Posts Tagged ‘custom lessons’

New Custom Lessons Available

Thursday, August 26th, 2010

Casey Henry

I wanted to give y’all an update on the new additions to the custom lesson catalog.

Just today I’ve recorded a lesson on the high break to “Fireball Mail.” I think this one used to be on the old TMM cassettes; I think that’s where I learned it. But it never made it onto video. Now it’s available again!

Last week I completed lessons on “Banjo Pickin’ Girl” in the key of C (which is where I sing it), and “Me and My Old Banjo” — the Osborne Brothers classic.

Other recent additions include “Dooley” (a Dillards original). The break I teach is not exactly what Doug Dillard played but is definitely inspired by it. And “Pig in a Pen,” the Stanley Brothers song that many people are familiar with because Ricky Skaggs recorded it.

They are all normally priced at $30 each, but from now until tomorrow at midnight (that’s Friday, August 27th at 11:59 p.m.) they’re all half price. Just email me if you’re interested!

Custom Lessons I’ve Done Lately

Friday, April 16th, 2010
Casey Henry

Casey Henry

I thought I’d give you an update on some of the custom lessons I’ve been doing lately. The songs that people request never cease to amaze me. Some of them I never would have thought of. Then sometimes I think, “Oh, yeah, that’s a great song!”

As you may know, I wrote about doing these lessons in April’s Banjo Newsletter. I made the comment that no one had yet asked for Kermit the Frog’s version of “Rainbow Connection.” Sure enough, before the article was even published, someone emailed asking for that very song. Unfortunately I had to tell him it was too hard (it has many, many chords in it and he hadn’t started Beginning Banjo Vol. 1 yet). The same day I got that request another one came in for “Somewhere Over the Rainbow.” I thought two rainbow songs on the same day was odd. I’m still working on an arrangement for that one.

One song that I really enjoyed learning, and teaching, was “Eastbound And Down,” which is the theme song from the movie Smokey and the Bandit. I taught a fairly simple break to it, but it also has a lot of chords! I bought the recording of it from iTunes and loved hearing Jerry Reed sing it. Murphy told me who played banjo on that recording, but I have now forgotten.

My next three lessons, coincidentally, were fiddle tunes: “Little Liza Jane,” “Lost Indian,” and “Chicken Reel.” Someone requested Ralph Stanley’s version of “Chicken Reel,” like he played it on the old Rainbow Quest television show. (There’s rainbow again. Hmmmm.). We had the show on video when I was young, but now there’s a clip of it up on YouTube. Chick Stripling does a flatfoot dance to it that is absolutely brilliant. Vaudeville meets bluegrass. You can’t see much of Ralph’s hands in this clip, but I figured out what he was doing the best I could.

Today’s project also has to do with a YouTube clip. On the same show (I think) Ralph plays his most famous tune, “Clinch Mountain Backstep.” Luckily for the banjo players of the world, the camera focuses on his hands the entire time. Although this tune is on our Ralph Stanley Style DVD, Ralph’s version is significantly different than the way we teach it. (The tune’s not different, just the rolls.) So today I’m studying Ralph!

Also on my list to tape in the coming days are: “Get In Line Brother,” “Dusty Miller,” “One Teardrop and One Step Away,” and “Whitewater,” which is a Bela Fleck tune. Wow, those songs really run the gamut of bluegrass history—Flatt and Scruggs, Bill Monroe, Reno and Smiley, and Bela Fleck. And because I know you want to know, “Whitewater” is for Murphy’s student Logan. What? You think SHE plays any Bela Fleck tunes? Ha!

As always, if you’re interested in any of these lessons, just email me (themurphymethod@gmail.com). They’re $30 each.

New Custom Lessons Available

Thursday, March 11th, 2010
Casey Henry

Casey Henry

Just a quick update on a few new custom lessons I have recently done that haven’t yet made it onto the complete list. Today I just taped a lesson for Earl’s break to “Pearl, Pearl, Pearl.” If you’re not familiar with that tune, you need to watch more Beverly Hillbillies.

“Faded Love” is also ready. That’s a popular tune with fiddles, but tricky to play on the banjo. I think I’ve come up with a playable break that most intermediate students should be able to handle.

Two variations for “John Hardy.” This standard is a staple of the beginning banjo repertoire, so it’s understandable if you’re sick of the one break that we teach on the Beginning Banjo DVD. These two breaks (one low, one high) are the ones that Murphy recorded on the Stelling Banjo Anthology CD. They’re definitely harder than the regular break, but totally doable.

And to complete the list, the walkdown and high break for “Earl’s Breakdown,” and a tune called “Sasha.”

If you’re interested in copies of any of these ($30 per song), just email me: themurphymethod@gmail.com.

Earl’s Breakdown Custom Lesson

Thursday, February 18th, 2010
Casey Henry

Casey Henry

I’ve just finished with a custom lesson on the walk-down break and high break for “Earl’s Breakdown”. The first break for the tune is taught on More Advanced Earl, with the tuner section and everything, so this lesson is intended to be supplementary. You have to do the More Advanced Earl lesson first, then use this lesson to add on the variations. It joins the rest of the songs I have available immediately as custom lessons ($30 apiece). You can get them from me directly by emailing me, if you’re interested. (themurphymethod@gmail.com)

Flying and Picking (6)

Friday, February 5th, 2010
Into the Wild Blue Yonder

Into the Wild Blue Yonder

Folks, a few days ago I mentioned that my flight instructor and I had gone on a cross-country flight to another airport here in the Shenandoah Valley. Well, yesterday we went on another longer cross-country, and a parallel really struck me between flying and playing music.

The first time, we flew to an airport near Harrisonburg, Va. I had my hands full trying to identify my checkpoints, keep my log of the time at each one, and dial in my radio navaids to confirm my navigation. We got there right on time and course, but I had my hands full just taking care of those “mechanical” things.

Then yesterday, we flew down to Charlottesville. I was able to do all those things, plus keep checking on the chart to make sure that we were in exactly the right place every minute, and looking ahead to what came next. This time the forecast winds were not as perfect as last time, so we might get a little off course, but this time I could detect it soon and correct for it. I was able to make everything go more smoothly. I think I kept us within a half-mile of our planned course the whole way, and when we were about 15 miles from the Charlottesville airport I spotted our destination runway straight ahead (and we were, almost eerily, nearly lined up with it again). Not only had we arrived on target and on time, but I’d been able to look ahead and think of the flight as a whole, instead of as a series of individual steps.

How does this connect with playing music? Well, you start out learning the notes to a tune, and you play them as well as you can. You eventually get to where you can play all the way through the tune without (hopefully) losing your place, or, at least, if you miss a lick you can recover and keep playing in time. This means that you have the “mechanical” part of the tune under control. But as you keep listening to the DVD over and over (for example, Cripple Creek on our Beginning Banjo Vol.1 or Earl Scruggs playing his original version on the Foggy Mountain Banjo CD), the more you hear. You may automatically pick up the subtle way Murphy and other players syncopate the notes to make the tune more listenable. You start hearing notes that are more accentuated than the others, which define (or at least imply) the melody. You start hearing the overall tune, which is more than just the notes.

You come back to the DVD lesson or Earl’s CD a few weeks or months later, and you can hear more than you did the first time. You start hearing more than the notes. In other words, you start hearing the tune as a piece of music. So keep listening to Murphy, keep listening to Earl, and keep picking!

Red

Christmas Songs on the Banjo

Wednesday, December 9th, 2009
Casey Henry

Casey Henry

‘Tis the season when I start trying to remember all the Christmas tunes I know how to play on the banjo. Some work quite well bluegrass-style. Others not so much. The most common, by far, is “Jingle Bells,” which lays great on the banjo. I posted this link last year, but I’m posting it again, because it is so great. Here’s Earl on YouTube playing “Jingle Bells” with some other pickers who aren’t so shabby, either. It’s a fabulous version because he plays a straightforward melody, yet he’s also got some really, really cool rhythmic licks going.

Since there are not really any standard banjo versions of Christmas carols, you can do pretty much anything you want with them. I figured out really easy arrangements of “Silent Night” and “Joy to the World” for a custom lesson student a couple months back. They’re not so much Scruggsy versions as bare-bones melody versions, but they’re very doable for a beginning student. When I play them for myself, though, I’d probably fancy them up considerably.

I’m currently working on “Greensleeves,” also for a custom lesson. I’ve always loved the melody, but never thought to play it on the banjo. Turns out it’s very simple, but it’s challenging to make it sound a little fuller without skyrocketing the difficulty way beyond the advanced student level. That one should be done next week and if I can get a decent recorded version I’ll post it for y’all to hear. I’m doing it in A minor.

On the subject of recorded Christmas music: last night I was listening to a Gusto Records compilation CD called “Christmas Country Style.”  (That link leads to iTunes.) It has several cuts by Jim Eanes on it and on every one of them I remarked to myself, “Wow, I really like that banjo playing,” or “Now that’s a good banjo player!” I had to call my mom to ask who played banjo with Eanes and I found out it was none other than Allen Shelton. There are a couple clunkers on the disc, but it’s totally worth the $8 it costs on iTunes. It also has one of my favorite bluegrass Christmas songs, the Stanley Brothers’ “Christmas is Near.”

Complete List of Custom Lessons now Available

Wednesday, December 2nd, 2009
Casey Henry

Casey Henry

I’ve had a couple different people ask me this, so I’m doing this post to answer their question. I’ve written previously (here and here) about the custom lessons on DVD I’m offering. I’ve had lots of requests, and have a bit of a backlog in recording them since I was away from my computer for a month. But here is a complete list of all the ones I have ready to go right away. Each song is $30 apiece (about the same as a half-hour in-person lesson). There are two Christmas songs on the list: “Silent Night” and “Joy to the World.” These are very easy beginner arrangements of these songs, but very nice arrangements, if I do say so myself. I’m also including “Ave Maria” on the list. I’ve been trying to learn this song for months, out of Janet Davis’s Christmas tab book, to teach for a student. Getting the thing taped is my project for today, and I figure if I put it here on the list, I really do have to get it done! If you want copies of any of these lessons, email me!

(List updated Aug. 26, 2010)

B=Beginner, I=Intermediate, A=Advanced, RA=Really Advanced

  • 214 (from Casey’s Real Women Drive Trucks CD) (RA)
  • Ave Maria (RA)
  • Banjo Pickin’ Girl (in the key of C) (I)
  • Blue Ridge Cabin Home (Earl’s arrangement) (I)
  • Buffalo Gals (I)
  • Bugle Call Rag (A)
  • Chicken Reel (I)
  • Clinch Mountain Backstep (Ralph Stanley’s arrangement)
  • Daddy Played the Banjo (From Steve Martin’s The Crow CD) (I)
  • Daddy What If (a Bobby Bare song) (B)
  • Dear Old Dixie (A)
  • Dixie (I)
  • Dixie Breakdown (Murphy’s break from the Real Women Drive Trucks CD) (A)
  • Dooley (I)
  • Doug’s Tune (A)
  • Down Yonder (Murphy’s arrangement off of her M&M Blues CD) (A)
  • Dusty Miller (A)
  • Earl’s Breakdown (walkdown break) (RA)
  • Eastbound and Down (Smokey and the Bandit theme song) (I)
  • Eight More Miles to Louisville (I)
  • Faded Love (I)
  • Faithless Love (as recorded by Linda Ronstadt) (I)
  • Farewell Blues (A)
  • Fireball Mail (high break) (I)
  • Freddie’s Lilt (From Steve Martin’s The Crow CD) (RA)
  • Frost (from Casey’s Real Women Drive Trucks CD) (RA)
  • Give Me That Old Time Religion (I)
  • Greensleeves (I/A)
  • Help is on the Way (I)
  • Huckleberries (from Casey’s Real Women Drive Trucks CD) (A)
  • I Am A Pilgrim (I)
  • Jesse James (I)
  • John Hardy (Murphy’s low break from the Stelling Banjo Anthology CD) (I/A)
  • John Hardy (Murphy’s high break from the Stelling Banjo Anthology CD) (I/A)
  • John Henry (in G) (I)
  • Joy to the World (B)
  • Just Because (Murphy’s arrangement off of her M&M Blues CD) (A)
  • Katy Daley (I)
  • Leaning on the Everlasting Arms (I)
  • Little Birdie (I)
  • Little Liza Jane (I)
  • Long Journey Home (I)
  • Lost Indian (I)
  • Maple on the Hill (I)
  • Me and My Old Banjo (I)
  • Old Rugged Cross (I)
  • Old Time Religion (I)
  • One Teardrop and One Step Away (I)
  • Over The Rainbow (A)
  • Pearl, Pearl, Pearl (I)
  • Pig In A Pen (I)
  • Possum John (fiddle tune that Casey plays with The Dixie Bee-Liners) (A)
  • Precious Memories (I)
  • Rabbit in a Log (I)
  • Real Women Drive Trucks (from Casey’s Real Women Drive Trucks CD) (RA)
  • Red Wing (A)
  • Sally Johnson (the banjo backup as recorded by Doug Dillard) (A)
  • Sasha (I)
  • Shenandoah Breakdown (I)
  • Shrimp on the Barbie (from Casey’s Real Women Drive Trucks CD) (A)
  • Shuckin’ The Corn (A)
  • Silent Night (B)
  • Sophronie (low rolling backup) (I)
  • Spring Break (from Casey’s Real Women Drive Trucks CD) (RA)
  • St. Simon Says (from Casey’s Real Women Drive Trucks CD) (A)
  • Strawberry Fields Forever (A)
  • Stuck on a Bus (from Casey’s Real Women Drive Trucks CD) (A)
  • Tennnessee Waltz (I)
  • Wabash Cannonball (in G) (I)
  • Wabash Cannonball (in C) (I)
  • Washed in the Blood (I)
  • Whiskey Before Breakfast (A)
  • Whitewater (A)
  • Wildwood Flower (in G) (I)

Odds and Ends

Wednesday, August 26th, 2009
Casey Henry

Casey Henry

For the first time ever here at the Murphy Method we’re having a half-price sale on all our banjo DVDs and videos. Those of you who get our newsletter found out about it on Monday and boy oh boy, has the response been great. We never could have predicted how many people would want to stock up on DVDs when given the opportunity. If you’re not on our emailing list, you probably just happened by our site and saw the notice on the front page. If you’d like to take a look at what we send out on a monthly basis, here’s our August newsletter to check out.

If, after seeing our newsletter, you’d like sign up and get in on sales and new products at the earliest opportunity, you may do so here.

I periodically check out Banjo Hangout to see what they are saying about us. Usually I’m please with what I find, like today, for example. I read in this thread how satisfied people have been with our customer service. That is one thing we consider of #1 importance. We want our customers and students to be completely satisfied and we will do everything in our power to make that happen. If you order our products from a different retailer, there is only so much we can do, but if you order from us we’ll pretty much bend over backwards for you.

I’m pausing in the middle of editing a lesson I just taped (Is that still a valid verb to use? “Taped” meaning “recorded on my coumputer.”) for “Just Because.” A couple students wanted to learn the version that Murphy recorded on her M&M Blues CD, so yesterday I sat down and learned it. I made my student Kyle act as a guinea pig and I taught it to him at his lesson yesterday. The lessons always come out better if I’ve had a chance to practice them on in-person students first. If anyone else wants a copy, just let me know.

One last item to mention, and that’s the fact that we now have our Rawhide video available on DVD!! It is the last of our banjo videos to be converted so we now have every single one of the old videos onto DVD. Finally!! We’re doing a little happy dance. And it, too, is on sale for half price, until August 31st.

More on Custom Lessons

Wednesday, August 12th, 2009
Casey Henry

Casey Henry

The requests for our new custom lesson service keep trickling in. I thought I’d post an updated list of all the songs I have available at this point (or will have soon, as I’m still in the process of recording them…)

Blue Ridge Cabin Home

Shuckin’ The Corn

Shenandoah Breakdown

John Henry

Doug’s Tune

Faithless Love (as recorded by Linda Ronstadt)

Whiskey Before Breakfast

Sally Johnson (the banjo backup as recorded by Doug Dillard)

Eight More Miles to Louisville

Give Me That Old Time Religion

Red Wing

Down Yonder

Dear Old Dixie

Just Because

Precious Memories

Washed in the Blood

I Am A Pilgrim

Just A Closer Walk With Thee

Old Rugged Cross

Wshew!! That’s quite a list. Some of the requests surprised me, but most are really good solid tunes that I think many people may be interested in. It has been fun coming up with simple, solid arrangements for the tunes and some of my live students have been willing guinnea pigs. The lessons are available for $30 per song by emailng me.

More On Custom Lesons

Wednesday, July 22nd, 2009
Casey Henry

Casey Henry

I’ve now had quite a few requests for the custom DVD lessons I’m offering and, having recorded five or six of them, I’ve discovered a few things. This is the first time I’ve taught students where I have absolutely no idea about their playing experience. They could have been playing for years and years, or they could have started a few months ago. Because of the I have to err on the side of explaining every single thing. When I know a student has been playing for a while, or I know they’ve been through the Beginning Banjo DVDs, I can say, “End the phrase with your tag lick,” and I know that they know what I’m talking about. In these custom lessons, I have to explain every note of the tag lick in every single song, just in case they don’t know it.

Even when recording the regular Murphy Method DVDs, we have a reasonable expectation that the students who are using the more advanced lessons have already covered the beginning lessons, and if they haven’t we can tell them to go back and do, for instance, Jam Session Standards, before trying to tackle Advanced Earl. But people who request a lesson of one song, some of them fairly obscure, can’t be told “Go back and do the entire Misfits DVD before you learn this.”

But, it’s kinda cool seeing the songs that people request, and it’s good practice for me learning them (if necessary) and teaching them. I bet some of them will end up on our regular DVDs in the future. So, thanks to all of you who have and will ask for custom lessons for contributing to ongoing cirriculum development at The Murphy Method!