October 20th, 2008

Murphy Henry

Question: I have been a Murphy Method Student for 19 years. I have a Kyser capo. When playing in C it tends to get in the way of my fingering. Could you tell me what kind you are using in Slow Jam 1 playing “Bury me Beneath the Willow” in the key of C, and where it can be gotten? Thanks. Calvin

Hey Calvin,

First of all, many thanks for hanging in there with The Murphy Method. That’s always nice to hear!

Now about capos:

After trying many capos down through the years including the Scruggs Capo, the Tom McKinney Capo, the Sabine Capo, and the Kyser, I have finally landed on the Shubb Capo, with which I am well pleased. I’m pretty sure that’s what I am using in the first Slow Jam DVD. (Unless I was having a Bad Capo day and lost mine!)

The Shubb Capos are small enough to not get in the way of my left hand, they snap on and off the banjo with no trouble, can easily be carried in my pants’ pocket, and don’t seem to cause too many tuning problems. (Although when you use any capo you almost always have to retouch your tuning.) Also, when I’m on stage and am not using the capo at the moment, I can keep it handy by sticking the end of it into one of the holes in my Stelling flange.

And even with long term use, I’ve not ever had the rubber part deteriorate. (Of course that MIGHT be because I often lose my capo and have to buy a new one…That sometimes comes from lending capos at a jam session! I did have a lawyer friend who absconded—accidentally of course—with my capo replace it with a brand new one!)

And for those of us with arched fingerboards (which for some strange reason we are now called “radiused” fingerboards) on our banjos, the Shubb comes in a slightly curved version, which makes for fewer tuning problems.

I think you can find the Shubb Capo at many music stores, locally and online. I’ll shout out to three of my faves: First Quality Music, Janet Davis Music, and Elderly Instruments.

Hope this helps!!!!

[Casey here...I use a Showcase capo, which handily slides up above my nut when not in use, so I never have to take it off the neck, thereby greatly reducing the chances of it being lost!]