Posts Tagged ‘guitar’

Take Your Pick!

Tuesday, February 16th, 2010
Red Henry

Red Henry

Now, this little blog isn’t about banjo picks, so rest easy that there won’t be any battles started about those. There are as many opinions about banjo picks as there are banjo players!

But today’s story is about FLATPICKS. We sometimes take them for granted, but not everyone knows what they are. Once a lady had seen our ad for the “Flatpicking Guitar DVD”, and called us to ask, “What does ‘flat picking’ mean?” Well, we did our best to explain, but if you don’t know what a flatpick is, then this won’t mean much to you.

I have a particular, favorite kind of flatpick. These were made of a particular kind of plastic by just a few companies (such as Gibson), and they’re no longer made. Well, I had hoarded about a dozen of these picks, and I used or lost less than one a year, thinking they were a lifetime supply. Then, about a year ago, I put them in a safe place.

Well, you know what that means. I lost them. They were so safe that I couldn’t remember where I’d put them. I looked in every great “safe place” I could think of. I only had two of the picks that I hadn’t put away, and I thought maybe those two would have to be my lifetime supply…

That is, until two days ago. The picks were on a shelf in in plain sight, and fell off when I put something else on that shelf. There they were, my favorite plastic. Good grief.

The moral of all this (if one exists) applies not just to flatpicks but also to banjo thumbpicks, and is in three parts:

(1) Don’t get attached to just one kind of plastic for your picks;

(2) Use lots of different kinds of picks, like Bill Monroe did, so that your fingers are used to variety and can adapt to other kinds of plastic; AND–

(3) When you put your picks in a safe place, Don’t put them in too safe a place. Put them in a place you can find again!

Everybody pick purty–

Red

Two New DVDs Now Available

Friday, July 3rd, 2009

Red HenryFolks, we’re happy to announce that we have TWO great Murphy Method videos now available on DVD. The first one is “Great Banjo Tunes” (the old video was called “Advanced Banjo”), and it lives up to its name. These are the great lessons included on it:

Great Banjo Tunes cover

Great Banjo Tunes cover

The Gold Rush
Shenandoah Breakdown
Bill Cheatham
Dixie Breakdown
Kansas City Railroad Blues  (taught by Casey)
Limehouse Blues

–as you can see, these are some of the very most popular numbers that come up in jam sessions around the whole country! As always, the tunes are taught note-by-note by ear, the Murphy Method way. We’ve had a lot of requests for this DVD, and now it is here!

. . . . .

Bluegrass Rhythm Guitar Vol 2 cover

Bluegrass Rhythm Guitar Vol 2 cover

Our second new DVD is called “Bluegrass Rhythm Guitar Volume 2″ (the old videotape was titled “Basic Bluegrass Runs Vol.2″). We’ve also had many, many requests to make this available on DVD, and we’ve begun sending them out already. This follows on our very popular Volume 1, which we released last year.

Both of these new DVDs are IN STOCK and READY TO SHIP! Just order through our website for prompt shipping and good picking!

You Have to LISTEN Before You Can PLAY

Friday, November 21st, 2008

Red HenryWe recently received a question from a guitar student who wants to learn to flatpick in jam sessions. Here’s part of his note to us:

“I’ve been playing guitar for a bit over 40 years… I can play rhythm without batting an eye and play totally by ear… Bluegrass is my all time favorite and the one thing that I want to do more than anything else is to learn to flatpick. I have your guitar flatpicking CD but still cannot get the hang of filling in between the melody notes. I’ve read where you do not advocate the use of scales. What is the secret then to filling in between the melody notes? …”

—and this was my reply:

Thanks for your note. In answer to your question (and as you’ve found out), flatpicking is a complicated skill. We try to set people on the road to it with our flatpicking DVD, but Murphy can only teach so much material on one DVD.

The way most bluegrass flatpickers learn to play lead is by sitting down and picking out the melodies to a lot of tunes—fiddle tunes may be best, since they have such well-defined melodies. This is because those tunes have a lot of great licks in them that can be played against particular chords. When you have a large enough vocabulary of licks built up to use in different chords, and have gotten the hang of putting them into a break when you need them, then you can assemble a guitar break to any tune you need to play. But the most important first step is LISTENING.

Before you can learn to play lead, you need to do a lot of listening. The best “input” is to listen to great lead guitarists (people who actually do play melodies and good musical licks) such as Doc Watson or Norman Blake, and also guitarists such as George Shuffler and Bill Napier, who played lead guitar with the Stanley Brothers. The more of the sound of good lead guitar you can get into your head, the more of it you can learn to play yourself!

We do not recommend that you listen to many modern bluegrass guitarists to learn this, since many of them concentrate on playing hot “jam” licks instead of the melodies to songs and tunes. However, if you are able to pick up some licks from them, more power to you! This goes for using scales too. Listen and learn any way you can.

Flatpicking Guitar now on DVD

Wednesday, July 30th, 2008

This week we got our Flatpicking Lead Guitar video on DVD (finally) and you can order it from the website. I know a lot of times people hold off on ordering a video, waiting for us to get it on to DVD. Well, you can stop waiting (for this one, anyway!). This is the perfect introduction to lead playing. If you’ve been strumming away on your old guitar for years but have never quite known how to make that leap to picking leads, this is for you. Here is a sample of how it is taught. This comes from the first lesson, “Old Joe Clark”: