Posts Tagged ‘earl scruggs’

Backup

Wednesday, March 25th, 2009

Casey HenryIn the last couple weeks, with two of my more advanced students, we’ve been looking at a particular backup lick that Earl uses sometimes. It’s found on medium-to-slow tempo songs and is done with two-finger chords on the first and second strings way up the neck. (Here is where tab would come in handy. I could just show it to you and say–this lick!). One thing I sometimes have trouble with is finding the perfect example of a lick I want to teach. It can be a lick I use all the time, yet I’m not sure what song it came out of originally. For these backup licks I actually found three songs, which I’ll share, first of all so that you can go listen to it, second of all so next time I want to teach it I can come and look and see what songs I used!

1.) “He Took Your Place” – The lick comes in on the second verse, 1:08 on the counter. This is the earliest example, from 1955, which was pre-dobro in Flatt and Scruggs, so you can hear the banjo really well.

2.) “On My Mind” – Earl uses the lick in the second half of the chorus, starting at 1:08, and again at 2:29. Now there’s dobro in the band and therefore less banjo backup.

3.) “Crying My Heart Out Over You” – Two short uses here at 0:53 and 2:18.

Practice Tip #7

Wednesday, January 14th, 2009

Casey(Yes, I went back and counted!) My tip for today is this: keep up with your old material!! With one of my students, who has been coming to lessons for at least six years now, I’ve been doing a thorough review of old material for the last couple of months. Now, in six years you are going to cover a lot of stuff. And, indeed, we have lots and lots of songs on the list. If you don’t keep a list of the songs you’ve learned, you should. It is easy to let something slip through the cracks. Lots of his songs slipped through the cracks, so we’ve been going back and relearning lots of things that he would have remembered had he been a bit more conscientious about practicing.

I know that it is hard to keep up with the things that you don’t use often. I have that same problem myself. But as a banjo player you should absolutely be able to kick into any and all of Earl Scruggs’s tunes at the drop of a hat, even if you don’t play them often with others. It’s one thing to let an obscure fiddle tune fall out of practice, but it is unpardonable to let “Fireball Mail” fall out of practice. In theory all the tunes that you’ve learned should be treated equally, but in reality, some are more equal than others!

Jingle Bells

Sunday, December 7th, 2008

Casey HenryThis is quite possibly the best version of Jingle Bells ever! Check out Earl’s syncopation on the melody, and he does some pretty nifty backup, too! You can hear the banjo great all the way through.